Chapter 340: Heaven and Earth Have Righteousness (II)

Moreover, compared to the time when the old man in white sacrificed this "saint chapter", at this moment, at this moment, Meng Siao recited Wen Tianxiang's "Song of Righteousness", not only Chu Lao, Lu Li and the Confucian scholar in Tsing Yi, but the "classics" contained in the Tianlun acupoint in the eyebrows were inspired by this poem and took the initiative to rise;

This kind of stimulation is not intentional by these great Confucians, but their "classics", attracted by the majestic artistic conception of heaven and earth righteousness contained in the poems of "Song of Righteousness", and spontaneously resonated.

"The ghost fire in the underworld, the spring courtyard is dark. Cow Ji has the same soap, and chickens perch on phoenix food. Once covered with fog and dew, it was divided into barren ditches. No matter how cold and hot it is, Bai Wei is easy to find itself. Sorry and depressed, for my peace and happiness. How can he be a mistaken, yin and yang can't be thieves!"

Meng Siao had already seen the old face of the old man in white, and with the recitation of his poems, it became more and more ruddy, more and more ruddy-

This is already an abnormal flush, and Zhou Ao before was also such an expression when he was slapped in the face.

Meng Siao sneered in his heart, but the voice in his mouth became louder and louder, more and more majestic.

Even he could feel that when he was reciting this "Song of Righteousness", between his chest and abdomen, there was indeed a "qi" rising, passing through his throat and mouth, turning into a sound and resounding out.

At this moment, Cen Can, Chu Lao, Lu Li, Tsing Yi Confucian scholars, and the three major Confucian scholars in the Central Holy Dynasty opposite, all changed their colors in unison.

Because, this "classic" behind their heads was not driven by their ideas to rise, but now, when they had no ideas, the poems, scriptures and moral articles recorded in it flowed out by themselves, turned into the most primitive and pure "Haoran righteousness", and surged towards Meng Siao.

Even the old man in white who sacrificed the "Saint's Chapter", the first time he realized that something was wrong, wanted to take back his scriptures, poems, and moral articles, but his thoughts moved a hundred times, and those scholarly records that should have obeyed his orders still ignored it, and still surged towards Meng Siao.

Even Meng Siao himself didn't expect that Wen Tianxiang's "Song of Righteousness" would create such an exaggerated scene.

However, the more exaggerated the scene, the better the slap effect on the face of the white-clothed old man of the Central Holy Dynasty!

At this moment, although the entire "Song of Righteousness" has not yet been recited, the face of the old man in white has become completely embarrassed from the previous old god, and the whole old face has become the color of pig liver.

Looking at this, looking up at the floating clouds. The philosopher's day is far away, and the punishment is in the past. The wind eaves show books and read, and the ancient road shines in color. When the word "color" of the last "color" burst out of Meng Siao's mouth, his voice was no longer his original voice, but seemed to have turned into the magnificent and majestic sound between heaven and earth.

This voice is not like the "Heaven and Earth Fa Yin", which is full of momentum and coercion, but it makes people instinctively give birth to a feeling of awe and admiration from the bottom of their hearts.

As the first sentence of this poem says, there is righteousness in heaven and earth!

At this moment, in front of Meng Siao, the "Haoran Righteousness" accumulated by the seven Confucians throughout their lives has turned into words that walk the dragon and snake, although these words, although they are not as glorious as the "Saint Chapter", they are still the unpretentious milky white color of "Haoran Righteousness", but they give people an unfathomable and back-to-basics feeling.

These characters formed by "Haoran Righteousness" are not handed down from the Central Holy Dynasty and have become the unified characters of the major dynasties on the Central Continent, but Chinese characters one by one!

These characters are square and upright, with sharp edges and corners, and this glyph alone makes people feel a kind of arrogance that would rather bend than bend, rather be straight and unyielding.

Not to mention the whole poem that these words combine to make!

Cen Can, Chu Lao, Lu Li, Tsing Yi Confucians, and the three great Confucians of the Central Holy Dynasty, looking at this imposing, like a sword that reaches the sky, everyone's faces are full of disbelief.

None of them could recognize any of the words on it. Even the four great Confucians who have seen the "sage classics" only vaguely feel that these words seem to be in the same vein as the words in the "sage classics".

However, this does not prevent them from feeling the artistic conception of "righteousness of heaven and earth" contained in this poem!

"I always have a feeling that this poem is the root of my Confucian 'heroic righteousness'. The Confucian in Tsing Yi muttered.

"I feel this way too......" Lu Li stretched out his hand, as if he wanted to touch this poem, but his hand was halfway out, and he didn't know why, but he suddenly retracted it again.

The seven people in the Central Holy Dynasty opposite them, at this moment, their faces were already extremely invisible, except-

"I dare to swear! This poem has exhausted the essence of my Confucian 'heroic righteousness'! It is simply a poem of the ages! A poem of the ages!" This middle-aged Confucian man who was also wearing a green Confucian shirt had a look of excitement and excitement, and he actually danced as if no one was around, forming the most stark contrast with the extremely gloomy faces of the other six people.

"How. Meng Siao looked at the old man in white and the old man beside him, "You two old guys, do you still want to question Benhou's character?"

Sun Lao and Zhong Lao looked at the imposing poem in front of him, and Tie Qing's face suddenly turned pale.

"Wow", and the next moment, the two of them spit out a mouthful of blood in unison.

"Hmph, don't you say that Ben Hou is reversing black and white? Don't you say that I am leaving these four masters to play for the tiger? Why don't you say it? Continue to pour dirty water and detain on Ben Hou? Meng Siao saw them vomiting blood, he just sneered, and directly returned the words that the old man in white had taught him before, "This matter is fair, black and white are clear, black is black, white is white! You old thing, you think that just a few words of slander that reverses black and white can ruin Benhou's reputation? What is really ignorance! What is ridiculous!"

The old man in white's miserable face suddenly surged with a sickly flush.

He covered his chest with one hand and pointed at Meng Siao with the other, his whole body was trembling, and his throat "gurgled", as if he wanted to say something, but in the end, it was a "wow", and a mouthful of blood spurted out.

This mouthful of blood was more than twice as fierce as the previous one.

This mouthful of blood spurted out, and the momentum of the old man in white suddenly became sluggish.