The fall of the big bose, and the stage play is also coming to an end. The male and female protagonists did not flee, but returned directly to the battleship of the otherworldly. The two entered easily in the name of the captain's butler and pet, and no one doubted that they were not even on guard due to their low strength.

While the news of the captain's death had not yet reached here, the male protagonist directly lied that the captain had ordered a banquet for all the members of the ship.

Then a pot of cabbage stewed poisoned all the crew. Of course, the representation here is very brief, only two scenes pass by. How to poison exactly, how to deceive others, why are their messages so slow, does the male protagonist have any backup plans, and what should I do if someone doesn't just haven't eaten cabbage stew?

This is left to the viewer's imagination, and if the protagonist does lurk on the battleship for six years, then it is theoretically possible to do these things.

At the end of the stage play, the screen of the magic shield in the air reappears, and a lonely battleship slowly moves away, accompanied by a more melodious music. As the music fades and so does the battleship, the stage play officially ends.

"This sunset looks so real. "The final scene, some people can't help but admire.

However, when the magic shield was withdrawn, everyone suddenly realized that the sunset effect was actually the effect of the magic shield refraction.

It was already noon, and the sun was in the right position. Using several magic shield combinations, the light angle problem was perfectly calculated, and the sun in the right space was "offset", plus some light special effects at dusk supplemented, and the final result was actually quite good.

In fact, this is also a last resort, Kevin can actually bring his own round luminous body and place it in the western sky to pretend to be the sun. But the problem is that the audience is looking from the bottom up, so that there will be two suns in the sky. And if the plot compromises and lets the battleship leave at noon, this artistic conception is too far off.

Fortunately, Kevin is very skilled in calculating the light of the magic shield, otherwise in such a short time, no matter how professional the director is, he may not be able to figure it out.

The stage curtain closed, and all the actors came up to the stage and bowed to the audience. Kevin, Spoon, and Sain stood in the middle, and the others stood on either side. There are also a large number of parrots circling and flying in the air, scattering all kinds of small pieces of crystalline paper.

The audience burst into applause, and then began to discuss it eagerly. For a while, there was a buzz at the bottom, some said good, and some said so. The voting session will be held in the afternoon, which is a little time for them to discuss.

Kevin glanced at the audience on the stage, and in general the Terrans or other races seemed excited and happy, while many of the Minotaurs were a little hesitant and a little dazed. Maybe it's really intellectual.

The venue dispersed and the stage was torn down. At the same time, the discussion of this plot is also hot. Some people are even ready to write about their impressions in a decent way, and all kinds of comments that seem to be professional or really professional follow.

In terms of stage performance, it is very new, and everyone admits this. But whether this novelty is liked or not, there are many different opinions. And it will inevitably be compared with the Imperial Theater Company. Some people even picked on the thorn and said that using a magic shield as a special effect screen can only be seen by the people below. But the empire does special effects, and even people outside the school can see it.

But that's a bit of a bully, and Kevin's is all special effects in the end. After all, the empire is riding a real dragon for you to see, and it is not easy for Kevin to make a big difference.

And this drama is also a reminder to all Lou Baole National Theater Troupes, that is, Lou Baole Country has an incomparable advantage, a large flock of parrots. As long as this thing can be used well, it will also be a very good form of performance.

The second is the plot. Although they are both otherworldly invasions, the plot is almost completely different. One is more idealistic, the other is more realistic. Of course, this is different for everyone, and everyone has their own preferences. But almost everyone felt that Kevin's plot was a little too realistic. It even makes people feel that if there is a real invasion of the other world, it seems feasible to act according to Kevin's method.

On the other hand, the analysis of the rationality in the plot and the professional content involved in it have also aroused considerable repercussions.

Namely, what is the Schrödinger way of killing?

There was once a magician named Schrödinger who came up with a hypothetical experiment. Locking himself in a completely isolated enchantment with another person has a 50% chance of killing and a 50% chance of not killing depending on his mood. Those outside the barrier are completely unobservable, and the result can only be obtained unless the barrier is broken. That is, the person was killed, or not killed.

To the outside world, whether this person is dead or alive cannot be observed unless the barrier is broken. It can also be considered that the person in it is in a state of overlapping life or death, that is, the person is both alive and dead. This is very contradictory in the logic of reality, but it is introduced in theoretical research.

This theory is currently mainly applied to the spiritual realm. Especially in terms of illusions, to put it simply, all illusions have probabilities, and no matter how powerful the illusionist is to deal with ordinary people, there is a theoretical chance of not succeeding, but the probability is infinitely small. This is not like the straightforward clarity of "if a person is killed, he will die", but a state of ambiguity.

Here are some good magicians who have written books that introduce the concept of willpower. People with higher willpower are more patient and more resilient. Especially in the case of punishment, those with strong willpower need to draw more whips and even resist death, while those with weak willpower surrender directly.

This has something to do with mental power, but it has little to do with it. There have always been many archmages whose willpower is not as strong as that of peasants, and some peasants can still resist death, and they will not disclose information when they are beaten to death. And an archmage was kidnapped, but there were many crying fathers and mothers.

In addition, it is always known that spiritual power can be measured, just measure the crystal ball directly, even if there is no crystal ball, use the spiritual power to release magic, and the strength of the spell can be reversed. But willpower is unmeasurable, at least not yet.

You can't calculate the strength of his willpower by how many lashes he takes. This willpower itself has a great deal of randomness, different environments, different events, different times, even the same person, and its results are different. Maybe an ordinary coward, but suddenly he is unyielding.

Due to the existence of willpower, there is always a chance in the realm of illusion. This is undoubtedly a shortcoming, it cannot be digitized, mathematical formulas cannot be introduced, and it can only be passed on as experience.

Returning to the plot of the stage play, the protagonist directly uses the "Schrödinger killing method" in order to rebel against the spiritual contract. "It's still mentally that he has a state of wanting to kill but not wanting to kill, and he can't even say that he is swaying, but more like riding on the middle line.

To use an inappropriate analogy, let's say a person goes to the store to buy clothes and comes across a dress that he really likes. I want to buy it, but I don't want to buy it, and I am entangled in the same place. So he kept touching the dress, trying it on, touching it again, trying it on again, touching it again, trying it on again, trying it on again.

This state is a bit like Schrödinger's way of killing. Life and death in the barrier are uncertain, just as he himself doesn't know whether to buy it or not.

Until the clerk finally got angry and yelled, "Do you want to buy it or not?" And the person buys or does not sell, and at this moment he comes to a conclusion. And before that, even he didn't know whether to buy it or not.

Without being able to determine the true purpose of the person, the master-servant contract cannot be as intelligent as a person. Using murder as a premise for action, and not killing as a way to circumvent the monitoring of the master-servant contract, sounds very fantastical, and in fact there is no precedent, but according to the current theory, it is indeed feasible.

Of course, if you want to discuss the actual operation. The master-servant contract itself is extremely powerful, and once there is little deviation in the state, then the contract will also react to the master, and then the protagonist's plan will be exposed in advance. And this chaotic state itself is extremely unstable, to maintain this state for six years, and then hibernate to fight back, this can probably only be a god-like operation.

But if you can deceive yourself into "I won't kill my master", for example, the master is very powerful, and stabbing him in the back is just fun. Then the contract will not prohibit it.

The same is true for the master's orders. Take suicide as an example, although the owner ordered suicide, if the other party's basic concept, or even the other party's education from childhood to adulthood, tells him that suicide = suicide attack. Then he will make a suicidal attack.

The contract is not to control your hands and feet, and then stab yourself with a gun when you are all surprised. The contract is for you to do it yourself, and the whole process goes like this:

The master orders, the contractor understands, and the contractor executes!

The key issue lies in the "understanding of the contractor", which has a certain relationship with language, but not so much. There is no need for language between contracts, just convey a meaning directly, after all, many Warcraft don't know language. But even a meaning can still be misinterpreted, especially if the other person has a high level of intelligence.

For example, when Bose says "Don't move", the protagonist should stand still by default. The protagonist clearly understands what the other person means, and once he understands the other person's meaning, it is useless to deceive himself, and the action will be carried out immediately.

However, if "self-deception" precedes "understanding"! That is to say, the protagonist has fooled himself into "not allowed to move is not allowed to move relative to a third party", and even exaggerated, the protagonist has been playing a game like "everyone moves together, not allowed to move together" since he was a child, and even changed his own cognition.

Then, the final scene of the stage play may appear.

Although all this looks like a pole lifting, and the explanation in the play is not particularly sufficient, how can the heroine suddenly be synchronized with the protagonist? Is it love? As for the others, such as acting, stage, special effects, etc., there are some things that are not very satisfying.

But what about the Imperial stage plays? Here they have been dormant for six years, they have eaten for six years, and the three of them have killed the cabbage man like a child's play. But the problem is that hardcore plots don't mean that everyone likes them, and many people just like empire dramas, find them refreshing and interesting, and the special effects are excellent.

By the afternoon, there had been a faint confrontation between the parties. One side blows up the drama of the empire, the other blows up Kevin's drama, while the others mostly remain neutral and do not participate in it.

But fortunately these people are all civilized here, and they are just talking about it. In the school garden, in the classroom, and in the corridor, many people are talking over there, and all kinds of professional terms keep popping out of their mouths. What psychic illusions, what equations......

The minotaur came over at the right time: "What are you talking about?"

"The plot of the morning. They answered. Although I rarely talk to a minotaur, since I catch it, it doesn't matter.

"Oh, can I ask a few questions?" the minotaur was polite.

But the people didn't refuse: "Then you ask." ”

"What is relative forbidden, what is absolute sport?" "The minotaur touched his bull head with a blank expression, "We don't understand it." ”

Everyone: "......"

Anyway, everyone was idle, so someone really explained it to him, and after saying it again, it didn't matter if he understood it or not, everyone continued the topic just now.

Suddenly, the minotaur spoke again: "Who do you think is the protagonist of the empire or the protagonist of the morning?"

The crowd fell silent.

"This man has to eat for six years before he can defeat the cabbage man, and it is obvious that the protagonist of the empire is powerful. The minotaur asked himself.

Everyone: "......"

Although not all minotaurs are so stupid, as long as one of them is chatting with the Terrans, they will suddenly be called a new joke and begin to spread throughout the school. And everyone's contempt for the orc students has deepened.

As for Kevin himself, although the whole process is undoubtedly the most tiring, he is the happiest one at this time. He didn't care much about the outcome of the Minotaur's vote. Anyway, the effect of the stage play is obvious to all, but it is difficult to say that it is better than that of the Empire, but if it is said to be similar, the whole purpose is basically achieved.

What really matters is that Kevin can show off on stage, and he has already earned it. Being able to complete this stage play in its entirety is a great success in itself.

The results of the afternoon voting came out quickly, based on the standard of ten points, and the average score of all orc students was counted, then the voting result was: 9.4 points for Empire, 6.2 points for Kevin.

This is not surprising, as most of the orcs can't read it. Many ethnic students were very dissatisfied and asked all students to count together. So the school took advantage of the trend to send another wave of ballots and count all the data.

In the final structure, the empire scored 9.1 points, while Kevin scored 7.8 points. It is estimated that a large number of scores have been pulled out by the orc students, of course, they can't be blamed for this, they are also spectators, and of course they also have the right to score.

However, Kevin was already very satisfied, and in the face of this result, the Imperial Theater Troupe was generous and paid the performance fee according to the agreement. There are more than 200 people in a troupe, and one person is counted as a general ticket, and a little extra is regarded as a tip.

Although the money is for Kevin, Kevin can't take it alone. A large number of dragon parrots and several excellent dragon parrots participated in the show, although Sain and Little Spoon are their own people, they cannot be missing. In addition, there is a large amount of holster money and prop money, which are all paid in advance by the school, and now they are all being repaid. In addition, the principal also scored a point, after all, he used his doppelganger to help Kevin look at the library, and without his nod, the show itself did not exist.

In the end, Kevin got only two hundred gold coins, which was a huge amount of money before, and for Kevin now, it is pocket money. But the point is clearly not in money.

Here, according to the itinerary, the Imperial Theater Company is about to leave for the next place to continue the visit. A group of school leaders and teachers went out to see each other off, and the two sides shook hands warmly and talked happily.

Kevin also went out of his way to find the Imperialist who had been dealing with him, remembering that he came to the library every day during the three days of rehearsals.

At this time, I saw that he had been shrinking back, and it seemed that he was deliberately avoiding Kevin. Kevin smiled, and simply asked their head directly: "Actually, I've always been curious, this ...... My friend, whom I can't name, seems to have been a little ...... to me Dissatisfied. ”

The head of the regiment also responded with a smile: "Then you have to ask him yourself, but if he doesn't want to say, then I can't help it." ”

Kevin could only nod in understanding. After thinking about it for a while, he asked, "By the way, then what's his name?"

The regimental commander paused, but still replied, "Cress Bradley." ”

Kevin raised his eyebrows slightly: "Could it be that he is ......"

"It's almost time, that's it for today, goodbye everyone!" the head of the regiment stopped the topic and waved to everyone.

"Goodbye. ”

.。 Vertex m.