In the original book, it is recorded that the Temple of the God of War can also move on its own, change its position and wait for people to appear.

Although he came in opportunistically, it did not hinder the miracle of this temple of the god of war.

Shao Weijie thought of the broken void, and he had to cross the immortal gate, and in the "Legend of the Frontier Wilderness", the "three pendants" could also open the immortal gate, and after the combination of the three pendants that were infused with strange energy, they could also break the void.

This made Shao Weijie have some speculation, this Tang world should have been connected to a higher level of the world before, and this God of War Temple is the immortal weapon of the upper realm, the immortal gate is the channel connecting the two sessions, and the "three pairs" is the key to open the door.

It seems like everything makes sense.

Why are these exotic flowers and plants not available in the outside world, because these are all plants in another higher world, and it is normal for Datang and even other worlds not to have them.

Moreover, this temple of the god of war looks like the size of a palace from the outside, but the inside is vast, and it is obviously the space magic weapon of the "mustard seed Sumeru" and "the world in the palm" of the fairy world.

Since it is a magic weapon, it is possible to collect it!

Shao Weijie began to carefully look at the Temple of the God of War, there was not a pillar in the hall, there was not a single thing, except for the Zhou Tian Xingdou carved on the top of the hall before, he vaguely saw a lot of reliefs suspended in a corner of the hall.

These reliefs are quietly stored in the hall, as if waiting for the world to come and comprehend the supreme ultimate martial arts.

The area of the Temple of the God of War is an extremely wide and extremely high space, and Shao Weijie stands in the hall, like a villain who has come to the Giant Country, and his body is as small as an ant.

On the huge wall at the front end of the main hall, like the original play, a line of big seals was carved from top to bottom, straight down from the top of the hall, the end is separated by 30 zhang, each word zhang Xu sees the square, the book is written: heaven and earth are not benevolent to all things as dogs.

As soon as this remark came out, Shao Weijie reminded Shao Weijie of the Tao Te Ching.

He leaned towards the relief, and with his current light skills, he flew straight for a few breaths before he could reach the relief position.

I saw that there was a relief carving of two zhang square in the center of the giant hall, and there were many relief drawings of the same size on the left and right walls on both sides.

He counted carefully, and these reliefs were just forty-nine pairs, which alluded to the meaning of "fifty avenues, forty-nine Tianyan, and one of them is a variable".

The relief in the center, beautifully carved and lifelike, depicts a god dressed in strange armor and covered with a mask on his face, riding a giant beast that looks like a dragon but not a dragon under his crotch, and descends through the ninefold clouds from the upper left corner, and flies towards a huge blood-red fireball in the lower right corner.

What surprised Shao Weijie even more was that next to each cloud, there were nine heavens, eight heavens, and even the lowest one heaven written from top to bottom.

The top of the relief is also engraved with five large characters, "God of War Catalogue I".

Is this so-called God of War catalogue engraved with the great achievements of the Nine Heavens God of War?

Shao Weijie looked at it again and found that each one was different, like the second one, which is a huge Tai Chi pattern composed of two intertwined energies from yin to yang.

The thunder and lightning bombardment around the pattern not only did not destroy the construction of the two yin and yang energies, but made it yin and yang mutually reciprocal, endless, and became more powerful, until it had the potential to include heaven and earth.

He looked at them one by one until the penultimate picture on the left wall, the above-mentioned "God of War Catalogue Forty-Eight Returns to the Nine Heavens", the god of war rode a monster that looked like a dragon and not a dragon, flew up from the lower right corner, passed through the nine clouds, and flew to the upper left corner, which was exactly the opposite of the first one.

After that, it will be "God of War Catalogue Forty-Nine Broken Void"!

Shao Weijie closed his eyes and pondered, as if he had realized something, but he always felt that he was lacking in inspiration.

He sighed, took the NZT-54 from his bosom again, and took it.

One by one, the catalogues appeared in his mind, like an initiation, and instantly grasped a fleeting spiritual sense.

The past of the Nine Heavens God of War's descent to the mortal battle was constructed and perfected in his mind like an animation, and the source of the Temple of the God of War was finally deduced.

The overclocked brain was running rapidly, and the divine thoughts unconsciously wandered in the giant hall.

The ultimate truth of this world, the mystery of life and the universe, and the general meaning of "heaven and earth are unkind and all things are dogs" were understood by him one by one.

In comparison, it is too easy to understand the martial arts principle of "absorbing the essence of heaven and earth as oneself, achieving the mutual exchange of yin and yang, and boundless vitality" told by the forty-nine relief drawings of the "God of War Catalogue".

This time, he finally realized that the original Tang world also had an upper realm, similar to other general myths, the upper realm was divided into nine heavens, one heavy and one realm.

The God of War is the Lord of the Nine Heavens, similar to the Nine Heavens God or the Emperor of Heaven, and the Immortal Gate is the passage that opens the upper realm.

It's a pity that the martial arts of the Tang World are declining now, far inferior to the ancient times, let alone the ancient, few people can reach the realm of the Broken Void.

And this God of War Temple was really as he speculated, it was the dormitory of the Upper Heavenly Emperor God of War for nine days.

The demon dragon outside the hall is also the heir of the giant beast that the god of war sits on, and he doesn't even want his own residence and demon dragon.

Although he didn't say it explicitly, Shao Weijie also had some speculations.

Either when the God of War was fighting in the Nether, there was no time to recover it due to a change in the Heavenly Realm, or the God of War was directly seriously injured and had to rush back to the Heavenly Realm for treatment, and there was no spare strength to take back the Temple of the God of War.

Or even worse, the Heavenly Realm has actually made a decision with the Tang World, just like the common plot in novels where heaven and man are separated forever.

Shao Weijie felt that the second possibility was greater, if the God of War was in his heyday, he would definitely be able to easily reclaim the War Hall with his Heavenly Cultivation.

The concentration of Heaven and Earth Yuan Qi in the upper realm is definitely incomparable to that of the Datang World, it is normal for the recovery to be slow, and it is also normal for the Yuan Qi to not recover after a long fight.

After understanding this, Shao Weijie began to set his goal on how to subdue the Temple of War.

If you can successfully take away the Temple of the God of War, it is equivalent to having the first piece of space equipment, which is the standard configuration of the fantasy protagonist.

There is no space equipment to walk in the heavenly world, and they are embarrassed to greet people.

At this time, Shao Weijie had already understood the forty-nine relief diagrams, but he still did not find the essence that could control the God of War Temple, which proved that the relief was not related to the essence of the God of War Temple.

Count the whole giant hall, its peculiarity in addition to the relief there are still two, one is the "cross" seal book on the giant arm in front of the hall, and the other is the top of the hall forty zhang from the ground.

There was a circular object with a diameter of two zhang, and a circle of twenty zhang was enclosed around the object.

The center of the hall is like a scorching sun emitting green and yellow light, and the surrounding area with the light source as the center is engraved with stars, and the light source spreads to the stars, so that the entire giant hall is bathed in this ten thousand blue lights.

The upper is the sky, the lower is the earth, the scorching sun, the stars, the vast giant hall, and the boundless earth.

The giant hall is covered under the infinite stars of the heavens and the sky, forming a small cosmic scene of heaven and earth.