The first volume is only one end away, and it is over.

First of all, Xiao Shui has made an effort on the overall framework of this volume, dedicated to making the world bigger, so that the protagonist will not be detached from this grandeur because of "Goldfinger", instead of easily destroying what was built with words.

Regarding this, Xiao Shui worked very hard to fight against all kinds of invisible "violence" and "kidnapping", and also tried hard to change some of his concepts.

For example, to build a frame with the power of the world ceiling, this power must need to grow, it is the strongest at all times, and even the masters of these forces have been the real protagonists, they have risen from the grassroots, they have countless adventures, their minds are sound, and they have experienced endless wars, and their focus is long different from ordinary people.

It can be said that if it were not for the author's empowerment of the protagonists, they would have been the protagonists.

So it won't happen, "the description is very strong one moment, and then the protagonist gets an adventure and shows a little strength in front of them, and they show a look of shock, and they begin to disintegrate, misunderstand, and look like they haven't encountered it in 10,000 years."

Etcetera...

In fact, this is unreasonable.

But for online writers, "unreasonable facts" are far less than "unreasonable design".

This thing is unreasonable, but you can make it not happen, what the online writer needs to maintain is a "sense of coolness", not anything else, that's the reason.

Xiaoshui has also thought about design seriously, and has explored it in his previous article.

"Refreshing" is like sugar.

"Stories, characters" are like ingredients.

Completely invincible, that is, keep putting sugar, and if you overfill it, it will be greasy and boring.

It's like if you play a game, you open the invincible hook, and whoever the other person is you kill instantly, then after the excitement of the first few minutes, the rest is very complete boredom. You quit the game and decide to play the normal version.

Xiaoshui believes that what he wants to write is not a "completely invincible version", nor a "normal version", but a "appropriately invincible version at a critical moment".

And this invincibility needs to be supported by reality.

Without truth, reasonableness, and foreshadowing, invincibility will become false and cheap, and it will become the "I am the strongest in combat" shouted in the mouths of children.

This time, the framework is still very imperfect, but Xiaoshui feels that at least it is an attempt of his own to change, at least planting a more rational and interesting seed in his future creation.

Secondly, about the plot.

In the early days, he fell into the swamp of the palace, and then he opened up the swamp where the world view was swept into the family, and then he participated in the layout of the family, and maintained a certain layout of the protagonist himself in this layout.

Now the worldview has been opened up again, because the top few people of the human race are also busy, and their focus has been shifted from the human world.

They have gone through a complete eon, they are the finished products.

But the protagonist is just beginning to experience it, and the possibilities are endless.

After King Shenwu was invincible in the visible world, the author's creative feeling was actually very bad, and he felt that it was too superficial, so he laid out and cut into the perspective of the north and south of the wind, so as to enter the larger world - deep into the tiger's den.

After Feng Nanbei incarnated as the Black Emperor, the author's feeling was wrong again, and at this time the author was thinking, what is the enemy? This is the author's thinking, and it is also the protagonist's thinking. In the final analysis, the enemy is not a certain person, but a contradiction between classes, but no matter what this class is, some basic laws about people should not be changed, so there is a master.

Of course, the Master also has selfish intentions, that is, incense, and preparing for the calamity that follows.

At the end of the period, the conflict gradually reached its peak, and this inevitable confrontation was doomed, and the master killed one of the strongest nine.

Because everything is exposed, it is a showdown with each other to some extent, so they enter a kind of equilibrium, which cannot be broken, and if this balance cannot be changed, the author feels that whatever he writes will be very boring and dull, although there are eleven thousand things to write, but the taste of writing will be very bad.

So, the author spread out the timeline, glanced at the eons, and began to skip the timeline, allowing the story to break free from the original small environment and turn over a new one.

That's it to the end.

Finally, about the volume.

Each volume must correspond to an independent killing, an independent new realm, just like opening a new version of the game.

Twelve Killings, the protagonist may not all participate.

But every time you participate, it must be accompanied by the expansion of the world view, and each catastrophe will also become a chapter of its own, which can be regarded as a story that is related to the front and back, but maintains independence.

Of course, there are many things and many people who will run through the front and back of these stories, so as to become more vivid and full.

Xiao Shui knows that his ability is limited, and he is actually dissatisfied with what he writes, but he can only work hard, thinking about how stupid he is, he can write better and better after all, after all, creation is a lifelong thing.

Before the next volume, Xiaoshui took a day off to carry out related ideas, thank you book friends.