Question 1:

Why didn't the succubus take me out first, but instead held Aprile hostage?

A. Because demons are moody, she loves to play cat and mouse games, and is passionate about taking others from the pinnacle of hope to the abyss of despair, thus appreciating their painful and lost expressions.

B. Because she had to let go of herself.

This time Morris had the answer. He chose B, and he didn't need to rely on any reasoning to choose this outcome.

The most sinister truth before us is that if he thinks the answer is A, then things are really hopeless.

And choose B - if the succubus has to let go of his own suffering, then use this as a threat, maybe he can still survive in death.

And if option B is correct, then a new problem arises.

Question 2:

If that succubus couldn't kill Mulris, why did she put on such a big battle - first attack him with crossbow arrows, and then force the ship with someone?

A. Because the demon is evil and disorderly, she acts impermanently, killing when she wants to kill and giving up if she doesn't want to kill.

B. Because Morris angered her by using magic to explore the "Beer Barrel", she wants to punish Morris.

C. Although succubi cannot handle Morris with their own hands, they can borrow someone else's hand, such as Leonard.

This time Morris chose C with elimination. Because in addition to the lack of logical rigor of the two options A and B, there is also an unexplainable loophole.

That's what Lilith used to call him - the savior of Morris.

Despite his self-knowledge, his performance tonight was lackluster and less worthy of the title "Savior".

But as one of the traversers, the feeling of erecting some kind of flag haunted Morris, and he lingered.

This made his thinking divergent and associated with more problems.

Question 3: If the Aurus rebels killed me for some clear reason. And what about the last time?

A. As I had previously inferred, I really just happened to suspect that I was a spy.

B. My assumptions were wrong, but they had already set a trap for me to jump into.

Question 4: Why do I have mermaids around me when I am in distress twice in a row?

A. She is an ally.

B. She is an enemy army.

C. She is a kind stranger.

......

Regarding question three, Morris had chosen answer A. But based on the available inference, answer B is more likely today.

Of course, there is a big doubt about answer B, which he can't justify. That is:

Could a premeditated murder really allow him to escape so easily? Was it because Gregory and the others had too low IQs, or was it because he was too lucky.

As for the option of being strong, it didn't exist in the first place.

Question four is even more interesting for Morris.

After the impossible B option is excluded first, then the answer can only be selected in AC.

Let's start by assuming that the answer is C – both of which are ordinary coincidences......

Well, this question has lost its relevance to continue to diverge.

So Morris can only assume that the answer is A. Then he can get an interesting and mind-blowing explanation. The merfolk are allies, and the demons are enemies.

So does it mean that they belong to two opposing camps?

The mermaid is on its own side...... The so-called "salvation" camp.

Demons should be ...... "world-destroying" camp?

Thinking of the demons' unspeakable deeds in Tirel's history, Morris felt that a terrible flag had been erected.

Of course, neither question 3 nor question 4 is important to him now. The inference that determines the fate of the shipload of the "Edin Beauty" is only the first and second questions.

Connecting questions 1 and 2, Lilith has a desire not to kill him, so she can only make unrealistic promises of after-the-fact rewards, and use the hands of the crew of the "Beer Barrel" to get rid of him.

If this reasoning is correct, then the crew of the "Eedin Beauty" is the obstacle that stands in their way before they can get rid of Morris.

If she lets it go, then with the superb fighting skills of the captain and Morris, it is still unknown who will win and who will lose.

Therefore, it was inevitable that she would slaughter these people.

This is what Morris had hesitated, he could have used these people as a shield, hid behind them, and killed them with the rebels, then he could have a chance of survival.

But he eventually gave up.

You should bear your own iniquities. Exchange my death for someone else's.

But if this were a novel, the virgin would be sprayed to death by the reader, wouldn't it?

Morris thought to himself.

......

In fact, these inferences of Morris are still somewhat innocuous and flawed.

For example, why can Lilith hurt him but not kill him? Is there a boundary?

What Morris believes is that this is based on whether he has lost his combat effectiveness. But this is unreliable, because without Barres's irascible treatment, he would have lost his combat effectiveness.

But judging by the results, it is clear that his inference is correct. Lilith really can't seem to kill him with her own hands, and it's up to the rebels to do it.

They kill him and get a promise from her.

It could be building a kingdom with the help of demons, or something else.

But it didn't matter, because under poor and stupid Leonard, the leadership of the team had been appropriated by Lilith.

He will end up with nothing.

Morris couldn't help but maliciously speculate about the bald man's mood in the face of the result, which was a good snack as a snack before he died.

It's a pity that there was no wine to send him on his way.

Therefore he is the most pitiful, and he will die in despair the moment the sun rises the next day.

......

Convincing the crew of the "Edin Beauty" to leave was the hardest part of the process.

Some of the crew seemed to realize that Morris had made a difficult choice.

Enraged, these sun-drewry men confronted Peters after trying to persuade Morris to no avail, and eventually almost turned into a new fight with the Beer Keg.

Lilith watched all of these things coldly. Some of the hot-blooded men reloaded the muskets, and they decided to kill the demon at a distance so that she wouldn't be slaughtered at close range.

Peters persuaded a large part. Those who could not be persuaded were stopped by Morris using some little tricks—very superficial and ineffective hypnosis.

The unconscious Barres was fine, and of the survivors, he and the other short man who wielded the axe were the most seriously wounded. Henry took the helm and drove the ship up.

And April, the little girl was crying so badly that she realized from the other people's performances that it was most likely a life-or-death parting. Morris failed to persuade her, and in the end he had to let Peters forcibly take her back.