I'm sorry.,I still feel like I'm in a bad state today.,I can't write it after sitting for a long time.,I still have to take a leave.,Please give me a little more time.,Think about the follow-up plot (because I changed the heroine on impulse.,Caused me to dig a big hole for myself.,Since the second volume.,It's been very difficult to write.,Carvin is serious.)。

……

By the way, a few digressions -

I couldn't write anything when I sat in front of the computer today, so I began to flip through the chapters I had written before, looking for ideas and reflecting on problems at the same time (starting from the second volume, the tracking dropped to one-third of the previous one, and I couldn't even save the recommendation on the homepage of the APP).

I have to say that as a street writer, I am still not confident enough when writing books, and I am easily influenced by the outside world.

I wrote a Western fantasy essay a long time ago, and the protagonist's golden finger is the godhead of an evil god, but the protagonist doesn't know his identity as an evil god, so a lot of interesting things happen between the cultists of the evil god and the opposing Church of Light.

Its earliest selling point may be more like the Di Huawen of "I'm Really Not a Lackey of the Evil God", using the information gap to create cool points - some ordinary behaviors of the protagonist will have a very deep meaning in the eyes of believers, and believers are crazy to make up for it.

Before it was put on the shelves, the book's results were unbeatable in the same period, and the editors had a hunch that it was going to become popular, so they gave a lot of recommendations along the way, and it never broke in Sanjiang.

But later, many people complained in the comments that the protagonist's IQ was too low, and he didn't even know that he was an evil god...... balabala

So when I was about 200,000 words, I impulsively let the protagonist inherit all the memories of the evil god, and then began to lead the believers to fight against the Church of Light.

Then the book becomes a struggle between the Church of the Right God and the Church of the Evil God, and it becomes a serious epic fantasy.

The most taboo thing about writing a book is obviously to change your style halfway.

If a book is initially positioned as an epic fantasy, then it's not a big problem. But if a light-hearted essay suddenly becomes serious, then the readers will definitely run away.

A few days later, the editor messaged me and said, "How did you do that?" Chasing the cliff-like decline in recent days? I had the opportunity to order a high-quality book for the first time, but why did you only get six or seven hundred orders?

Because I was a pure novice at that time, I didn't know what the "selling point" was, and I didn't know that my book became popular because of "Dihua".

I was at a loss, thinking that I had taken a day off.

So I kept my head down and continued to write, and the more I wrote, the more cracked it became.

Other people's subscriptions are higher and higher, and my subscriptions are getting lower and lower, from three digits to two digits, which also made me have a very serious problem with my emotional state during that time, and I feel that my efforts are completely meaningless.

Looking back now, I only feel that the most painful thing about writing a book is not "I can't be popular", but "I could have been popular"......

……

This book suffers from the same problem.

But it's a little better than that Western fantasy.,The problem isn't in the foundation.,If you work hard, you should be able to save it.。

The earliest inspiration for the book "Eternal Life", which you may not expect, was found while watching "Tokyo Ghoul".

Ever since I started high and low, and encountered a lot of things in my life, I have been depressed (later found out to be moderate depression), and I feel that I have lost interest in everything in the world.

During the epidemic, I stayed alone in the dormitory to watch anime.

At the earliest, it was purely to pass the time, no matter what the plot, there was no fluctuation in my heart.

When I watched "Tokyo Ghoul", I also felt that some of its plots were not very reasonable.

Until I saw the last episode of the first season of it.

The protagonist erupts in despair.

I was inexplicably caught up in that emotion.

Deep down I felt a very strong urge to reproduce this emotion in my own story.

So there was the prototype of the plot at the end of the first volume, when Gu Xu broke through the realm in front of the empty Xuansan people.

Then, with this plot as the starting point, I began to consult various materials, conceive the worldview and power system of the book, and then spent several months writing the outline and character biographies.

It can be said that the emotional tone of the book is "finding light in the dark" (everyone feels obvious in the first volume, especially the first hundred chapters, and even the name of the protagonist is derived from this).

The original heroine of this book was Snow Maiden (who happened to be Ice and Fire with the protagonist).

In fact, since the first chapter, there has been a lot of foreshadowing.

The original inspiration came from Fengyue in "Blasphemy", Zhang Ya in "I Have an Adventure House", Lu Weirui in "Shangpin Hanshi", Lelouch in "Lelouxiu", and the interdependent relationship of light and darkness in "White Night Walking".

What I longed to write about at the beginning was that I was two lonely people who found each other in the dark, from temptation, to understanding, to mutual support.

But then, because of impulse-

Well, in fact, I have to admit that I was also influenced by the comments at the time, which made me think that the role of Xiaohan might be very well shaped, and I changed the heroine to Shi Xiaohan.

Of course, in essence, there is a problem with my plot setting, because Shi Xiaohan appeared earlier and is easy to have preconceived ideas (just like when I first watched "Chosen Heaven", I preferred Luoluo).

originally thought that Xiuxian Wen would focus on the plot, and it was not a big problem to change the emotional line at all.

But the butterfly effect happened, and the follow-up plot had a series of chain reactions.

The plot of "Lu's Murderous House" is the pinnacle of the book's reading data, and there were a lot of urges at that time, and it is also the most satisfying paragraph for me so far.

But after returning from "Lu's Murderous Mansion", I wrote the chapter "She Seems to Like Me" on an impulse, and then I started to carvin.

There may be no problem with this plot itself, and it even makes Shi Xiaohan's character image richer than the original.

However, in this book, the emotional tone suddenly deviates from the original route, and the taste begins to be wrong.

Then the editor told me that the tracking data has been a little worse recently, and Sanjiang has not succeeded in competition, so he is ready to save the manuscript and put it on the shelf.

After it was put on the shelves, I gradually felt that I was not in the right state of writing books, and it was no longer the passion I had at the beginning, but a bit like coping with work.

On the one hand, emotions begin to be incoherent.

On the other hand, it deviated from the original outline, resulting in the need to write and conceive while writing the plot - I hadn't left my job at that time, and I was writing books part-time while doing the 996 program ape, and I had to write a lot of daily plots in order to cope with the day, such as Gu Xu and Shi Xiaohan's father Shi Lei forcibly wrote three chapters when they first met, and three more chapters were written in the daily interaction of the characters of "Shenji Camp" (alas, mainly because I didn't think about how to write the follow-up)...

The existence of these daily plots causes the book to be emotionally fragmented later in the first volume.

The chapters of "Summoning Order" and "War is Imminent" appear very abruptly, as if one second is still in love, and the next second is going to save the world...... At that time, it was also a reading crash.

In the original outline, Shi Xiaohan did not have many scenes, and the later part of the first volume will be similar to "Lu's Murderous House", with a relatively tight rhythm of suspense reversal writing, people under the guidance of the empty Xuansan people, thinking that the Snow Girl was the culprit in creating yin energy, including Gu Xu, who also thought that the Snow Girl had completely lost her humanity and was wary of her.

During the Exorcist Division's march to Yishan, it will be stopped by the Snow Maiden's army of ice and snow creatures.

They thought that the Snow Maiden was hostile to them.

But in fact, the Snow Maiden just wanted to prevent them from entering Yishan - because the Kongxuansan people were doing things inside, and they would definitely die if they entered.

Including the Snow Maiden herself, she is also subject to the Kongxuansan people, after all, she is the creation of the Kongxuansan people, so she can only use this way to keep everyone outside.

And she is also secretly preparing to deal with the Kongxuansan people.

But what I'm writing now, the part where the Snow Girl rides an ice crane to save people, is far less silky than the original outline.

The feeling I wanted at first was "Although I have become a ghost, my humanity will always exist", "I am subject to the big boss, I am misunderstood by the whole world, I don't want to hurt others, I don't want to be ashamed", and it is "resistance in forbearance". (I have to admit that when I first conceived this plot, I thought of Snape in "Harry Potter", so I wanted to write a "black to white" reversal)

Even "The Snow Girl only captures the guilty" will not be revealed until the end of the volume, rather than being written directly during Gu Xu's journey.

The Snow Maiden's "discerning" supernatural power was originally a hidden foreshadowing, and it was not brought up again until the end of the volume when everyone was about to forget about it

But now it's written very deliberately, purely for the sake of creating characters, and it's just plaint to tell readers that "Snow Girl is a good person".

It's very high-profile, and even a bit of a disappointment.

Shi Xiaohan would not have appeared next to the black altar originally.

She will be like Chen Jisheng and go to Yishui County to save people.

Chen Jisheng will die in this disaster.

His death will become an emotional shock for Gu Xu to break through the realm.

Shi Xiaohan will inherit Chen Jisheng's "worthy sword", and found that the words "the great man of chivalry, for the country and the people" were written on the hilt of the sword, and since then he has truly understood the meaning of "heroine" and understood that "chivalry" is not a simple slogan on the lips, but to protect the common people with practical actions and become a real "woman of the time".

Shi Xiaohan's "heroine" calls herself, the "Jisheng" in Chen Jisheng's name, and the story of Zheng Yu, the former owner of "Worthy Sword......

And a conversation in Chapter 70 -

Chen Jisheng said: "Although in the program of our Exorcism Division, saving people is the first priority - you also have to remember that when you do the task, you must do what you can, and the most important thing is to save your own life." ”

Shi Xiaohan said: "But, Lord Chen, you have always said that Master Zheng is our role model, and we must learn from his spirit of putting himself before others and forgetting selfishness......

Chen Jisheng said: "That's what I said to outsiders. ”

These are all foreshadowings.

This dialogue will appear at the end of the volume when Chen Jisheng is dying, and it will become-

Shi Xiaohan said: "But, Lord Chen, you said before that when saving people, you must do what you can, and the most important thing is to save your own life." ”

Chen Jisheng said: "But in this world, there are always many fools like Lord Zheng. Today I suddenly realized that I was one of them. ”

……

The method of breaking the game in the original outline is also different from the current one.

Gu Xu will see the Snow Maiden at the Black Altar.

The Snow Girl was originally very greedy for Gu Xu's soul.

But her humanity, as well as the memory of "Lu's murderous house", made her suppress her instinctive impulse.

She communicated with Gu Xu through the "Amazing Pen" and began to cooperate.

Because the "Shocking Pen Brush" is a "famous weapon" left by the powerhouses of the Nine Realms, the divine consciousness exchange between the two through the "Shocking Pen Spectrum" will not be discovered by the Empty Xuansan people.

Gu Xu also learned some truths about the matter from her.

(But what I'm writing now is that the empty Xuansan people directly stuffed the memories into Gu Xu's head and personally told Gu Xu all the plans...... Do you think that this has a sense of "the villain dies of talking too much"? And this villain directly stuffed his social death experience into the protagonist's brain...... ）

(Even with the "split personality" patch, I myself am not very satisfied with this way of writing, it still feels awkward.) 008 like "The Master of Mystery" is handled much more silky. ）

Then, in order to deal with the Kongxuan Sanren, the Snow Girl also burned herself to deal with Kongxuansan, and also out of a sense of guilt in her heart (after all, she still ate a lot of souls after becoming a ghost), and burned herself to deal with Kongxuan, delaying Gu Xu's time.

But the Snow Maiden did not die, but became a new instrument spirit of the "Amazing Pen".

(Before, Gu Xu couldn't wake up the machine spirit for a long time, which was a foreshadowing, but now that this plot has been changed, I don't know how to write the "machine spirit" for a while...... ）

…………

In fact, you should have seen that, taking the first volume as an example, the original outline is more complete and refined than it is now in terms of emotional coherence, foreshadowing, layout, and echo before and after (after all, it took a long time to conceive).

But in order to give Shi Xiaohan the role of the heroine, coupled with the fact that she was the single heroine at that time, it is naturally impossible to make the Snow Girl become a machine spirit, which will seem very ambiguous.

I forcibly asked the Snow Maiden to save people, and then stuffed Shi Xiaohan into the black altar, and asked her to rush up to send people to their heads, and then fainted (her character setting can only do this), which became the opportunity for the protagonist to break through the realm.

At that time, I racked my brains in order to come up with a reason why "the Kongxuansan people don't kill her neatly and directly", so much so that now I still think that I have seriously reduced the intelligence of the villain, after all, the Kongxuansan people sacrifice 100,000 people without blinking an eye.

Chen Jisheng, "Worthy Sword", "Time Woman", "Machine Spirit", "Wisdom Eye" supernatural powers, and even Wang Yang's growth...... All because of one of my changes, it became useless foreshadowing.

The second volume of Kavin is even more powerful.

In the original outline of the plot of the capital, Gu Xu was lonely, he was walking on thin ice in the whirlpool between various forces (the first volume paved a lot, the prince and the family wanted to recruit him), and even the head of the department was not completely trusted, but gradually took root in the capital with wisdom and means.

The Snow Maiden is his only companion.

There are a few plots that I particularly want to write about (my personal habit of writing books is to first think of a few scenes, a few fragments in my head, and then connect them together and turn them into a story) -

When Gu Xu first arrived in the capital, he went to a street shop to pack a bowl of noodles and said, "This noodles are sour."

Lu Shiyao really wanted to try it.

When she was in Lufu before her death, she was always curious about the snacks in the market all over the country.

But she found that she had lost her sense of taste for human food.

All the delicacies of the world can never be experienced again.

……

Then on a certain Lantern Festival or Qixi Festival, Gu Xu went to see the lanterns, and also saw many young couples holding hands and walking by the river.

In a no-man's corner, Lu Shiyao suddenly appeared, and then asked what it would be like for two people to hold hands like them.

(At this time, the relationship between the two has become familiar with a little)

Gu Xu, a single dog in two lifetimes: "Maybe it will be very warm?" ”

Lu Shiyao touched his hand very carefully and tried to pretend to be inadvertent.

Gu Xu: "Your hands are a little cold. ”

Lu Shiyao: "I can't feel your temperature, but it should be warm." ”

……

When they returned to Qingzhou Mansion again, the two came to the foot of Yishan Mountain. Lu Shiyao's body after jumping off the cliff is now only bones.

Lu Shiyao stroked the bones and said, "I miss it so much." ”

Gu Xu was puzzled.

Lu Shiyao: "If it's still there, then I can still taste the sour taste of the noodles, smell the aroma of ink, and touch the coldness of snowflakes...... and the temperature of your hands. ”

……

You may have realized that the previous "Zhao Ming Forbidden Technique" was able to become "Shen Zhao Forbidden Technique", and it was not an idle pen.

It is the key to helping Lu Shiyao regain consciousness.

………

But now the heroine has changed, so these plots are naturally all invalid.

Shi Xiaohan followed Gu Xu to the capital, and Gu Xu's "Thrilling Pen" did not have a snow girl weapon spirit, and the plot undoubtedly needed to be reimagined on a large scale.

Especially at the end of September, in order to compete for the recommended position, I didn't dare to ask for leave.

So I wrote while thinking, and I was urged by the editor to "why don't you explode if you recommend it", "If you don't explode it, I won't recommend it to you".

Alas, in fact, if I could, I would also like to have more words every day...... After all, it's all money, and there's exposure (after all, during the explosion on the shelves, it also entered the top ten best-selling Xianxia).

At that time, when there was a lack of ideas, the plan to deal with the daily change was: write about the ring competition, write about the competition of the talisman, and write about the daily ...... In the online article, this kind of plot has a very mature routine, some are pretending to be cool, and it almost doesn't take too much time to conceive in detail.

But the problem is also obvious.

The rhythm of the plot throughout the book is in a state of serious stagnation.

- What does the protagonist fight in the ring for?

- For money.

- What was gained?

- Money and fame (these are the things that the protagonist already has).

-What is the protagonist going to Longmen Academy to participate in the Rune Contest for?

- For money and elixir.

- What was gained?

- A position, money, resources, the appreciation of the big guys, the amazement of everyone, a little brother (in addition to the little brother, other things are also the original things of the protagonist).

Neither the protagonist himself, nor the surrounding environment, including the information he has learned, have undergone qualitative changes.

On the other hand, at the beginning of the plot of the Lu family's murderous house, there was a great degree of plot advancement - the protagonist obtained the thrilling pen, obtained the friendship of the Snow Maiden, discovered the secret of the emperor's existence, and obtained the "Seven Styles of Burning the Sky", which lifted the curse on Chen Jisheng, paved the way for the princes to seize the heir, and led to the Chiyangzi......

So the second volume was fed back that the pace was slow, boring, and the follow-up was also declining.

The power of Longmen Academy did not exist in the original outline at the earliest, and everyone may also think that it appeared very suddenly, and it appeared without any foreshadowing. It is also obviously not as rich and suspenseful as the four major valves, which seems a bit cliché and boring. Moreover, the Exorcism Division itself can also cultivate talents, so there seems to be no need for this academy to exist.

Don't hide it from everyone, Longmen Academy was created by me at that time in order to deal with the daily change, to create some obstacles for the protagonist, and by the way, to solve the problem that Shi Xiaohan's strength was too weak.

At the same time, Shi Xiaohan also stayed with Gu Xu, which caused me to fail to write about the growth she should have, which made this character face again.

In the first volume, I have already paved her growth in many places.

But in the second volume, everyone may feel that after she has experienced a lot of things, such a big change has happened in her hometown, and she has also encountered a life and death crisis, and she is still a love brain stupid and sweet, and many things have to rely on the protagonist to solve.

The sentence "I want to protect you" when I first broke through the realm, and the emotional impact of "Nai He Bridge" are as if they never happened.

In addition, she was the first female supporting setting, and I only gave her a few labels "foodie", "middle two", "reckless", and "rich" during the outline period, and did not set up suspense and derivative side plots on her.

The original method of shaping her, like Chu Fengge and Shangguan Jin, borrowed from "Da Feng Beat the Guard", and repeatedly emphasized one or several characteristics of the supporting characters in the plot, so that readers could have a distinct impression of the character, and they could think of him when they saw a certain trait.

As for the portrayal of Lu Shiyao, it is more inclined to a "round character", and it is difficult to completely summarize her with one or two labels.

During the outline period, I wrote a character biography of several thousand words for her.

is like the description in "The Three-Body Problem"-

"The ten-minute act of a literary character may be a reflection of her ten-year experience. You don't have to limit yourself to the plot, you have to imagine her whole life, and what is really written into words is only the tip of the iceberg. ”

So Luo Ji did what Bai Rong said, completely putting aside what she wanted to write, imagining her entire life, and imagining every detail of her life. He imagined her suckling in her mother's arms, her little mouth sucking hard, making a satisfying snort; Imagining a walk in the rain, she suddenly put away her umbrella and enjoyed the feeling of contact with the rain; Imagine that she chased a red balloon rolling on the ground, fell down after only one step, looked at the balloon in the distance and cried, completely unaware that she had just taken the first step in life; Imagine that on her first day of elementary school, she sat alone in the third row of an unfamiliar classroom, and her parents could not be seen from the door or window, and just when she was about to cry, she found that the next table was a classmate from kindergarten, and she screamed with joy; Imagine her first night at college, lying on the top bunk of her dorm room, watching the shadows of the trees cast by the street lamps on the ceiling...... Luo Ji imagines everything she loves to eat, imagines the color and style of every piece of clothing in her closet, imagines the trinkets on her phone, imagines the books she reads, the music in her MP4s, the websites she on, the movies she likes, but never imagines what cosmetics she uses, she doesn't need cosmetics...... Luo Ji is like a creator above time, weaving her life in different time and space in her life, and he gradually becomes interested in this kind of creation, and he never gets tired of it. ”

“……”

Maybe because I myself am also an introverted and sensitive character in reality, I also brought similar characteristics when I conceived her character.

Lu Shiyao is a lonely and cold person on the outside, but very delicate and rich on the inside.

She was born in a family that lacked love since she was a child, had few friends, liked to be alone, and had some low self-esteem.

She doesn't like to trouble others, but she cares a lot about other people's feelings, and often over-empathizes, and will be cautious in dealing with others, for fear that she will do something wrong and make others unhappy.

She can quietly look into the distance all day by herself, feel happiness from the touch of the sun, or look at the pond after the rain and imagine a conversation between dragonflies and lotus leaves in her mind.

A begonia has "anthracnose" and has black-brown spots on its leaves. She seemed to feel its pain too.

The Lu family celebrates the New Year and needs to cut the window flowers. When she hands someone scissors, the tip is always pointed at herself.

She would write down her daily mood on a piece of paper and throw it into a drawer, imagining that there was a non-existent person living in the drawer, silently listening to her heart.

If a girl like her likes someone, she remembers his birthday, the date and place of the meeting and what he wears, the colors and foods he likes, the size of his clothes and shoes, understands and adapts to his habits, and then hands him a cup of hot tea on the coldest day of winter.

She doesn't talk much, but she would be a good listener.

……

When Kaven was today, I flipped through the biography of the characters I wrote at the beginning, and it felt like after many years of entering the society, I opened the chat record with my first girlfriend when I was a student, and I was unconsciously stunned and had a sour nose.

……

In fact, in the process of writing the first volume, Shi Xiaohan's image has actually become much richer than in the outline setting, and he has become more like a living person.

is like an ordinary supporting role in the movie, because the actor suddenly played extraordinarily, this role left a deep impression on the audience.

At that time, she was very popular, and it was actually beyond my expectations.

It was also an unexpected surprise for me.

However, after the second volume, since she was not originally involved in the main story, I had to make up a lot of plots outside the main line in order to add drama to her.

It is even necessary to deliberately arrange the plot, find the academy, find the master, let her grow up, and keep up with the rhythm of the protagonist.

However, these plots, in essence, are detached from the main line and are destined to slow down the pace.

Even these additions made her character growth disappear, and she returned to the original point, becoming the original flat foodie silly Bai Tian.

The plot about her has also begun to lack freshness and anticipation, and has become more boring.

Recently, I took a look at the data and found that the chapters that mention her name or the chapters where she has a lot of scenes have dropped their subscriptions sharply-

For example, the first volume 128 chapters "Chen Jisheng's Past" subscribed to 8315, and 129 chapters "Shi Xiaohan's Birthday" subscribed to 7298, but the 130 chapters "If in Twilight Spring" subscribed to 7782, and Chapter 131 "The Second Spell of the Thrilling Pen" subscribed to 7896;

For example, Chapter 2 of the second volume "Gu Xu's Choice" has 6015 subscriptions, but it is out of context on the emotional drama, and the subscription of Chapter 3 "Aftersound" plummets to 5141;

Chapter 10 of the second volume "Fame" has 4045 subscriptions, and Chapter 11 "When the Heroine Shows Her Might" is only 3502, but after Gu Xu appeared in Chapter 15, it rose to 3792 (the plot of the ring match dropped very badly);

Chapter 101 of the second volume "Worthy of Master Gu" subscribed to 602 (woo woo has fallen to three digits), Chapter 102 "Shi Xiaohan's Letter" subscribed to 486, and Chapter 103 "Zhao Yan's pomp" rose to 632.

(You should have seen my Bloodbare subscription...... ）

(Alas, a book with a high order of more than 9,000 and close to 10,000 has been reduced to this extent...... Even my friend's weekly book is not so miserable...... ）

……

I've been reflecting on why she's not as popular as she was when she got to the second volume.

It's not that there is a problem with Shi Xiaohan's character creation.

It's the wrong positioning, and she doesn't fit the plot.

Her personality is like a little firefly in the dark, or a little sweetness in a hard life. As the heroine of Tianwen, it may be perfect.

But in this book, it can only be embellished, but not excessive.

It's like a busy study and work, touching fish and playing games will make people feel exciting and happy.

But if one needs to play the same game from morning till night to make a living, and the gameplay content is never updated, it will definitely get bored with it.

In the early part of the first volume, I had just the right amount of control over her.

But the second volume begins to be a bit of a "thing must be reversed".

Just like in "The Master of Mystery", Audrey's character is also very popular, and her positioning is also to "ease her emotions in the tense plot rhythm", but if she becomes the heroine, she stays with the protagonist every day and falls in love, which slows down the growth of the protagonist and the rhythm of the main story...... Presumably, it's not something that readers want to see.

……

And the emotional tone of the second volume has completely changed.

The smell of "seeking light in the dark" has disappeared after the outline was reorganized.

In the early and middle stages of the second volume, because they are all written while conceiving, it is basically a routine of easy and cool writing - the protagonist fights in the ring, participates in the rune competition, copies poems, accepts younger brothers, and picks up girls.

Suspense, foreshadowing, layout...... Well, haven't figured it out yet.

As for the many foreshadowings in the first volume, the prince's seizure of the heir, the courtship of the gate valve, the game between the emperor and the family, the empty Xuansan people hidden in the shadows, and the upcoming "Long Night...... It's as if they've entered a state of stagnation.

The original "Snow Maiden Weapon Spirit" will be an unknown sword in the hands of the protagonist.

But now, his hole cards are gone.

I don't know what to do with the Snow Girl, so I can only fall into a deep sleep first, and then think slowly.

Many of the original contradictions could not be promoted.

Coupled with the fact that Chen Jisheng did not receive the lunch, Gu Xu's desire for revenge against the Kongxuansan people was not as strong as the original outline.

In addition to the initial "immortality", there is a clear lack of phased goals and a sense of urgency.

I've consulted a big guy friend for advice.

After my friend saw my subscription data, he was silent for a few seconds and said to me, "Why don't you write more heroines?" ”

Me: "But now the main line, the emotional tone, and the foreshadowing layout have all been affected...... What to do with these? ”

Friend: "I can't save it." It can only be said that changing the outline halfway like you is death. ”

Me: "But I really don't want the eunuch to lose his character this time, especially the truth of the worldview and the biggest reversal have not been written, I have to write it." ”

Friend: "Then you can find a way to increase the conflict." The highlight of the story lies in the contradictions. But what you write now, the protagonist gets along very well with the people around him in the capital, and he falls in love with the heroine sweetly, and the villain can't pose a threat to the protagonist at all, the whole story has not changed, and everything is in a state of stagnation. ”

After all, online texts are different from physical books, and if you make a mistake, you can't do it again.

If I had the chance to travel back a few months, I would have chosen to stick to the original idea and write it.

But because I didn't want to be a eunuch, I still wanted to write a whole book and write the story that I originally conceived, so I had to face the problem and solve it.

Zhao Yan's recent appearance has given me a little hope.

It is the opposite of the chapter with the name "Shi Xiaohan".

Zhao Yan's chapters, the subscription data are obviously much higher than the previous and subsequent chapters.

It also made me realize another mistake I made: after entering the second volume, I cared too much about Shi Xiaohan, always struggling with how to stuff her into the main line, and neglected the shaping of other supporting characters.

In the first volume, everyone may be more impressed by Chen Jisheng, Chu Fengge, Lu Shiyao, Tang Hui, etc.

The supporting characters in the second volume are more like tool men, background boards.

It should be too late to make up for it now.

……

Recently, my physical condition is not very good, and I am worried about the plummeting data, and I have been trying to reflect, and many friends have given me guidance and help.

I also thank all the book friends for their support when I broke off, and some people gave me a lot of advice.

The update will be a little slower these days, so please forgive me.

I need a little time to think about the follow-up plot and solve the pit I dug for myself

But I'll keep writing it down and try to get back in shape as soon as possible!

…………

PS: Tonight, I wrote a summary with passion and thoughts, and I accidentally wrote 8650 words...... Alas, it would be nice if I could write the text with this efficiency (unfortunately Kavin QAQ). Read 10,000 volumes