537 [Pattern Change]

"The WIA team will check the equipment again."

"The light group will pay attention to the change in a moment."

"Wait for the third machine to follow up, and the fourth machine to standby, look at my gestures."

"Rong Zai, when you fly, your expression should be more panicked, but you don't have to be too scared......

"A Chinese Ghost Story Scene 11, Scene 4, Shot 5, Ikesh!"

"Up!"

As soon as the staff roared, Ning Caichen, a scholar played by Zhang Guorong, hung a tightrope, and Xiaoqing, a female ghost played by Lu Xiuling, also chased after Wei Ya.

A camera followed Lu Xiuling as she moved, and at this time, Yan Chixia, played by Huang Shrimp, suddenly flew over from the other side and slashed at Lu Xiuling with a volley.

"Click! This is over! ”

A sweaty yellow shrimp was lowered from the air, and this one was NG five times before and after just now, and now he feels much more relaxed after taking a shot.

This version of "A Chinese Ghost Story" directed by Kang Jianfei, compared with the original time and space, in addition to the special effects have been greatly changed, the actors have basically changed.

In the original work, Yan Chixia starred in Wu Ma, but now Kang Jianfei is filming "A Chinese Ghost Story", it is impossible to find Wu Ma to be the second male lead, not only because he doesn't want to help Hong Jiaban cultivate movie stars, but also because Wu Ma has no schedule, he can't be invited at all.

Wu Ma is a leading figure in Hong's class, not only can act, play but also direct, and a few years ago he personally became a director and made a movie about Baohe's work. In addition, Lin Zhengying is the same, in recent years, he has become the core of Hong's class, and basically all of Hong Jinbao's movies are Lin Zhengying doing action design.

These two people, Kang Jianfei, can't be poached, and even if they do, there is no suitable position for them. Except for Kang Jianfei kicking the old man in the Kang family class away to make room, but if he does that, what will the other old employees of the Kang family class think?

And. Wu Ma, Lin Zhengying and Kang Jiaban's action styles are also different.

Since its establishment a few years ago, under the guidance of Kang Jianfei, Kang Jiaban has formed its own martial arts style, that is, it tends to be beautiful and elegant. The Hong family class is different, and many times the fight scenes are hard bridges and hard horses.

Now the most popular in Hong Kong is the Hong family class and the family class, when Hong Jinbao and Cheng Long were making movies, the two sets of martial arts teams were competing with each other. And they are not comparing who can win the action design award at the Academy Awards, but which side has more injured martial artists than a movie.

If no one goes to the hospital after filming a movie. That's not normal, now the hospital will leave seven beds for the Hong family class and the family class at any time.

In addition to Yan Chixia and the female ghost Xiaoqing's actors, the actors of Grandma Huaishu have also become the old drama bone Zeng Jiang, and the very angry Xiahou swordsman. is played by Jet Li's friend and national martial arts champion "Ghost Feet Seven" Xiong Xinxin.

Of course. The county magistrate of Guobei County is still made a cameo by Wang Jing and Wang Fatzi.

After a day's filming, Kang Jianfei called Zhang Guorong and Wang Guxian over separately and said, "Rong Zai, Xiaoxian, you are going to shoot your intimate scene tomorrow, have you communicated with each other?" ”

Zhang Guorong thought that Kang Jianfei was worried that he would be embarrassed to shoot intimate scenes, so he smiled calmly: "I'm fine." I'm used to this kind of play, so it's up to Xiaoxian to let it go. ”

Since the last time he was forcibly kissed by Kang Jianfei. Wang Jixian has been secretly dating Kang Jianfei several times, although it has not yet reached the point of going to bed, the relationship between the two has been tacitly understood by each other.

Wang Guxian was afraid that Kang Jianfei would be jealous, so he took the initiative to make a shy appearance and asked: "That, when filming intimate scenes, can you shoot them all in the wrong place, I'm afraid that if you really kiss your mouth, you will be distracted and not good at filming." ”

Kang Jianfei also thought so, so he was going to give a special order in advance, but he didn't expect Wang Guxian to be so understanding, and immediately smiled with satisfaction: "It's okay to shoot in a different position, you two will discuss and rehearse later." ”

Since Kang Jianfei and Wang Guxian did not show anything unusual in the crew, Zhang Guorong really didn't know the ambiguity between them, but Wang Guxian was a little girl who was shy and afraid of filming intimate scenes, so she immediately nodded and agreed.

Kang Jianfei took advantage of Zhang Guorong's inattention and quietly winked at Wang Guxian, who smiled shyly, nodded lightly and turned away, ran back to remove makeup and change clothes, and then secretly went to the old place for a tryst.

Kang Jianfei was about to leave immediately, and Zhang Guorong suddenly shouted: "Mr. Kang, can I take a day off next week on 3?" ”

"Next Wednesday?" Kang Jianfei thought about the progress of the crew and asked, "What are your arrangements for next Wednesday?" ”

Zhang Guorong replied: "The third season of The Voice of China is filming, and I want to be a judge mentor." ”

As soon as he heard that it was a TV station recording a program, Kang Jianfei nodded briskly and said, "Yes, I'll adjust your role when the time comes." ”

……

In the blink of an eye, the third season of "The Voice of China" is about to start, and "Shushan" has also gone to Japan to participate in the Tokyo Film Festival, and it looks like a few new trophies will be added.

In the past October, Xinbao Cinema, which has only been established for two months, began to release more new movies every day. Most of these films were invested by Nanyang and Taiwan, made by independent directors in Hong Kong, and later screened at Xinbao Cinemas.

In order to attract the audience into the cinema, most of these "foreign-funded" Hong Kong films choose to invite popular Hong Kong actors to be the protagonists, and the artists under the Oriental Entertainment Agency have become gunmen again, and Zhou Yunfa received 6 film appointments around August and September, and the schedules are scheduled for the Spring Festival.

These "foreign-funded" Hong Kong films do not expect to be released in Hong Kong during the summer vacation, and their investors just want the film to make a name for itself in Hong Kong. It is best to perform relatively well in the off-season of the movie, and then sell it in Nanyang and Taiwan, and the overseas box office is the big one.

Due to the influx of overseas funds into the Hong Kong film industry, the number of Hong Kong films released in October alone reached 14, which to a certain extent brought an impact to the films released by DreamWorks at the same time. However, this did not have much impact on DreamWorks, Golden Harvest and New Art City, and Yindu Institutions and some small companies were a little miserable, and the average box office of the film fell by a large margin.

Due to the establishment of Xinbao Cinema Line, the competition among major companies has become extremely fierce. The flow of directors has also become very frequent. Golden Harvest's satellite company, in addition to Deng Guangrong's Darong Film Company to cooperate with Xinbao, Yuan Heping's Peace Film Company. Together with the entire Yuan family class, they all jumped ship and went to Xinyicheng and became the Golden Princess Satellite Company affiliated with Xinyicheng.

DreamWorks has left Wu Yusen and others, but there are also several new powerful roles, and "Women's Heart", invested and filmed by newcomer director Guan Jinpeng, will also be released in October.

This is a long story, the director of "Women's Heart", Guan Jinpeng, and the screenwriter Qiu Gangjian, were originally employees of Shaw Brothers Pictures. "Women's Heart" was written and prepared for filming when they were at Shaw Brothers, but the preliminary preparations were not completed. Shaw Brothers suddenly announced the discontinuation of production.

The two ran a lot of companies with the script, and because "Women's Heart" is a thoroughly literary film, no company is willing to invest in it at all - including DreamWorks. At that time, Zeng Zhiwei was still the manager of the TV production department, and he was shot directly after seeing the script.

Before Century Pictures reorganized Wuzhou Century, Qiu Gangjian was the creative manager of Century Pictures, which ranked among the top 10 films in the annual box office list of Hong Kong films. It's all this person who wrote the script. Definitely a top talent in film planning and screenwriting.

After Liu Zhenwei joined DreamWorks a few months ago, Qiu Gangjian approached him for help. The two used to be the general manager of Century Pictures and the other was the manager of the creative department of Century Pictures, and they got along very happily for a few years on business, and Liu Zhenwei immediately went to Tang Shuxuan with the report of "Women's Heart".

Tang Shuxuan himself was born in filming literary films, and after reading the script, he had an appointment with Qiu Gangjian and Guan Jinpeng, and finally allocated money to Guan Jinpeng to direct "Women's Heart".

October is the off-season for Hong Kong's box office. But this year, the competition is particularly fierce, not only with the number of movies released. And the quality is also very good, grabbing the audience is simply flying.

The sluggish layoffs in Xinyicheng some time ago have made some people unemployed, but also created opportunities for others. Zheng Zeshi, who jumped to Xinyi City, seized the opportunity, and after having a good relationship with Huang Baiming, he finally had the opportunity to be promoted to a director, and directed and acted in this film "Why Have Me", which focuses on people with intellectual disabilities.

In the original time and space, "Why Have Me" was made a cameo by Zhou Yanfa, but here it was replaced by Huang Baiming himself, who earned enough tears after its release, and won a box office of 7.06 million in two weeks - this is the result of the box office off-season and more than a dozen movies grabbing the box office, and its data is very valuable.

On the DreamWorks side, Guan Jinpeng's directorial debut "Women's Heart" happened to be three days staggered by the release time of "Why Have Me", and it got a box office of 9.48 million in 18 days.

The funniest thing is that "Dragon's Heart" starring Hong Jinbao and Cheng Long actually came to make a kick. Fortunately, "Dragon's Heart" was released in mid-October, when "Why Have Me" had already been released, and "Women's Heart" was about to end its screening, so there was no bloody fight.

Hong Jinbao and Cheng Long are worthy of Golden Harvest's box office guarantee, even if "Dragon's Heart" is released in October, the box office will earn 20.33 million.

For the rare box office war in October, "Tomorrow Week" has a report about it: "...... The Hong Kong film market is booming, and the box office in other cities far exceeds Hong Kong's local revenue. There are people in Southeast Asia, Taiwan, South Korea and other places who are willing to invest in Hong Kong films to make greater profits, but because the three major cinema chains dominate the Hong Kong film industry, foreign capital has never been able to obtain the prime time of cinemas and starring popular movie stars.

In view of this, Mr. Chan Yung-mei and Mr. Fung Ping-chung decided to set up another independent of the three major cinema chains, Xinbao, to act as an "intermediary" between foreign capital and Hong Kong independent production companies.

This decision obviously kicked off the extreme prosperity of Hong Kong's film industry, and in just over two months, the production of Hong Kong films increased by one-third in the same period last year, and many popular movie stars have also become the target of grabbing from all sides. It is reported that Zhou Yunfa has accepted 5 film contracts at the same time, Alan Tam has accepted 3 film contracts, Zheng Yuling has accepted 3 film contracts, and Zhong Chuhong has 9 crew invitations at the same time, and she only accepted 2 plays after the last. And Liu Dehua, the head of TVB, was hidden by TVB because of too many movies.

The popular movie star is only a reflection of the extreme prosperity of Hong Kong films, and more intuitively, the explosive growth of the number of films released in October. Literary films like "Why Have Me" and "Women's Heart" are selling well at the same time, which marks the maturity of the Hong Kong film market......"

The influx of money from South Korea, Taiwan and Southeast Asia into Hong Kong's film scene has had more repercussions than the news reports suggest. As there is more investment in films, there are more film companies, and there are more film practitioners, and in the two months from August to October, the number of film practitioners in Hong Kong has increased by hundreds.

DreamWorks was most affected by the fact that the number of films released during the same period increased and audiences had more choice, and the screening cycle of DreamWorks' regular films was shortened. Originally, a movie with a decent attendance rate basically had to be screened for about three weeks, but now it can only be screened for two or two and a half weeks.

As a result, it became a little difficult for DreamWorks films to sell to Oriental Cinemas for self-sufficiency. With an annual output of about 15 films, 6 to 10 films must be purchased to meet the screening needs of the Oriental Cinema Line.

Kang Jianfei gathered the DreamWorks executives to discuss it, and finally decided to keep the current production volume unchanged, producing 14 to 16 films a year. Not only can the quality not be guaranteed, but also the investment risk will increase, and the turnover of funds will become more difficult.

The Oriental Cinema Company's film source is insufficient, so it is to go to the outside to buy, anyway, now independent film companies are flooded, and I don't know how many movies are waiting to be released every month. Although Oriental Cinema Company has been defined as a leftist cinema line in Taiwan, there will always be companies that would rather give up the Taiwan market than cooperate with Oriental Cinema in order to release the film smoothly, after all, with the increase of film companies, the schedule of Xinbao and Golden Princess Cinema will also be full.

In terms of the company's management, after Zeng Zhiwei left the company, Chen Xunqi was naturally promoted to the position of manager of the film production department, and his film studio was immediately dissolved. Liu Zhenwei and Wang Jiawei, who helped in Chen Xunqi Film Studio, the former joined the production department as a planner, and the latter entered the screenwriting department as a full-time screenwriter.

And Qiu Gangjian, the screenwriter of "Women's Heart", is really a talent in planning and screenwriting, like Xu Anhua's "Running to the Angry Sea" is the script he wrote. In another time and space, "Ruan Lingyu", "Rouge Buckle", "Underground Love" and other movies that have not yet appeared are also written by Qiu Gangjian, and some of them are still working as planners and assistant directors.

However, Qiu Gangjian's shortcomings are also obvious, that is, this person can only plan and write literary films, and his ability to control commercial elements is very weak - Qiu Gangjian has been mixing in the Taiwanese film industry before joining Century Pictures.

Kang Jianfei gave Qiu Gangjian a special position, asking him to assist Yu Huanping, who was responsible for planning and compiling literary films, and not long after that, he threw Wang Jiawei over. (To be continued......)