Before I talk about some of my thoughts on this book, I would like to thank my book friend Asarosen for the tip. Pen @ fun @ pavilion wWw. ｂｉｑUｇE。 At the same time, this book friend also gave this review of this book: eccentric work.

I read this book twice a day, and the word count is between 6,000 and 7,000. There are 90,000 words written so far, and the content is still stuck in the two days after the crossing.

The reason is that it is roughly because it is a group text, and all corners are on the stage, and they all occupy space. Inevitably, the plot unfolds more slowly. Brother Lang can't help it, you don't dig some pits, and when such a character suddenly appears in the back, such a plot is very abrupt. There are always holes in life that you have to dig and then fill in slowly.

Secondly, the introduction of the book must also be very clear, what we intend to do is a kind of deduction, when you have some modern weapons, how to abuse the scum who have modern weapons. But when it comes to deduction, it's always better to be more rigorous. Although they are all YY, Brother Lang likes to find some theoretical basis for his YY, and at the same time, he also hopes that there will be book friends with such hobbies to leave messages for discussion. I plan to make the book a platform for military fans to discuss.

Third, the reason why Asarosen book friends find this book strange may be because of the setting at the beginning of this article, the "director team" and "props group" of the battlefield reality show. Different from other people's routines, my goldfinger setting is relatively open, and it seems to be more casual.

But Brother Lang's intention is very simple, that is, he hopes that this book can become a platform for military fans to discuss. Make such an open sandbox game mode, which is convenient for interested book lovers to add their own plots and favorite weapons.

Brother Lang hopes that this book can better add some of the YY ideas of book friends to the later plots.

Of course, this intention will feel a little strange to book lovers when the previous plot is not fully developed. But I still hope that in the next writing, this idea of mine can be recognized by everyone.

It is said that the group crossing text is toxic, and it is difficult for readers to have a sense of substitution. But to think differently, adding the author to provide a platform for readers to communicate, and directly let what he wants to happen happen directly in the book, that is more refreshing than any sense of substitution.

This is the reason for Brother Lang's strange settings, and I look forward to the sense of participation of book friends.