Because Jia Liyu worshipped Guo Jing as his teacher with Yang Guo and others, he didn't have to avoid the other four people when he taught kung fu.

But just as Guo Jing was about to dictate the mantra of Yue Nujian's mental method, Huang Rong suddenly continued: "Brother Jing, the five apprentices are all teaching you, it's too tiring, and it's difficult to take care of everything, why don't you teach me later, how about it?"

Guo Jing has always respected and loved his wife, and insisted that his wife's skills are not weaker than his own, and the methods of the disciples are a hundred times better than himself, so he immediately agreed.

Jia Liyu glanced at Yang Guo and found that his face and expression were really similar to Yang Kang, no wonder Huang Rong didn't like him so much, let's not talk about recognizing the thief as his father, Yang Kang was a bad guy who stabbed Guo Jing in the back back then.

From the perspective of the male protagonist's aura, some people criticized Huang Rong for being too harsh on Yang Guo, but after experiencing and being in that environment, Jia Liyu found that Huang Rong's jealousy was logical and humane.

This is also the difference between Huang Rong and Guo Jing.

In the following days, Jia Liyu, Guo Fu, and Xiaowu learned kung fu from Guo Jing, and Yang Guo learned sage books from Huang Rong.

Jia Liyu has a rich theoretical knowledge that is stronger than Guo Jing's backing, and Guo Jing's teaching is really dull, and he has the demeanor of those teachers who follow the textbook in later generations, and the understanding of Xiaowu and Guo Fu is very flattering, so the whole teaching process is extremely slow.

asked Jia Liyu, an honor student, to study in the same class as these scumbags, but Jia Liyu refused.

In fact, since he got the mantra of the Yue Nu Sword, Jia Liyu has gone over every day to report the Tao and occasionally communicate with Guo Jing about doubts and difficulties, and no longer studies with Guo Fu and them, but goes to a place where no one is there to comprehend alone.

The Yue Nu Sword has been passed down for thousands of years, and has been tempered and improved by many martial arts geniuses, but to this day, the essence of swordsmanship is still the same.

Fast, accurate, ruthless!

These three words have been repeatedly mentioned in various martial arts systems.

Fast is the only way to be fast, and the last to come first, both the move and the body.

It is accurate to hit with one hit, and the move must be achieved, emphasizing the efficiency of the attack, cutting off the invalid moves between the virtual and the real, and seeking the most reasonable and effective time to shoot.

Ruthlessness is the strength of the hair, either death or injury, pay attention to the key points of the enemy and the strength of the skills.

Han Xiaoying's Yue Nu swordsmanship, the core is on these three words, but because this set of Yue Nu swordsmanship is made from sword moves captured in the sword shadow, there is a congenital defect, that is, the swordsmanship attaches too much importance to sword moves, and there is no particularly outstanding performance in the internal strength and heart method.

Some are similar to Dugu Nine Swords.

This question is naturally not a problem for Jia Liyu, the "Nine Yin True Scripture" claims to encompass the world's martial arts, and it is easy to choose a set of internal skills that can echo the inner strength of the Yue Nu Sword.

As for the body method, Jia Liyu can be called a great expert.

Compared with the Spiral Nine Shadows and the Carp Sliding Step, Ah Qing's footwork is more natural, more direct, and less circuitous and changeable.

Jia Liyu picked the "White Horse Sword Technique" from the "Nine Yin True Scripture", because this set of swordsmanship is similar to the Yue Nu Sword in terms of both mental and sword moves.

The general outline of this swordsmanship is only nine words: "Ten thousand ways of swords, white horses pass through the ears." ”

In addition to describing the swiftness and incoherence of the sword moves, this "gap" also has the meaning of flaws.

The white horse passes through the gap, that is, to find out the flaw and break it with a sword.

This point of view coincides with the Yue Nu swordsmanship's "ape sound is not stopped, pervasive".

Whether Ah Qing was a swordsman who stabbed Wu Guo blindly, or a person with a bamboo sword who passed two thousand armor soldiers in seconds, and disarmed at will, and even finally saw Xi Shi and left sadly, the swordsmanship and body technique used were all in these eight words.

Jia Liyu wants to take a partial look at the whole and reproduce the peerless style of the ape strike swordsmanship in the spring and autumn period, and he must integrate the "White Horse Sword" and the "Yue Nu Sword", just like he did when he created his own Great Dragon Fist.

In addition, it is actual combat, any kung fu, whether it is fists and feet, or weapons, it is empty talk if it is divorced from actual combat.

Of course, for Jia Liyu now, the actual combat he wants to pursue is to be beaten, because this is his first time practicing swords, the sword is the king of a hundred soldiers, and knives, guns, sticks and other weapons are not the same, if you don't make a sword, the sword in the hand will even become a burden, and knives, guns and sticks and other weapons can be cut, wielded, and squeezed in the hand.

Jia Liyu held a green sheath sword given to him by Guo Jing in his hand, raised it and bowed to it, according to Guo Jing's statement, every time he practiced the sword, he had to worship the sword first, and the human sword was harmonious, so that the human sword could be one.

Jia Liyu pulled out the long sword, then slowly raised his arm, the tip of the sword drew a circle on the top of his head, and his body slowly turned, as if he was practicing Taijiquan, but it was not, just groping for the feeling of holding a sword.

The speed slowly accelerated, the body retreated, the wrist swung left and right, and the sword body turned into a swimming snake, retreating to a certain point, stopping abruptly, and stabbing forward with a "whoosh".

Jia Liyu was practicing devotedly, when he suddenly heard someone shouting behind him, and immediately condensed his sword and felt a turbid qi retrograde, and his chest was indescribably bored.

The White Horse Sword and the Yue Nu Sword do not have a fixed sword move, and the core of the swordsmanship lies in "seeing the moves, improvising, the white horse passing through the gaps, and penetrating everywhere".

The introductory practice method is much the same, they are all familiar hands, some stabbing, picking, cutting, chopping, and flirting routines, Jia Liyu relies on his grandmaster-level vision, cutting and simplifying, and summarizing while practicing, which can be described as free and handy.

It was an ordinary sword move that he practiced, but what he did was an improved version of the true qi after the fusion of Baiju and Yue Nu, if it weren't for Jia Liyu's experience in cultivating top-level internal skills, the condensation just now might have caused him a little bit of injury.

"Are you practicing or dancing?" asked Jia Liyu with a smile.

Jia Liyu thought about it, and just now he stepped back and shook his sword, it was indeed like a dancing girl shaking the red silk, smiled, and said, "Dance, this move is called dancing through the Central Plains." ”

Xiao Wu smiled: "It turns out that you don't learn kung fu from the master because you don't like manly martial arts but like the dancing of your daughter's family, but unfortunately you were born a man, and you can't scratch your head like girls, haha......"

Jia Liyu didn't bother to pay attention to this little brat, returned the sword into the sheath, and was about to leave, Xiao Wu stepped forward to stop and said, "Your sword is good, show me." ”

When practicing the sword, you must do not leave the sword in your hand, practice until you are fascinated, and even eat and sleep with the sword, how can you easily lend it to others?

Jia Liyu hugged the sword in his arms and said, "If you want to see the sword, ask the master for it, don't come to mess with me." ”

Xiao Wu didn't really want to see the sword, he was purely unaccustomed to Jia Liyu's maverick and wanted to make some trouble with him.

"The master said that our brothers should love each other, borrow your sword and see what it is?" Xiao Wu said and reached out to grab it, Jia Liyu took the opportunity to step on the white horse step out of the way, Xiao Wu grabbed the air, and when he was about to grab the second one, Jia Liyu had already taken seven or eight steps.

Guo Fu looked interesting and said, "Dawu Xiaowu, you go to play with Brother Yang Guo first, don't follow me for the time being." ”

The two have always been obedient to Guo Fuyan, although they were a little reluctant, they still went to Yang Guo according to their words.

Guo Fu caught up with Jia Liyu and said, "Jia Liyu, let me ask you, were you really learning to dance just now?"

"Hmm. ”

"Can you teach me?" Guo Fu asked with a tilted head after all.

Jia Liyu stood and turned to look at Guo Fu, although her face was still full of childishness, her eyebrows were picturesque, her skin was like snow, and she was really an out-and-out beauty embryo.

"Okay, I'll teach you. Jia Liyu agreed casually, if she didn't agree, I don't know how she would entangle herself.

And as her second uncle, she should fulfill the obligations of her elders, help Guo Jing and Huang Rong take her daughter, and see if Guo Fu's life trajectory will change. (To be continued.) )