It is slightly different from most of the history and humanities museums in Japan in later generations.

In addition to focusing on the history of China, the Daming Royal History Museum also has a variety of cultural relics from all over the world, showing the invincible spirit of the great tomorrow.

Among the cultural relics of China, since the Longshan culture, there are a considerable number of various pottery, jade, and lacquerware, and there are countless cultural relics of the Qin and Han dynasties of the Yin Shang Dynasty.

It can be said that the gruel station welding is the leader, the sugar feeding is eclectic, and the defective products of various modern industries are competing for beauty, which is quite wonderful.

But on the other hand, these cultural relics that Zhu Fugui asked [Integrity Antique Shop] Xiao Erhei to give are really not nonsense, they are basically replicas of major archaeological discoveries in later generations.

Many people think that a Song person must know the Han Dynasty better than later scholars, a Ming person must know more about the Tang Dynasty than later scholars, and even Sima Qian must know more about the Spring and Autumn Period than later scholars.

This is not necessarily true.

In fact, due to the great improvement of archaeological ability, or more vulgarity, with the great improvement of the level of grave digging and the convenience of document circulation, archaeology has been greatly improved in modern times, and the understanding of past history by later generations of scholars is much higher than that of their predecessors in many aspects.

For example, the Analects that Sima Qian saw was far closer to the original version of Confucius than the Analects dug up from ancient tombs by later scholars.

The discovery of the oracle bone is also one example.

Until the end of the nineteenth century, the ancient Chinese knew nothing about this ancient script that was 3,000 years old.

In later generations, elementary school children knew that oracle bone inscription was the first script in the history of the Chinese nation.

Similarly, there are the Qinkeng Terracotta Warriors, in March 1974, before farmers in Xiyang Village, Lishan Town, Lintong County, dug a well 1.5 kilometers east of Lingdong and found life-size terracotta figurines, this silent army that had been sealed for more than 2,000 years was not well known.

Of course, the terracotta figurines were martyred, but no one really imagined that Zulong, an old man, had collected so much, so well-made, and so grand a legion of figurines.

In the Ming Royal Museum, a small Qin Terracotta Warriors pit is displayed.

Whether it was Mo Bai or some other soldiers who visited, they looked at these old Qin soldiers from 2,000 years ago through the glass.

At this moment, as if spanning a long time, the melodious Qin dialect and ancient war songs sounded in the ears of these Ming soldiers.

At this moment, compared to the inheritance of the spirit, the authenticity of these cultural relics is not important.

Of course, in many ways, these things are true.

Because the real Qin figurines were sealed in Lishan, waiting for the Ming Dynasty to restore China and bring them back to the sky.

At that time, no one could question the collection of the Ming Imperial Museum, and could only be convinced that these Tao Yong were obtained by the Ming royal family from Lishan back then.

However, the Ming royal family at that time believed that this Qin figurine was a Chinese treasure, and it could not be further excavated before the excavation technology was not complete, so as not to destroy the wealth left by the ancestors.

In fact, this is also a big regret in the archaeological work of later generations.

The Qin figurines unearthed in the 70s actually had gorgeous colors, but because of the poor cultural relics protection technology at that time, the surface color layer of the Qin figurines was rapidly oxidized and destroyed after being unearthed, and finally became the appearance of the clay figurines that did not slip away.

Although the colorless Qin figurines are also magnificent, beautiful, and breathtaking, this is not what these Qin figurines are as they should be, and they have lost the brilliant brilliance of the Great Qin when the First Emperor swept away the Liuhe.

Therefore, in order to find evidence for his fake cultural relics, but also to lay a preventive shot for the future excavation of those real cultural relics, Zhu Fugui introduced this detail to the visitors on the exhibition board.

Of course, specific place names like Anyang, Henan, and Lishan Town, Shaanxi, Zhu Fugui will not be marked.

After all, these cultural relics have not been unearthed so far, if they are patronized by those tomb robbers who kill a thousand knives because of themselves, then Zhu Fugui's sin will be great.

China's glorious history makes every tourist feel a sense of pride.

This is the charm of culture, this is the charm of cultural relics and monuments.

Therefore, Chang Kaishen did not forget to sweep away the cultural relics of the Forbidden City on Frog Island, and the Japanese invaded China and transported a large number of cultural relics back to China, not to mention the cultural relics in the British Museum and the Louvre Museum in France.

But now, in the Ming Imperial Museum, things are naturally reversed.

When playing "Civilization 5", sending archaeologists to secretly go to other countries to excavate cultural relics, or preemptively register neutral cultural relics as his own cultural relics, has always been something that Zhu Fugui never tires of.

Of course, at present, Zhu Fugui does not have the ability to ship the Thames, bombard the Arc de Triomphe, and go to the hometown of European robbers to rob cultural relics, but the Ming Royal Museum has made room for them.

Around the Huaxia Honbang Pavilion, there are a series of museums close to the feudal domains of Korea and Vietnam, and beyond the feudal domains are barbarian pavilions such as Persia, and further away, there is the Poultry and Animal Pavilion.

This is in line with China's perception of the surrounding world for thousands of years.

[Disclaimer: This is a restoration of respect for history, and does not represent the foreign policy of our Ming Dynasty, so don't be surprised by friends]

In order to avoid the surprise of AIA, Zhu Fugui specially wrote a notice in the No. 5 pocket font under the three block letters of [Poultry and Animal Museum], showing my broad mind that embraces the four seas.

When I think that when I accompany the heads of state and envoys of various countries to visit the garden in the future, those European friends who know the etiquette and festival will not have too many unnecessary associations.

In addition, among the museums, the Japan Pavilion is a special one.

Considering that Tokugawa Aiqing, who had a good life, contributed two steam gunboats to himself before they met, Zhu Fugui still pinched his nose and counted them as [Near Domain].

After all, three hundred years ago, he was declared a minister, and in the foreseeable future, Brother Tokugawa may "voluntarily" return to the Ming Dynasty......

Zhu Fugui is optimistic about the consciousness of the little brother Tokugawa.

There are many artifacts in the Japan Pavilion.

Except for the terracotta Ultraman that Zhu Fugui deliberately put in to make later scholars lose more hair, most of them are still very important cultural relics.

One is Ashikaga Yoshimitsu's courtier.

The other one is the famous "Golden Seal of the King of Hanweinu".

This copper-nickel alloy pure gold seal, the printing surface is square, the side length is 2.3 cm, the height of the printing pad is about 0.9 cm, the serpentine button is attached to the table, the whole body is about 2.2 cm high, and the words "King of Han Weinu" are engraved on it.

In fact, the authenticity of this seal has now been unearthed for decades.

However, the news was only circulated in a small area in the Fukuoka area, and the Confucian scholar Kamei did some research on it.

At present, the gold seal should be in the hands of the local minor lord Kuroda.

But whether it's Kamei or Kuroda, it doesn't look like a big person when it sounds like a big name, and this gold seal naturally didn't cause any sensation.

In the 70s of the 20th century, when Kuroda's descendants donated it to the Fukuoka Museum, most people had never heard of it, and most of those who heard of it thought it was a forgery.

Until 1956, in the tomb of the King of Dian in Shizhai in Jinning County, Yunnan Province and the ancient tombs of the Han Dynasty in Shanxi, a golden seal "Seal of the King of Dian" was unearthed by Emperor Liu Che of the Han Dynasty to the King of Dian.

Regardless of the texture, font, button and size, this gold seal is the same as the gold seal of the "King of Hanweinu" unearthed in Japan.

In the eyes of the emperor of the Han Dynasty at that time, there was no difference between the soil kings of Yunnan and Japan, and it was reasonable to send the same gold seal.

So far, relying on the evidence of the seal of the King of Dian, the authenticity of the golden seal of the King of the Han Dynasty is basically no longer doubted.

In 1981, the No. 2 Han Tomb of Ganquan, Hanjiang County, Yangzhou City found a Han Dynasty princes' seal "Guangling Wang Seal", and this seal is from the same person as the Han Committee and the King of the Han Dynasty, and the time is only one year apart.

The authenticity of the gold seal has basically settled.

In this era, Zhu Fugui certainly will not leave the Japanese a chance to grind and research, and directly smash a basket of evidence on their faces.

Next to the actual objects and photographs of these seals, there are also records of the Japanese slaves paying tribute and congratulating in books such as the Book of the Later Han Dynasty, the Book of the Later Han Dynasty, the Biography of Dongyi, and the Chronicles of the Three Kingdoms, the Chronicles of the Wei Dynasty, and the Biography of the Wa People.

At least in terms of the chain of evidence, it is definitely enough to form a closed loop.

Anyway, Zhu Fugui doesn't need all Japanese people to believe it, as long as a young man like Noichiro Morishita is full of Showa breath to believe it.

Zhu Fugui saw that Yuichi Shimura and his friends, who were sent by himself to draw comics, cried and laughed at the golden seal, and finally kept bowing and worshipping.

Compared with the close feudal pavilions of Japan and Korea, the collection of the Barbarian Pavilion and the Beast Pavilion is relatively small.

Especially in the Europa exhibition area of the Beast Museum, in addition to a bunch of later synthetic queens flirting with coachmen, Lincoln standing on black slaves to shine shoes, Washington skinning Indians making boots and other classical oil paintings, there are currently few cultural relics, waiting for the warriors of the Ming Dynasty to fill them with trophies.

Because of the use of exquisite handicrafts of later generations, Zhu Fugui always felt that if he put gold on the faces of these Europa barbarians, who knows if their cultural relics were originally handicrafts.

I know that Zhu Fugui can only engage in some more frustrating cultural relics, such as:

[Shroud of Jesus (Pseudo): This is a piece of Shroud forged by the Europa, but it is also 500 years old, and it is used as the collection of the museum. 】

[Mummy health supplements: This is a medicine used by the Europa people to treat venereal diseases and enhance male sexual function, taken from the dead bodies of ancient Egypt. 】

……

In general, there are not many cultural relics, the quality is not high, and they are still waiting for the warriors of the Ming Dynasty to collect them.

In the end, Zhu Fugui also took Mo Bai and others to visit the [Industrial Culture Center].

The so-called industrial culture refers to the culture after the birth of the Fourth Ming Empire, which is a cultural complex based on an industrial power and combining various disciplines such as art and aesthetics.

To put it simply, the previous museum area recorded history, so the [Industrial Culture Center] recorded the present.

Here, there is the first self-developed pot camel machine of the Fourth Ming Empire, the wreckage of the car damaged in the Battle of Xinjin, and the target paper of His Majesty Zhu Fugui who tried to shoot and hit 99 rings......

In short, with the vigorous growth of the Fourth Ming Empire, the collections in the [Industrial Culture Center] will become more and more abundant.

After a brief tour of the three exhibition areas, the time has come to noon unconsciously.

Zhu Fugui reached out and pinched Ivana's apple muscle and twisted her awake.

When she was told that she had eaten "nibbled chicken" at noon, the child rubbed his face and jumped up for joy.

Zhu Fugui shook his head, Chinese food is great, but high-sugar and high-fat junk food is the eternal favorite of children!

Zhu Fugui originally wanted to invite Mo Bai to dine together, anyway, the "gnawing chicken" is also his own industry, and it doesn't cost a few dollars.

However, Mo Bai sincerely refused.

After all, in his opinion, it is already an incredible experience to be able to visit the museum with Banzai Ye, and it is really too great a grace to dine together, and it is really useless.

Under the pretext of going to visit Xia Zhixin's big brother Xia, Mo Bai ran away.

Zhu Fugui's family of three......

Well, there's one that's a drag oil bottle.

After walking about a kilometer, the group came to the Nirvana Department Store.

This is the first "skyscraper" in Fengdu, with a total of five floors and a height of 20 meters.

Zhu Fugui doesn't know if this is the tallest cement building in the world today, but compared to the Chicago Insurance Company Building more than ten years later, the Nirvana Department Store is still much shorter.

However, the five-story house is a small spectacle in western North America, and it has increased Zhu Fugui's cultural value more than nothing.

Zhu Fugui considered whether he should control his diet and order less fries.

After all, according to experience, men will always get fat visibly after getting married.

Although Zhu Fugui has not yet made a fortune, it is always good to prevent micro problems.

Ivana holding fried chicken and Coke has run to the top.

Zhu Fugui had just signed the bill when he heard her scream.

I saw that the little girl bit on the hamburger, and when she opened her mouth again, she was already missing a tooth.

"Well, it's almost time to change your teeth, girls are really late in this era."

Zhu Fugui nodded casually and began to enjoy the old Fengyang muscle curl.

Ivana looked at Zhu Fugui, her big eyes were red.

Yin Susu glanced at Zhu Fugui and said, "She's just a child, you can't be gentle!" ”

After speaking, he picked up a handkerchief and wrapped Ivana's replaced teeth.

"According to Da Ming's habit, this tooth should be hidden under the bed." Zhu Fugui suggested.

"Eagle! Emperor! ”

At this time, a figure who had not been seen for a long time appeared in front of Zhu Fugui.

This is the original big grandmother maple tree mother-in-law of the cloud tribe.

As an old woman, Granny Mapletree neither spoke Chinese nor was she used to calling Yin Susu by her Chinese name.

Fortunately, Zhu Fugui himself understands Yin, so there is no problem with the communication between the three of them.

On the contrary, Ivana, who had finally learned Chinese, was blinded and had no idea what was going on.

Although I haven't seen her for a long time, Granny Mapletree still looks like her body is still strong.

In fact, Granny Maple, who has a comfortable life, seems to be a little younger.

She was wearing a colorful Northeast flower jacket, combed two pigtails, wiped rouge on her face and eyebrows, and dragged a salt-and-pepper crispy pistol leg in her hand, which had been gnawed off.

In short, this mother-in-law is really fashionable.

After chatting for a while, Zhu Fugui learned that Mother-in-law Maple Tree was coming to work in the museum today.

Because of the limitations of the times, the elderly over 70 years old in the Ming Dynasty can be counted in one slap.

Therefore, the imperial court also issued an order to give each Ming citizen who has reached the age of 70 20 catties of rice noodles, one foot of cloth, one barrel of oil, and 2 Dewu Tongbao per month.

Therefore, as the current longevity record holder of the Ming Dynasty, the 78-year-old maple mother-in-law's later life is still quite secure.

But she wasn't satisfied with that, she wanted to do something meaningful.

Because there is no way to put down the shelf like the old-timers of Xiongfengshan in terms of treatment, and talk nonsense about those who have and don't, so Maple Grandma's medical career has basically been compressed by the Daming Royal Hospital.

So she got a job at the museum.

"So what exactly are you studying?" Zhu Fugui asked.

"I'm mostly being studied." Granny Maple replied as a matter of course.

It turned out that Xia Zhixin was compiling a "Record of the Evil Acts of the Genocide Gangs in North America" during this time, and Granny Mapletree was an important living fossil to study this history.

"By the way, the seven-colored flame is about to ignite, under the reincarnation of the past four years, are we ready to sacrifice things?" Granny Mapletree suddenly asked Yin Susu.

Yin Susu nodded: "Yes, old grandma, I am going to use silk from the East to give the seven-colored flame." ”

"Wait!"

Zhu Fugui frowned and asked, "What is the seven-colored flame, and what are you talking about?" ”

"Your Majesty the Emperor, don't you know that we were originally affiliated with the Sioux Tribal Alliance, the Seven-Colored Flame Council?"

"Brother Zhu, don't worry, since we have joined the Ming Dynasty, we naturally no longer agree with the leadership of the alliance leader, but the various tribes of the Sioux tribe have had a hard time over the years, so I am ready to donate a batch of cotton cloth with my personal money to help them survive the cold winter at this seven-color flame meeting."

…………

…………

Thanks to this world, it is so difficult to survive and reward 230 starting coins

Thanks to the dragon hidden wood is white, the frost is slightly lower, and the hermit and the fool reward of 100 starting coins