Chapter 25: Ghosts on the Hundred Flowers Continent 1
readx;? Of course, Tang Wan remembered that there were only flowing water and residual lotus in Baihuazhou, and several spring streams that converged along Qushuiting Street in the south gathered here, and flowed north along the waterway under the road to Daming Lake. Pen fun and pavilion www.biquge.info
"It must be an illusion. "She is well aware of that.
She looked at Minghu Road, where the street lights were still on, and cars whizzed by from time to time.
Since it was an illusion, she only needed to walk a few steps north to get away from Baihuazhou and set foot on Minghu Road. As she thought so, her feet immediately moved, and she took seven or eight steps to the right. However, the street was obviously in front of her, her feet moved, and the street also moved, and when she stopped, she was still a dozen steps away from Minghu Road, and she didn't get any closer.
She quickened her pace and hurried forward, wanting to bypass Baihuazhou and turn onto Qushuiting Street. But no matter how fast she walked forward, when it came to a stop, she still stood still.
"Ghost hit the wall!" she understood.
The world's different arts, the same, all can recognize their ancestors and return to their ancestors to the Spring and Autumn Period "Qi Sheng" Guiguzi Sect. Since Tang Wan has been practicing the "bone touching technique" for a long time, he also knows a little about other Qimen secret techniques. At that moment, she no longer acted blindly, but bent down, touched a stone pier, and sat down cautiously.
She knew that when the "ghost hit the wall" appeared, everything that the human eye saw was an illusion, the high may be low, the far may be near, the visible may not exist, and there may be ditches and roadblocks in the flat river. Therefore, she can only trust the real thing she touches with her hands.
If it was normal, she would sit calmly and wait for the illusion to disappear automatically. But tonight, she was keenly aware that the vision of "ghosts hitting the wall" that happened in Baihuazhou was probably related to the old mansion, so she had to break through the illusion as soon as possible and go back to the old mansion.
She opened her satchel and pulled out a scalpel blade.
Often, severe pain can help people get out of their hallucinations and return to the real world in an instant, which is equivalent to using physical trauma to help people get rid of nightmares.
Ten fingers connected to the heart, she only needs to cut one finger with the blade, and the illusion will automatically disintegrate.
Next, she pressed the blade horizontally against the tip of her left little finger and was about to cut it gently, but at that moment, a woman in a Japanese kimono quickly turned out of the ruins, holding a roll of bamboo slips in both hands, and read as she walked gracefully.
Tang Wan stopped and stared intently at the woman's feet.
She could clearly observe that as the woman's feet moved, she moved farther and farther away from the ruins, indicating that the woman was not trapped by the "ghost hitting the wall", but moved freely, advancing and retreating freely.
"Twilight breaks the cocoon of time
Stripped like black hair
Braided into the wings of a crow
Intense as ink......"
The woman held the bamboo slip and read it as she walked, and walked straight to Tang Wan before raising her head.
She is very beautiful, with big eyes, a high nose bridge, red lips and white teeth, and a slender waist, she is an authentic modern beauty.
"Isn't it the sorrow of a writer that no one appreciates such a good haiku?" the woman asked.
Tang Wan had some understanding of modern Japanese haiku, and calmly answered: "Haiku is not the best form of artistic expression in the world, Japanese people have always liked to sensationalize, understand or not, as long as it is haiku, they all applaud." β
Haiku is a derivative of the spirit of Chinese Tang and Song poetry, and the Japanese literati are self-appreciating, but in the eyes of the Chinese literati, they are worthless. Therefore, what Tang Wan said was true.
The woman was not annoyed, but narrowed her big eyes, looked at Tang Wan and smiled: "I belong to the kind of people who don't understand but only know how to applaud." What about you?
A gust of wind swept in, and the placket of the kimono moved, revealing two swords that reached the ground. The night wind made Tang Wan's body cold, and the scabbard carved with Japanese wind flower branches around his body brought a dignified killing opportunity.
Tang Wan immediately raised his vigilance to guard against the other party's sudden killer.
"Don't panic, the knife is against the enemy, never against the friend. It's like you sing in your Chinese song β when a friend comes, there is good wine, and if the enemy comes, he is greeted with a shotgun......" said the woman.
Tang Wan responded with a cold face: "We are not friends. β
She wasn't sure if she could stop the Japanese woman from committing the murder, but when she encountered this kind of thing, she could only hold on to it without showing any timidity.
"I know that China is a country full of poetry, and in the long history, there are countless poets who have emerged like dewdrops on the blades of grass. I wish I had been born to be a Chinese who could swim freely in the sea of poetry......" the woman said earnestly.
Tang Wan couldn't help but sneer: "Your Excellency is playing tricks in Baihuazhou, and walking around swaggering around with bamboo slips, you must know that this is not you Japan, but Jinan, China." β
The woman was still smiling: "What's the difference between Japan and China? Everyone breathes the same air, eats the same food, and lives the same world time." The only difference is that I was born on the islands of Japan and you were born in Chinese mainland. People can't choose their own nationality, and in this sense, you and I are no different in our identities, and we can't mock each other and treat each other as mortal enemies. β
Tang Wan was stunned, feeling that every angry sarcasm she made to the other party was like hitting a thick rubber wall, bouncing as it was, leaving no trace. The woman on the other side spoke unhurriedly, Luo Ji's thinking was very clear, and she refused to suffer a loss in words.
"You set up these illusions?" Tang Wan pointed to Baihuazhou.
The woman nodded: "Yes, this is a replica of the tragic world after the atomic bomb attack on the Maizuru Temple in Hiroshima, Japan, which is an eternal pain in the hearts of the Yamato nation." If you want, I can take you inside for a tour. β
At the end of World War II, the United States attacked the two major cities of Hiroshima and Nagasaki in Japan with atomic bombs, forcing the emperor to kneel and surrender. According to records, after World War II, whenever the Yamato nation needed to boost the morale of the people, it would bring out the atomic bomb incident and warn the present and the next generation with a "national shame". At the same time, the populace spontaneously repaired the temples in the ruins of the two cities as a pillar of shame for vowing to rejuvenate the country.
The Maizuru Temple was originally built during the Tang Dynasty when Master Jianzhen crossed to the east, and the scroll of "Dancing Mountains and Seas, Standing in the Nine Skies" enshrined in the master's handwriting has long been regarded as a spiritual national treasure by the citizens of Hiroshima.
Tang Wan realized that the illusion that the other party had created in the Crane Dance Temple in Baihuazhou seemed to have a more far-reaching meaning.
She restrained her anger and shook her head slowly: "Don't dare to be, even if you want to visit, you have to choose a sunny day." β
The woman laughed: "Why deceive yourself, you are scary, although I have arranged a 'ghost hitting the wall' formation, it will not cause you harm-"
A black Cadillac off-road vehicle drove from the west, and stopped abruptly at the door of the Weishan Lake Fish Museum in the west, and a man in a black leather windbreaker jumped out of the back door, and went straight across the street and walked towards Baihuazhou.
The woman no longer chatted with Tang Wan, but greeted the man.
Tang Wan knew that the main master had arrived.
She listened to the wind, and heard the woman shouting and asking, "Yan Gexing, you're late." I want to see tonight, what do you get by leaving the capital for one acre and three points of land?"
After more than a dozen steps, Tang Wan saw the man's majestic appearance clearly.
"What am I? just a gravedigger of the Maizuru clan. The man replied sharply.
"Haha, this is in Jinanβ" The woman laughed.
The man corrected word by word: "You are wrong, this is not in Jinan, this is in China." The land of my Shenzhou is vast, and there are places where mulberry trees are buried everywhere. I guess you chose the best place to die tonight!"
The woman turned around lightly, put the bamboo slips together, and pointed to the depths of Baihuazhou: "I am there, and I have dug a trap to eat people without spitting out bones." Do you dare to come?"
The man replied proudly, "Why don't you dare?" β
In that case, Tang Wan was completely out of the way, because the yin and yang formation laid by the Japanese woman was completely to deal with this free and cold man, and everyone had nothing to do with it except him.
When the man passed by Tang Wan's side, he glanced at her indifferently, then spread his arms and strode away against the invisible dark wind blowing on the Hundred Flowers Continent.
Tang Wan's gaze involuntarily chased the man's back until he stepped on the edge of the pond in Baihuazhou.
"Don't goβ" Tang Wan warned in a low voice.
Of course, she also knew from the man's indomitable momentum that warnings were useless.
The man raised his right hand and didn't look back, just waved it lightly in midair.
"Don't you dare to come?" The Japanese woman had already stepped into the depths of Baihuazhou, and her voice floated from afar.
She waited for work, first laid down ghosts to hit the wall, and then created a void phantom on the water, occupying the right time and place. If you go, you will not necessarily win if you spend three times as much effort. Tang Wan knew that she couldn't persuade her, but she still had to fulfill her obligations.
"Ghost Sorrow at the foot of Mount Fuji - the Japanese illusion master Weaving Soul is just a complete copy of the 'Ghost Sorrow Array' that she has been working hard in Mount Fuji for ten years to Jinan. Does she have a good location? I don't think so. The so-called time of the day is even more ridiculous. China in the 21 st century is exactly the phase of a giant dragon taking off and leaping thousands of miles, and only the Chinese can take this opportunity to soar into the sky...... Thaumaturgy, it's still far away!" the man replied lightly.
"Hahahaha, that's good, that's good...... I laid down this 'ghost and sorrow on the Hundred Flowers Continent', and I caught the finches that flew in the night, not the dragons that soared into the sky. Is it a dragon or a finch, is it dead or broken, come in and say, come in and say, hahahaha......" The woman laughed in the winding path.
Tang Wan knew the name of Soul Weaving, and also knew that the Japanese "Illusion Opera" clan evolved from the soul transfer, soul dementorship, and mind control techniques in Tang Dynasty China, and after the deduction and refinement of several super ninjas in the shogunate era, it has become a product of a high degree of combination of four different realms: spirit, body, landscape, and pictures. Only those who are proficient in "illusion" can be crowned with the glorious title of "illusionist".
Mt. Fuji in Japan has a special aura, with different wind directions, soil qualities, water veins, and aura on the left and right sides of the mountain, which can give enlightenment to different thaumaturgical practitioners. Therefore, when the masters of each island in Japan are faced with the shackles of spiritual practice, they will choose to live in seclusion in Mt. Fuji, retreat to the wall, and meditate, so as to reach the highest spiritual realm.
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