The difficulty that Song Lao said refers to how to perfectly combine the techniques of the Dao Gate and the Ghost Gate. Pen % fun % Pavilion www.biquge.info

This is because:

First of all, the techniques of the Daomen and the techniques of the Ghost Sect belong to two different sects, and they have formed very different systems in the long process of development.

And this is not a simple difference between dialects and dialects, but a difference between Chinese and English.

Secondly, from the point of view of the expression of the two schools of magic, Daomen is good at using the technique of painting to construct space, and the focus is to show a certain spiritual temperament through the artistic conception of the picture.

On the other hand, the Onimen, who were born as stonemasons, were mainly good at stone statues and carvings, as well as related physical objects.

In other words, the ghost gate pays more attention to the combination of the practical functions of the utensils and the magic.

The space that the two of us are now working together to create is to overcome these differences, not only to be able to play to each other's strengths, but also to build on their strengths and avoid weaknesses.

When it comes to using pictures to construct space, Song Lao's achievements in this area can be said to be unparalleled, so when it comes to building a portable space, everyone thinks of using the painting environment as an entry point.

However, due to the special tasks and objectives of this time, the requirements are different.

Because this time I'm going to Huangquan, and I'm going there without the cooperation of the Yin family.

One of the biggest weaknesses of Song Lao's painting space is that it is inconvenient to carry - when I was painting in the cloud and mist space before, didn't Yin Long still use this to threaten me? If I didn't meet his requirements at that time, he would have left the temporary space where my companions were and didn't take them away.

So this time, we plan to build a space that can be controlled autonomously, just like a spaceship, an airplane, or a vehicle, safe and reliable, and can move freely, stop when you want, and go when you want.

It is precisely because of this that Song Lao repeatedly emphasized the difficulty of this matter.

Of course, the purpose of emphasizing the difficulties is to attract enough attention, and the difficulties can be overcome, and if they are really done, it means that both the Dao Gate and the Ghost Gate have made breakthroughs in magic.

For the task of developing and constructing a new magic space, Song Lao's arrangement is as follows:

Leave the design to Uncle Xuanzhen, and let her rely on her talent for painting to give full play to her imagination.

Mr. Song was responsible for the construction of the space according to the design drawings.

As for my first acquaintance with the ghost sect technique, I have repeatedly entered and exited different sects and different types of spaces of various sizes, and I have enough experience and practical experience, so that I can put forward my own opinions and suggestions in the process of space construction.

And the role I want to play in the future is to carry and control this portable space, that is, to play a role similar to the driver.

So my personal perception is just as important as my experience.

Over the next few days, our small, improvised team has worked hard enough to make progress that we can be proud of.

Uncle Xuanzhen's talent and hard work are really amazing. She spent a few days in a busy time, memorizing the orientation and dimensions whenever she had the opportunity, and has been simulating and analyzing the goals and requirements put forward by everyone in her mind, composing and sketching.

It's very efficient!

And Song Lao was also enthusiastic, and kept discussing with me:

Which symbols are used to achieve this effect, and how are they arranged? What is the effect if another symbol is used instead? What is the result if the arrangement is changed?

According to the spatial structure diagram quietly sent out by Uncle Xuan Zhen and some new corrections that were constantly made, Song Lao continued to simulate, test, deconstruct and reverse analyze according to my experience description and requirements, and then reconstruct it.

......

I don't know how many failures we have experienced, but fortunately, everyone's psychological tolerance is strong enough, coupled with Song Lao's profound knowledge and magic attainments, we can always find new ideas when we encounter bottlenecks, so we can continue to move forward in front of us.

At first, Song Lao I was stunned and at a loss at the spatial structure diagram sent by Uncle Xuanzhen: Isn't this the design of the house from the usual beginning?

It can be seen that painting and the practice of magic have both similarities and essential differences.

But when Song Lao started to run the simulation, we looked at the spatial structure diagram of the flow of golden light, and it was naturally a different scene.

It turns out that these are some pre-planned passages, in which the characters circulate and operate in a regular manner, which separates part of the real world into independent and undisturbed spaces according to the pre-requirements.

I couldn't help but be amazed.

Song Lao has been immersed in it for many years, so he naturally knows the principle, and then figured out my way of thinking, so it is so, so it is not strange.

Next, under the guidance of Song Lao, the production of the magic circle, responsible for channel planning, and operation control, the small team finally succeeded in replicating a same-scale framework similar to the Yuyi space.

Over the next few days, the small team continued to work hard in this way, and finally our team managed to get a near-complete copy of the space.

It can be said that the dragon form is almost complete, and it is almost the finishing touch.

In the workshop, Uncle Xuanzhen and I couldn't help but rejoice, seeing that victory was imminent and success was just around the corner.

It's just a little bit there. However, just because it is still a little bit short, it still cannot be considered a success.

Because this happens to be the most important and critical point, and I can't say 100% of it. This is fundamentally different.

For example, the fish clothing space in our eyes is a delicious peach, and what comes out of our cottage is copied according to the gourd painting scoop, the same size and the same color, which can be fake and real. However, after all, the fake cannot be used to satisfy the stomach.

That's the difference.

To put it another way, the fish clothing space is like a peach that grows naturally from a tree, it is a living creature, which can not only be attached to the tree by its leaves and stalks, but also obtain water and nutrients from the tree from time to time, and can also grow more perfect in appearance and sweeter in taste.

And our team's replica is like a peach that has broken away from its branches, a dead thing, which cannot adapt to later changes, and will watch it break over time.

What is missing is that we have finally figured out the structure of peaches and the mechanism by which peaches grow from trees, but there is no peach tree, or no peach pit that can grow into a peach tree.

In other words, how to ensure that the energy required for the operation of the space you replicate can be continuously supplied?

Specifically, the team already knew that a certain circle ring was a tree and energy, or at least a peach stalk, and as long as the problem of connecting and operating the copy space to it was solved, it would be 100% successful.

Originally, it wasn't a problem, but it happened to be an entry passage and a locker at the junction, which became a big problem!

Without entrances and doors, what is the point of such a space?

And once I set up the opening and closing device that I can control with the ghost gate technique, it can't be connected normally, which is a paradox. But the existence of the fish clothing space has proved that there is indeed a solution, so how did its makers do it?

It seems that the gap is the gap!

After all kinds of plans, it seems that everyone's thinking has reached a dead end.

It seems that I have to wait for Song Lao to try it and see if he can communicate with his great-grandfather.

Elder Song then ordered us to rest for a while, but now it is only in vain, even if we rack our brains, it will be useless.

Night.

It's time for Song Lao's retreat again.

Uncle Xuanzhen and I were eagerly and excited, and we solemnly watched Song Lao enter the study, as if we were holding a pious sacrifice ceremony.

I only hope that Song Lao can bring us a great news when he comes out of the customs. (To be continued.) )