Scott got up and tightened the curtains in his bedroom.

He reached out and pulled out a silvery-white piece of metal from the shape-shifting lizard skin pouch around his waist.

This is a piece of titanium alloy.

Titanium is an important structural metal developed in the 50s of the 20th century.

Titanium alloy has high strength, good corrosion resistance and high heat resistance.

The titanium alloy in Scott's hand was only obtained by Michael through some channels after he made a request.

It is said to have been made from the British Space Agency, and I don't know if it's true or not.

Scott had tried titanium after he got his hands on it.

Although using this material as a Transfiguration material will make his Transfiguration product much stronger, and it will be difficult to break by ordinary spells.

But correspondingly, the difficulty of casting the spell will also skyrocket.

In the past few years, Scott has performed deformation on many materials in order to experiment.

Of the single materials, he used the most easily, of course, ebony, which was made of the same material as his wand.

And the most difficult to cast is titanium alloy.

Of course, he has not yet tried diamonds, which are claimed to be the hardest natural substances.

Because he didn't dare to touch his parents' wedding rings.

At this time, Scott was holding a disposable magic stone in his hand, which made him much bolder.

He decided to use titanium alloy as a deformation material to give the soon-to-be-born Rimbaud a sturdy body.

Placing the silvery-white titanium alloy on the table, Scott took a deep breath, chanted a spell in his mouth, and waved his wand firmly.

The light of the Transfiguration Charm connected the titanium alloy on the table to the wand in Scott's hand.

Under the shroud of light, the piece of titanium began to slowly deform at an extremely slow rate.

Scott held his wand and gritted his teeth for nearly a minute before the titanium alloy on the table completely changed into the shape of a raven.

This speed of transformation is also the reason why Scott basically does not use metal as a deformation material in battle.

That's why no one would make a wand out of metal, he thought.

After all, the magic conductivity of metal is far worse than that of wood.

Looking at the silver titanium raven on the table, Scott didn't directly use Transfiguration to bring it to life.

Scott, who had a philosopher's stone in his hand, was not satisfied with this, and he decided to use the results of his time on ancient magic texts here.

It's just that with such a hard material, it is very difficult to engrave ancient magic scripts.

Scott wouldn't have worked the way he had done it before.

But Scott wasn't unprepared.

He walked over to his bookcase, pulled out a notebook, and flipped through it.

The notebook contains several magical circuits that he has identified through repeated experimentation.

The so-called magic circuit is a combination of magic texts that is different from a single magic text, and its role will be much greater than that of a single magic text.

In the wizarding world, those powerful magical items are undoubtedly a combination of complex magic circuits and alchemy.

But unfortunately, to this day, there are many ancient and powerful combinations of magic circuits that have been lost.

According to Professor Barbling, only the ancient pure-blood wizard family may still have some in their hands.

Travers also said before he died that most of the hole cards in the hands of those pure-blood families were powerful magic items.

Professor Babling tells Scott that with such a magical item in hand, pure-blood wizards can grasp the magic circuits engraved on some of the magical items to some extent.

This is part of the pure-blood family heritage.

Ancient wizarding families often possess knowledge and secret methods that no one else can learn.

This is the source of the purebloods' sense of superiority, and the real reason why they look down on other wizards.

As for the pedigree?

That's just a slogan and a brainwashing tactic.

Don't you care what bloodline Medea has?

Scott always felt that the first person to propose the theory of descent was a genius.

He deliberately blamed some of the reasons on the bloodline, but in fact, he may have been disintegrating the fighting spirit of wizards from other backgrounds.

Since everything is innate, what's the use of effort?

As for the fools who are clamoring for the theory of descent now, it is purely the result of telling too many lies and believing them themselves.

Of course, in fact, Scott can only secretly think about these words, and he has no evidence to confirm this speculation.

And part of the reason for thinking this way is also because he is so sour.

As long as he remembered that those pure-blood families had unique inheritance knowledge, he felt the urge to rob the house.

Scott flipped through the notebook in his hand and retracted his thoughts.

The few magic circuits he has now are just the simplest ones, and it's thanks to Professor Flitwick's face that Professor Babling didn't hide his secrets.

That's it.

Scott flipped to one of the pages of his notebook.

The raven is a small animal, and Scott doesn't want Rimbaud to have much frontal combat ability.

He wants him to be his own eyeliner for more things, and when he fights, he mainly focuses on sneak attacks.

Therefore, this main function is to speed up, and the magic circuit with some concealment effect is very suitable.

The next challenge he faced was how to engrave the inscription on the titanium alloy.

Scott didn't have a tool in his hands that could leave a mark on the titanium alloy, so he had to find another way.

He took out a marker pen and carefully drew the magic circuit on the body of the titanium raven.

After this step is completed, the raven with a silvery-white body and black patterns on its body already has a sense of mystery.

Of course, this is just a delusion.

The ancient inscriptions drawn in this way had no effect.

Scott picks up his wand and swings it again, transforming the titanium raven with Transfiguration.

This time, the transfiguration technique was delicate, and he carefully controlled the magic power, using the transformation method to turn the magic strokes drawn on the surface of the raven into grooves.

After another minute or so, he withdrew his wand, gasping for breath in his mouth.

He reached for the raven and stroked the incave inscription with his fingers.

Of course, at this point, these magic texts are still only in vain.

The real magic circuit is not so simple to form, and the method of its inscription must also be exquisite, and it needs to be integrated with magic power.

Putting down the raven, Scott directly took out a disposable syringe.

Without saying a word, he plunged into his veins and pulled out a tube full of blood.

After removing the needle, he used a band-aid to stop the bleeding and rested for a while.

Sorcerer's blood is, of course, also a material with magical powers.

With a raven in one hand and a needle in the other, Scott leaned over to the magic lamp.

He began to use a needle as a pen, his own blood as ink, and filled in the grooves of the magic strokes on the raven's body one by one.

His movements are slow and smooth, not unfamiliar, and at the same time, he uses his magic to communicate with the magic contained in the blood, keeping the blood alive.

When he finished "writing" the last stroke, the magic text circuit that was finally integrated by magic lit up with a faint red light, adding a touch of demonic aura to the silver-white raven.

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