The fierce applause at the scene could not be subsided for a long time!

It was not until more than a minute that the applause subsided, and the people who stood up excitedly straightened up their clothes and hair, which had just been messed up with excitement, and sat back in their seats.

The first two pieces of music gradually enlivened the atmosphere of the scene, and at this time, a curtain reporter came out to announce the next song: "The following is about to bring you one of the masterpieces of classical folk music from China, "Spring River Flower Moonlight Night", which is a famous Chinese pipa solo piece......"

The two songs are mixed with a traditional folk music, which is Li Yange's idea, although his songs are good, but most of them are mainly magnificent, and there is no far-reaching artistic conception of "Spring River Flower Rainy Night", and the music is long; There is no "Plum Blossom Three Alleys" with a tactful sound and ups and downs.

When the announcer left the stage, He Shufeng, who was sitting at the front and leading the pipa, held a delicately shaped musical instrument in both hands, and slowly walked to a stool behind Li Yange, which had just been moved up by the staff from the audience.

The score of "Spring River Flower and Moonlight Night" was first seen in the pipa score of "Idle Narrative and Quiet Music" handed down by the musician Ju Shilin in the eighteenth century, and was rated by later generations as a famous piece of Chinese classical music, and it is a classic among Chinese classical music classics.

The whole song is like a long scroll of fine brushwork, soft colors, beautiful and elegant, fascinating, it is really wonderful!

So when the pipa queen He Shufeng personally played this classic song, the audience heard this elegant and beautiful lyrical music, as if they saw a beautiful landscape painting.

On a quiet night in spring, the moon rises in the east mountain, the boats ripple on the river, and the flowers gently sway on the west bank.

“……”

Time passed little by little, and with the program of five tracks, Yo-Yo Ma, who had been waiting for a long time, took his cello, and in the midst of applause, walked onto the stage step by step, sat behind Li Yange, and after glancing at him, he adjusted the position of the cello and began to wait intently for the prelude to sound.

The "Silk Road" produced by Tan Dun is exclusively created according to Yo-Yo Ma's personal performance style, and it can be said that there are few people in the world who can play it so beautifully except him.

When the gourd silk, an ethnic minority instrument from Yunnan, was slowly played by the orchestra members, it seemed that there was a boundless yellow sand in front of people's eyes, and there were camel caravans slowly moving forward in the desert.

The delicate and tender cello, the ethereal and silent gourd silk, and the erhu that turns thousands of times, seem to pull people to the distant eastern desert, and under the quiet moonlight of the dark night, they bring everyone into a tortuous and moving story, sometimes as thin as a gossamer, sometimes low and tactful, at this moment the concert hall that accommodates thousands of people is silent, and everyone is immersed in this beautiful music and cannot extricate themselves.

Kitaro in the audience listened to this "Silk Road" very carefully at the moment, although he had communicated and discussed this music with Li Yange and Yo-Yo Ma and others a long time ago, but when it was actually played on the big stage, the shock was indescribable. In particular, Kitaro had composed the eponymous trilogy of Silk Road a few years earlier, which made him excited about today's near-perfect performance.

As the climax of the concert gradually came to an end, Li Yange turned around and bowed, and with excitement and vitality, she was ready to conduct the last piece of music of the day, "Dawn of Heroes"!

Putting this piece at the end is Li Yange's idea, and it is also Yo-Yo Ma's suggestion. For the opening of a concert to be crowning, it must quickly close the emotional bond between the orchestra and the audience on and off the stage, only then will the audience have no time to listen to the music on the stage with all their attention.

Otherwise, if everyone talks to each other and whispers, then the concert will be a failure, and when you walk out, people will just say: Oh my God, this is a bad concert because I feel like I'm not hearing anything!

If no one pays attention to whether it is because the audience is not listening, if you can't draw people from the conversation to the stage and make them prick up their ears to listen to your music, then you are a failure, and this is a failed concert.

Therefore, the beginning is prelude to "Memories of the Forbidden City", and then supplemented by a few suitable music, when the audience's mood gradually rises, in the middle of the section, there will be another exciting music "Dunhuang", and then gradually enter the end.

At the end of the concert, the choice of points is also very important, because a good opening performance will keep the audience focused, and a good closing song will make the audience feel that the trip is worthwhile. When they walked out of the concert hall and came outside to talk to each other, they couldn't help but exclaim: My God, this is the best concert I've ever heard!

In layman's terms, a good concert must have twists and turns, ups and downs.

Therefore, when the horn opens, this "Hero's Dawn" with the momentum of swallowing mountains and rivers, accompanied by the male voice of the New York Philharmonic Orchestra, which specially invited the New York Philharmonic, is not only singing the cruelty of war, but also the expression of endless delicate feelings.

And the tone of the violin, which suddenly becomes serious and tender, adds to this tense and contradictory atmosphere. Finally, the highlighted trombone sounded, pushing the concert scene to a climax, and the clear and spectacular ending showed the heroic spirit and the infinite reverie charm brought by music.

It was as if it was the light of dawn, and in the Aveley Fisher Room at Lincoln Center, nearly 3,000 spectators were brought to the same time, space, and scene!

The music came to an abrupt end, the scene was quiet, and the orchestra members got up together, and when they were about to bow and thank you under the leadership of Li Yange, the actor of this concert, the hall was in an uproar, and the fierce applause continued!

The applause that lasted for three full minutes ended.

Li Yange led the "Dunhuang" orchestra off the stage, and as soon as everyone entered the backstage rest area, there was a loud bang, like a boiling oil pot.

"It worked!"

"We made it!"

"Hahaha, that's great, it's awesome!"

"Three minutes of applause, we conquered all the audience and the whole of New York!"

“……”

The big guy was talking excitedly, and Li Yange was also excited.

Cheng Shaojun walked over with a happy face and said: "Congratulations Yan Ge, today's concert was a success, just after you left, the scene was boiling, listening to Sister Ning, they are all praising you, praising you for being a great musician!" ”

After listening, Li Yange looked at Cheng Shaojun in an evening dress, his dignified and elegant temperament made him unable to extricate himself from ignoring the eyes of others, and quickly stepped forward to hug her, his cheek was close to his ear, and he was silent for a long time.

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