Sorry, I'll have to take a few more days off to sort out my thoughts QAQ

I'm very sorry, but I've been in a very bad state of writing lately, and I've been sitting in front of the computer all night, only to feel that the characters in my pen are pale and weak, and I can't find the feeling I used to have.

In fact, I know the reason, now the plot has reached a dead end, and I want to find a breaking point.

A great god author once said that if the plot of a book is to continue to develop, the protagonist needs to be in a state of lack of some kind of resources for a long time - in this way, the protagonist has the motivation to work hard and take risks.

The main logic of this book is the process of the protagonist constantly fighting for resources in order to cultivate to the seventh realm.

As I told you before, the reason for Kavin was to change the heroine.

But it's not that the heroine herself has a problem.

It's because Shi Xiaohan can provide Gu Xu with a lot of resources, so that he is in a relatively comfortable environment - and according to Gu Xu's steady character, he has no reason to take risks anymore or use his skills to compete with others.

He can completely stay at home and cultivate to a saint, and then have a happy ending.

Therefore, in the previous ring competition, as well as the battle of the academy runes, everyone may feel that the motives of the protagonist are very far-fetched. In that episode, there is almost no sense of anticipation and tension that touches people's hearts.

If the plot is to continue to be pushed forward, it is necessary to break this relatively comfortable equilibrium, and put the protagonist in crisis and contradiction, and in the thirst for a certain resource.

A few days ago, I racked my brains and finally thought of a solution to this problem on the premise of not killing the heroine.

However, in the actual writing process, I felt very awkward, I felt that the characters in the pen had collapsed, and they had become lifeless marionettes, and they couldn't go any further, and the writing was also very painful, just like getting a completely unthinking topic in the college entrance examination essay, every line of words had to be pieced together and squeezed out.

Sometimes it's so uncomfortable that I even want to refer to the original outline and reopen a book. After all, the fault tolerance rate of online texts is really low, and if you make a wrong decision on the spur of the moment on the main plot, it is possible that the whole line will collapse, and there is no chance of revision.

But then I felt that I should face the problem head-on and do my best to solve it.

The editor has also said that it is necessary to have experience in writing a long book of more than one million words, and to be able to learn enough lessons from it. Otherwise, the mistakes you make now may be repeated even if you open a new book.

So I hope you can give me a little more time to think about how to break this deadlock.

I'm really sorry for reading 10,000 volumes in QAQ