Gao Miaomiao and the others were originally making trouble, but they caught a glimpse of Mu Zhengyang painting, and they all gathered around.

Chen Zhihui didn't pay attention to this painting because he didn't pay attention to it when he put down the pen, and there were a few ink spots that stained the blank space, and he said a little shyly: "Mr. Mu, this painting is already a piece of waste paper, you can replace it with a new one!"

Mu Zhengyang smiled faintly: "It's okay!"

These ink dots seem to be scattered in a blank area, but they are faintly in line with some geomorphological characteristics of Tiannan Mountain.

Mu Zhengyang used to sketch in Tiannan Mountain, and he had already put Tiannan Mountain in his heart, and it was these ink dots that gave him the idea of continuing to paint.

Lu Yuanxing heard the movement of Mu Zhengyang and others, and came over with Zhao Shiran, with a smile on his face and said: "Hehe, I just saw Mr. Mu's calligraphy yesterday, but I didn't expect to see Mr. Mu's Chinese painting today!"

Mu Zhengyang smiled slightly, and calmed down, and the entire Tiannan Mountain came to mind.

Lu Yuanxing really wanted to gossip about Mu Zhengyang's level of Chinese painting, but he didn't expect Mu Zhengyang to have a high attainment in Chinese painting.

After all, a person's energy is limited, Mu Zhengyang is young, calligraphy has the level of everyone in the world, how can he have time to paint on Chinese painting?

Moreover, these ink dots limit the conceptual layout of the whole painting, and Mu Zhengyang is like dancing with shackles.

Zhao Shiran clenched his fists and silently cheered for Mu Zhengyang in his heart.

Mu Zhengyang seemed to hear the breathing sound of Tiannan Mountain, remembered the position of several pigments, slowly closed his eyes, and adjusted his breathing to synchronize with Tiannan Mountain.

Drawing with your eyes closed?

The thickness of the lines and the changes in the color of the Chinese painting are very detailed things, and it is possible to make mistakes when you open your eyes, let alone close your eyes?

Lu Yuanxing and the others were extremely surprised, and even felt that Mu Zhengyang was a little overbearing, but they all just watched quietly, afraid of affecting Mu Zhengyang's state.

Mu Zhengyang reached a state of clarity, and the entire Tiannan Mountain was presented in his mind in three dimensions, and there was a feeling that he wanted to erupt from his heart.

The nib of the pen falls.

Painting is a slow effort, but Gao Miaomiao and others saw Mu Zhengyang as if he was scribbling on a drawing board.

Fast!

It's so fast!

Gao Miaomiao and the others were watching from the side, but the speed of the painting was so fast that they couldn't see it!

Mu Zhengyang forgot everything around him, and just wanted to draw Tiannan Mountain in his heart.

A few minutes later.

Mu Zhengyang opened his eyes and wrote a few words on Tiannan Mountain directly above the scroll.

This is a color landscape painting, with strange peaks rising from the ground, mountain streams speeding down, rippling lakes, mountains near and far, verdant vegetation, and fishing boats returning from the lake

The mountain is lush and green, the mountains are shrouded in clouds and mist, the villages below the mountain are scattered, and there are a few people standing on the ridge to enjoy the scenery.

From the composition of the appreciation, there are guests and hosts, echoes, virtual and real, sparse, open and close, hidden dew, rhyme, "forest spring high" in the "high", "far-reaching", "Pingyuan" of the three distances are also just right, in the use of the pen, Chinese painting emphasizes the "calligraphy pen", with Mu Zhengyang's "willow bone rhyme" personal style, with the ink on the "burnt, thick, heavy, light, clear, dry, wet, thick, light, black, white" layers are clear and rich in changes, the technique of each scene is used extremely accurately, it can be regarded as a rare boutique painting.

"Teacher, you're drawing too fast!", Zhao Shiran was stunned.

"It's not just a matter of drawing fast, it's also a matter of drawing well!"

"This painting is very in the style of those famous paintings on our textbooks, as well as these villains on the ridge, it's us!"

"Mr. Mu draws this level with his eyes closed, woo...... I felt like a ...... of waste."

Although the Chinese painting techniques of Gao Miaomiao, Chen Zhihui, Lin Jiao and others are not yet mature, the level of appreciation is still there, staring at this painting in a daze, and the heart is greatly impacted.

Lu Yuanxing's vision is more professional and accurate, and the difficulty of landscape painting is actually a matter of level.

Mu Zhengyang used the 'ink accumulation method' in this painting, which is to seek layers in the ink to reflect the natural atmosphere of the mountains and rivers.

The key is to grasp the middle tone, and to solve the relationship between black and white in the picture, which is the relationship between the dark part and the bright part, and the relationship between the real and the virtual.

The opening and closing of the whole picture of this work contains the treatment of the relationship between virtual and real, black and white, which is very subtle and flexible.

In the depth, people feel a kind of dense atmosphere flowing around the loop, with a poetic atmosphere to induce people into the realm of painting.

Lu Yuanxing took his eyes off the painting and looked at Mu Zhengyang, "Is this still human?"

Mu Zhengyang felt Lu Yuanxing's gaze, so he wanted to ask Lu Yuanxing, a professional, for advice, and asked with a smile: "Teacher Lu, you are an expert, can you please give me some advice!"

Point?

How does this give me advice?

There was a twitch at the corner of Lu Yuanxing's mouth, and he could only say embarrassedly and gracefully: "Throughout this painting, there is movement in the stillness, the mountains and lakes reflect each other, and the idyllic and distant and quiet mountains and rivers leap on the paper, and at the same time show a deep and profound, quiet and agile aesthetics, which vividly embodies the tranquility and ethereal spirit of Tiannan Mountain, making the viewer feel as if they are in the scene, and the level is far above me." What's more, Mr. Mu actually completed this painting with his eyes closed on a discarded painting stained with ink spots, which is really an eye-opener for me!"

The eyes are closed, but the windows of the mind are open.

Mu Zhengyang may not be able to draw better with his eyes open, but this trick of painting with his eyes closed is indeed a bit shocking, explaining: "I have been on Tiannan Mountain all day long, and I am extremely familiar with Tiannan Mountain, so I have some advantages, and if I change to other peaks, I am afraid that the level will be a big cut!"

This is also the truth, Mu Zhengyang began to learn Chinese painting, and painted Tiannan Mountain from all angles, reaching a kind of realm of cooking.

Since ancient times, literati have been despised by each other, and some people are arrogant and arrogant.

Lu Yuanxing was very moved, what Mu Zhengyang said was somewhat possible, but that kind of technique vision is real, deep in his heart, in addition to admiring Mu Zhengyang's artistic attainments, he admires Mu Zhengyang even more, who obviously has a peerless talent, but is afraid that because his talent is too dazzling and will bring harm to other people's hearts, he deliberately hides his behavior.

Mu Zhengyang wrote a pair of words "indifferent and bright, quiet and far-reaching" to Zhao Shiran, at that time, Lu Yuanxing had a little apprenticeship, but he felt that his level of Chinese painting should be stronger than Mu Zhengyang, but now he found that Mu Zhengyang was also stronger than him in the level of Chinese painting......