Reflection and gratitude

Originally, I planned to write a summary at the end of the second volume, but I entered the boutique not long ago, and I have a little insight recently, so I wrote it out in advance to talk to you, and you are welcome to give more valuable comments.

Let's talk about why Kavinka was so powerful some time ago (one of the reasons) -

Book lovers who have been chasing this book since the new book period should remember that Shi Xiaohan's earliest label was not the heroine.

In Pudding's earliest outline, Xiao Han is actually a more functional female supporting actress (even a boy in the first version of the outline), and her personality is relatively flat, and she acts as the protagonist in the first volume as a "case-solving and ghost-killing partner" (a bit like Sherlock Holmes and Watson), just one is steady, the other is reckless, and it can form some comedic effects.

After entering the second volume, she will gradually disappear.

After all, most of the heroines of Xianxia are either strong or have a strong background, otherwise it is easy to fail to keep up with the protagonist and eventually become a burden.

Xiaohan's background and talent settings are obviously not a heroine template.

But in the process of writing, the author always comes up with some new inspiration and makes the characters do something unexpected - as many authors describe, "I feel that my characters come to life, they are out of my control, I am just an observer of their lives".

This is also the case with Pudding.

Several passages in the first volume, such as "Breakfast Box", "I Don't Dare to Be Tempted", and "Full of Wind", are not in the original outline, but suddenly popped up in my mind after writing that plot.

It's like a choice made by the characters themselves.

And the character of Shi Xiaohan, in addition to the earliest labels of "reckless", "foodie" and "middle two", has become more abundant, with the innocence of the first love girl, and the ideal of protecting the people around him.

So at that time, under the control of my emotions, I chose to respect the characters and modify the plot and setting.

However, with the length of millions of words on the Internet, it is often involved in the whole body.

According to the original outline, after experiencing the incident of the empty Xuansan people, Shi Xiaohan will not come to the capital with Gu Xu, but will stay in his hometown, gradually grow up, and become a heroine who slays demons and protects the people, and at the same time, like Chen Jisheng, will gradually fade out of the main stage.

In fact, if written like this, her role is very plump, and the growth curve is very complete.

But after getting the heroine's script, she came to the capital with Gu Xu.

It was only in the process of writing the second volume that I obviously felt that it was difficult for her to participate in the important plot line with Gu Xu and play a key role like the first volume.

Even if she stays with Gu Xu, she is like a bystander, responsible for shouting "666".

Her roles, such as "acting as a thug", "adjusting the atmosphere", etc., can be replaced by other more suitable and powerful supporting roles.

Her growth has not been reflected, but has returned to the original point a little.

So when the second volume was written about her, it was difficult to have the freshness of the first volume, but it was a little boring and boring, and there was a feeling of "forcibly adding drama".

This was the problem with the original setting, and it was also caused by my lack of writing experience.

Because of Xiao Han's background and talent, I can't casually improve her strength (I can't fall off the cliff to pick up cheats), otherwise it will be unreasonable.

So recently, I've been thinking for a long time about "how to reasonably strengthen Shi Xiaohan" and "how to deal with the original heroine", and I overturned and rewrote the outline several times, and I just thought bald......

At present, I am thinking of "finding a master" and "finding a inheritance", and if you have better ideas, you can also share them.

Sure enough, the ability to write a long story is not achieved overnight, and it needs to be sharpened and improved!

After all, it requires not only a momentary inspiration, but also a sufficient sense of sanity and the ability to see the big picture. (It's cool to write for a while, and it's a common thing to fill the pit crematorium...... )

However, in addition to this line, the other main plots that should be written, the pits that should be dug, and the foreshadowing that should be buried are all progressing steadily as planned, and I hope that the desired effect can be achieved in the climax!

At the same time, thanks to everyone's continued support, I finally got into the boutique during the writing of the second volume (this is Pudding's dream all along), and the subscription is steadily increasing. Compared to when it was on the shelves, it has nearly quadrupled.

Pudding will adjust his condition as soon as possible, try to find a good solution, and do his best to write this story better! Read 10,000 volumes