When he opened another box, he almost jumped up excitedly, and carefully picked up two yellowed calligraphy tablets, shocked.

The three kings, Wang Xizhi, Wang Xianzhi, and Wang Xun, are the pinnacle of calligraphy attainments! Qianlong Sanxitang is famous for its collection of their authentic works. The three Xi are the scholars Xi Xian, the Xian Xi Sheng, the Holy Xi Tian, the scholars hope to become the sages, the sages hope to become the sages, and the sages hope to become the people who know the heavens, that is, to encourage their unremitting pursuit and diligence.

Sanxi Hall, located in the Xinuan Pavilion of the Yangxin Palace, was originally known as the greenhouse, and later changed to Sanxi Hall. It is the study of Emperor Qianlong of the Qing Dynasty, and it is also the most obvious symbol left by him as the owner of the Palace of Nourishing Hearts.

In the eleventh year of Qianlong, the great calligrapher Wang Xizhi of the Jin Dynasty collected the "Sunny Post when the Snow is Fast", Wang Xianzhi's "Mid-Autumn Post" and Wang Xun's "Boyuan Post". Three ancient ink treasures, cherished by Emperor Qianlong, specially stored here, from time to time to appreciate the copy.

In the fifteenth year of Qianlong, Sanxitang collected 134 famous artists after the Jin Dynasty, 340 pieces of ink and 495 kinds of rubbings, and became the most important calligraphy tablet in the Qing Palace.

Later, after leaving the palace in 1951, the "Mid-Autumn Festival" and "Boyuan Post" were acquired by the state and returned to the Forbidden City, at this time it has been 27 years since they left the Forbidden City.

The ill-fated "Sunny Post in the Fast Snow" drifted to most of the country, but finally ended up on a treasure island thousands of miles away, and is currently hidden in the National Palace Museum in Taipei, which is the treasure of the town museum.

"I really didn't expect to be able to find the authentic handwriting of the two kings, as long as I find the calligraphy or tablet of the last Wang Xun, wouldn't it really be regarded as having my own Sanxi treasure post?"

This time I really picked up a treasure, the two pieces of calligraphy are more precious than all the recent combined, the two kings are genuine, rare in the world!

Wen Yiming returned to the capital non-stop, and first stored the true works of the two kings and the righteousness of the rites in the safe, fortunately with foresight, he rented the largest number directly, otherwise it was really not enough.

Watching Hu Jianmin frantically look at dozens of famous calligraphy tablets, Wen Yiming waved his hand, and decided to let him choose first, and then put it on the auction.

Then I returned to Jingang again, took advantage of the momentum, continued to hunt for treasure, and came to the famous Red Bean Pavilion at that time, but now it is an old warehouse?"

Red Bean Pavilion, the former site of Pu Dong, a senior Peking Opera ticket holder, alias the owner of the Red Bean Pavilion. Since childhood, he has read the scriptures and history step by step in the upper study, learned to compose poems, studied piano, chess, calligraphy, and painting, collected gold and stones, tablets, and was good at governing seals.

Born in the second year of Guangxu, because of the ranking of the fifth, the laymen respectfully call him the fifth master of Dong. Since childhood, he has loved Kunqu Opera and Peking Opera, because he is a relative of the Qing Dynasty, his family is rich, and he often has contact with the famous artists of Beijing and Kunming at that time.

To say that the son-in-law of the year not only had to come from a famous family, but everyone also had real talents and learning, and they had their own strengths, which was much stronger than the current rich second generation!

Wen Yiming sighed, in ancient times, being rich and powerful was only one aspect, and only by having real skills could he win respect. Now that the world is declining, people's hearts are not ancient, which is really sad.

Take a walk around the warehouse, find clues with your sense of smell, rent it directly for money, the old rules, dig treasure chests.

"This is the Sanxitang Fati?"

Found the big treasure chest, the top is 32 ancient books, it turned out to be the Sanxitang Fati.

The book is the twelfth year of Qianlong, the emperor Hongli ordered Liang Shizheng, the secretary of the Ministry of Officials, Jiang Pu and others, the calligraphy works of the past dynasties in the collection of the inner house.

"Sanxitang Fa Ti" is well-engraved and has a huge volume, which can be called a huge work in the series. After completion, only a few dozen copies were given to the favored ministers.

Later, in the seventeenth year of Qianlong, Fu carefully selected five volumes of the famous law books of the past dynasties from the collection in the palace and engraved them on the stone. At this point, the "Three Xitang Laws" has been completed. By the end of the Qing Dynasty, it spread widely.

"Is this really fate? First I found the true works of the two kings, and now I even have the three Xitang scriptures?"

Wen Yiming is incredible, he really wants to come to something, but it is normal, Pu Dong is a descendant of the royal family after all, and it makes sense to have a palace secret.

"Heshen's Huayan Sutra?"

Another handscroll is the Huayan Sutra copied by He Shen for Qianlong, sprinkled with tens of thousands of words, and the words of the ministers, neat and atmospheric.

In order to celebrate his mother's birthday, Qianlong asked He Shen to copy it, which is worthy of being the handwriting of the four major calligraphers of the Qing Dynasty. ”

In history, He Shen is actually clear-eyed, Yushu is in the wind, can speak well, is good at observing faces and colors, is a talented man, proficient in Manchu, Chinese, Mongolian, Tibetan four languages, and is proficient in the four books and five classics, known as the first handsome man in Manchuria, which is also one of the reasons why Qianlong likes him.

He Shen first became an official and wanted to serve the country, and later became the minister of the treasury at the age of twenty-six. From this job to learn how to manage money, the national inventory has increased greatly, with these talents to get Qianlong's appreciation, at that time He Shen was honest, studious and progressive, but later in power, and in the officialdom, slowly and those corrupt officials into the assimilation.

Purely from the perspective of calligraphy attainments, Ji Xiaolan's characters are round and natural, graceful and luxurious, both large and small, and vigorous, which is also a perfect combination of practicality and artistry.

Prime Minister Liu Yong, honest and loving the people, known as the prime minister of thick ink, is the pinnacle of the Qing Dynasty's Tixue, the essence of the connotation, the taste of the gods, the Qing Dynasty calligraphers and modern calligraphers have varying degrees of influence.

His calligraphy originally started with Zhao Mengfu and Dong Qichang, and he liked Su Shi's brushwork, and he had devoted himself to studying the "Pavilion Post", and he had studied the tablets of the Tang and Song dynasties and the Six Dynasties. Not only is he good at regular script and line script, but he can also write list books and small letters. He likes to use a hard pen and a short pen, and his calligraphy is plump and generous, reflecting the degree of his life.

And Shen's calligraphy is also extraordinary, but the original intention may not be right, for the flattery of the long live Lord, in imitation of a lot of effort, has reached the point of fake, some poems in the late Qianlong period, simply handed over to He Shen ghostwriting, from which we can see the attainment of He Shen's calligraphy.

Heshen calligraphy is very rare, and it is burdened by the reputation of traitors, especially the long scroll of calligraphy, which is a rare treasure.

"There is also Tang Ouyang Xun's Huadu Temple post!"

Wen Yiming carefully opened the bottom of the box and wrapped the thick scroll in red silk, and the first one turned out to be Tang Ouyang Xun!

Ouyang Xun, a famous calligrapher and official in the Tang Dynasty, one of the four masters of regular script, and Yu Shinan, Chu Suiliang, and Xue Ji of the same generation are known as the four masters of the early Tang Dynasty. Because his son Ouyang Tong is also good at calligraphy, it is also known as Da Ou.

"Could it be the other one?"

Wen Yiming was excited, and suddenly the wonderful intuition that his wish came true, slowly opened the last scroll.

"Wang Xun, March post!"

Wen Yiming couldn't help but look up to the sky and smile, sure enough, it was the last king of the three kings, Wang Xun disappeared for many years!

Wang Xun, good at calligraphy, Dong Qichang called it chic and ancient, the Eastern Jin Dynasty is romantic, as if in the eyes. His masterpiece "Bo Yuan Post" is a rare authentic handwriting of the Eastern Jin Dynasty, and it is the only authentic work of the Wang family of the Eastern Jin Dynasty, and is regarded as a rare treasure by calligraphers, collectors and connoisseurs of the past dynasties.

"Bo Yuan Post" is a letter to greet relatives and friends with illness, and "Xuanhe Book Pedigree" contains: Xun III is known as a book of energy, and his family is a scholar. Xun's grass saint is also spreading. This post was collected by the Northern Song Dynasty, Dong Qichang of the Ming Dynasty and others have been collected, and it is one of the three treasures of Qianlong.

The Xuanhe Book Book also contains its cursive "March Post", whose whereabouts are unknown after the war, and today it has finally reappeared.

"Wang Xizhi's seal book is on the tablet, Wang Xianzhi's Bingshe post, plus Wang Xun's March post, my brother also has his own Sanxi Hall!"