The boot ceremony jumped the big god, reasonable.

According to Zhang Meng, ordinary ghosts and gods can't pass through Shanhaiguan.

Regardless of the process, his trick really earned enough eyeballs.

The three-handed rose was quite unhappy, if Zhang Meng had said that he wanted to dance the god, he wouldn't have to invite someone to come.

Their band is complete, they can sing directly on stage, and they can also come to two two-part duos to help the fun.

However, seeing that the topic was hot, Ji Yun didn't have anything to say.

After all, the direction of the Internet is always going to the road of full work, and he is ahead of others in this step.

It is true that the culture of ugliness hinders the public's perception, but it is not without its merits.

It has really brought back to light some of the art that was previously characterized as vulgar.

"How do you say that? If you can't bloom upward, then let's take root downward. ”

"Indeed." Ji Yun nodded.

Don't think about excavating art in the old propaganda mode, it's all a self-styled artistic basin.

Propaganda like "What is Peggy" can achieve the effect of being suitable for all ages.

"You have to sacrifice this film, if you can't let it go, you won't be able to laugh." Zhang rubbed his hands fiercely, although it is not snowing now, the weather is getting colder and colder day by day.

"Don't worry, I know it."

Zhang Meng has a humorous cell, which can be seen from the sketches of the Spring Festival Gala.

Although the book "Kung Fu" is still slightly inferior to classics like "Yesterday, Today, and Tomorrow".

But it can also easily beat all the language works of the Spring Festival Gala after 08.

The success of "Ears Are Blessed" also proves that he has the ability to instill this sense of humor into the film.

The ability of black humor is not inferior to Ning Hao at all.

In the future, films like "Charlotte's Troubles" and "The Richest Man in Xihong City" can also be handed over to him in the future, and it is not difficult anyway.

Not to mention, just like him, Ji Yun was really impressed by him.

And another one that impressed him was Liu Che.

For no other reason, he invited Gao Yuanyuan over.

is not only standing for "Embroidered Spring Knife", but also the role of his ex-wife Xiaoju in this play is also played by her.

She originally took on a thriller drama called "The Third Man".

I don't know if Liu Che used his money ability, or with his three-inch incorruptible tongue, he invited her over.

......

Make-up is a magical craft that erases the marks left on the face by time.

Of course, it's easier to get more erosion on your face.

Ji Yun's sideburns were painted slightly white, his hairstyle was combed into a straight style, and he was wearing a gray suit, and he suddenly seemed to be more than ten years old.

With a pinch of mustache, he lives like Maori Kogoro.

In the background, Chen Guilin and his ex-wife Xiaoju are both in their thirties.

But Gao Yuanyuan's style is undoubtedly much younger, which is also the effect that Zhang Meng wants to achieve.

Sitting in front of the monitor, his hands trembled slightly.

I'm used to being poor!

The last part was blessed with a lot of ears, but it was thrifty, and it dragged his father's relationship, so Mr. Fan Wei didn't ask for much salary.

This film made him realize the happiness of a great director.

The film that can be piled up into a hill in the background is like the backbone of his straightening at the moment.

Since he is so generous, he doesn't talk about drama anymore, and gestures to Ji Yun and Gao Yuanyuan in the camera: "Let's shoot first, if not, let's discuss it later!" ”

"Piano of Steel Act I, Scene I, First Time, ACTION!"

With a snap, Gao Yuanyuan instantly entered the state.

"Divorce is mutual fulfillment, you let me go, I let you go."

Gao Yuanyuan's voice condition is not bad, and if she lowers her voice, you can really hear the toughness.

"Divorce is divorce, don't talk about those useless, I agree."

Ji Yun had a cigarette in his mouth, looking indifferent.

The accordion on his chest was heavy, but he still stood straight.

The composition of this scene is interesting, behind the two is a dilapidated factory building.

There are still two pieces of the shed bones of the factory, which look like wings made of steel from a distance.

Behind Ji Yun was a broken appearance, with only a sparse skeleton, while behind Gao Yuanyuan was a complete shed bone.

With lines, it's easy to empathize.

It's not that Ji Yun hasn't met a director who likes metaphors, and Guan Hu knows this well.

But Zhang Meng is different, and he puts the metaphor very shallow, and everyone can understand it.

Chen Guilin played by Ji Yun and his ex-wife compete for the custody of their children, but Chen Guilin is dressed shabby, and his situation is similar to this broken "wing".

The ex-wife is well-dressed, which is obviously able to give the child more favorable living conditions.

And the metaphor of the blue coffin and the music box in the killing, he dared to say that nine out of ten viewers could not understand it.

It is said that metaphors can only be seen when they are hidden, and the deeper they are hidden, the better.

"The Devil is Coming" is hidden deep enough, and it still makes the reviewers turn upside down.

is not just a review level, Jiang Wen's most praised work is not "Sunny Day", but "Let the Bullets Fly".

That kind of metaphor is what the audience really likes.

After all, hide-and-seek is the moment you catch someone.

"Just agree."

"Then take the time to do it, the refrigerator and color TV washing machine at home, you can look at it."

The two faced the camera without a trace of eye contact.

It not only symbolizes the fragmentation of the relationship between the two, but also maintains the artistic conception of the composition.

"Are you treating me like a scrap collector?"

"I almost forgot, you're rich now."

Ji Yun showed a little sigh, behind him was an earthen wall, and behind Gao Yuanyuan was a small road.

One is trapped in place, and the other has a less clear way out.

"I don't want anything."

"Okay, that's what I thought."

"But, Xiao Yuan, I'm going to take it away."

Gao Yuanyuan's lines are correct and round, not that she didn't have time to learn the tone.

It's just that Zhang Meng wants to highlight the gap between the two through this contrast between Mandarin and dialects.

It turned out that Zhang Meng wanted to invite Zhang Shenying, an actress from the country of sticks, but she didn't want to learn such a few simple lines, so she couldn't even match her lip sync.

Of course, the more important reason for Gao Yuanyuan to play is that she is good-looking, that is, she reads 1234567 to the camera.

"What? Xiao Yuan, you want to take it away? ”

The camera gives Gao Yuanyuan a close-up shot, and the wings behind her seem to extend from behind her.

Her eyes became more determined, "Chen Guilin, let me tell you, the child will not be happy with you." ”

"You don't scare me with happiness, Xiao Yuan is very happy."

"Okay, Ka!"

The language of this shot is really too eye-catching, if it is an ordinary director who handles this picture, it must make the conflict between the two as much as possible.

The camera is playing front and back, and I can't wait to jump high and scold to make the contradiction in this paragraph stand up.

However, Zhang Meng stubbornly filmed the opening scene into a painting.

Ji Yun squatted and took a look at Zhang Meng's side, the effect of this film is stronger than that of digital, and the overall picture is quite textured.