Song Lao and I both know that the cloud painting space was previously hung in the fish clothes space, on the wall of a room in the house. Pen % fun % Pavilion www.biquge.info

It is first and foremost a painting of the sea of clouds, mountains and fog, and at the same time, it is a space world under the cover of clouds and fog.

The most important thing is that this picture space is the place where the great-grandfather Jiang Hate used to hide the ground bowl.

In fact, I've sailed to that cold, black, bowl-shaped valley, and know that at the center of it is a cliff as dark red as blood.

But other than that, I don't know anything about what the rest of this space world looks like.

I don't know if Song Lao studied it in private, but after I came to Song's hometown this time, I found that Song Lao hung it as a real painting.

Anyway, I glanced at it last night before going to bed, and I clearly remember that the content on the screen was still clouds and fog.

But when I woke up, the clouds and fog on the screen were gone.

Now, Song Lao, Uncle Xuan Zhen and I are staring intently at this painting, and while looking at it, we exclaimed: It's incredible!

The main body of the picture turned out to be a combination of a part of the content of each of the three of us dreaming.

From the left side of the picture escapes a branch of cold plum, and under the cover of snow, the branches are like fire.

Underneath the plum branches is a line of footprints stretching west towards the end of the line of sight.

Slightly to the right, the broken wordless monument that Song Lao dreamed of is lying in the bushes a little farther away.

Further to the right of the grove is a stream that twists and winds, serpenting eastward, until it reaches the dark peaks.

There was a small boat moored on the edge of the stream, but it was empty.

The field of view of the whole painting is magnificent, but the close-up view is depicted in detail and does not feel trivial.

At the top of the picture is a few lines of inscriptions, the pen walks the dragon and snake, the momentum is wild, and there are two yin and yang seals at the end.

I was curious to identify it for a long time, but I didn't recognize any of the words on the screen.

In my opinion, these characters are less like Chinese characters, but more like pictograms of characters with different postures.

Soon, the conversation between Song Lao and Uncle Xuanzhen confirmed my guess.

Uncle Xuanzhen, like me, didn't know these words, so he asked Song Lao.

And Song Lao frowned and said, "This is the long-lost Yin Rune Array, which is actually the Ghost Soldier Array that controls the screen space. ”

"Is the Yin Fu Formation very powerful?"

I asked a little unbelievably.

Song Lao said: "Of course! This is the Huangquan family's housekeeping skills, the special prohibition of guarding the earth bowl, it seems that this painting should have flowed from the Yin clan to the Yang world with the earth bowl." “

Song Lao said it euphemistically, in fact, what he meant was that the ground bowl was originally preserved in the cloud painting space and guarded by the Yin Fu Array, and his great-grandfather directly stole the painting from the Yellow Spring for the sake of the ground bowl.

So did the clouds and mountains and fog before deliberately not reveal the true content of this painting?

But Song Lao didn't know if the clouds and mist were originally there, or if they were added by his great-grandfather Jiang Ha later.

But now why is this cloud mask suddenly gone?

I really don't understand the mystery.

In this regard, Song Lao smiled indifferently and said: "Several things talk about chance, it seems that your fate has arrived." ”

"Me?"

Now I don't understand.

Obviously, this painting was given to Song Lao by my great-grandfather, but now why has it become my chance?

Song Lao explained that this had to start with the Yin Fu Formation.

It is impossible for Yin Long not to know about the existence of this painting when Yin Long took the floor bowl from the painting before, but why didn't he take the painting and only the floor bowl?

According to Song Lao's estimation, there should be several reasons: First, because of the existence of his great-grandfather Jiang Ha, Yin Long was taboo, so he chose to take away the floor bowl and it was inconvenient to make too many requests.

Taking away the floor bowl and leaving the painting behind is probably a compromise between him and Jiang Hate after the game, after all, the floor bowl is much more important than the painting.

In addition, according to my description, the Yin Dragon put the earth bowl on his head, which should have completed some kind of ritual, and in this way, the earth bowl and him could never be separated.

The third point is that because the evil ghosts interfered with the Yin Dragon at that time, they had a mental strife and bitter fight with each other, so that the Yin Dragon could not be separated to paint, so they could only retreat to the second.

The last point is that Jiang Hate left the Yin Fu Formation, which must have another deep meaning.

Although this painting was given to Song Lao, because of my arrival, the clouds and mist on the painting disappeared overnight, which means that because of my existence, a special magic circle in the painting was activated, so that the Yin Fu Array appeared.

That is, I played the role of the key.

But that doesn't mean it's my chance!

Even if it's the key, now that the door is open, it's not impossible to say that it's the fate of Song Lao or Uncle Xuanzhen!

But Song Lao shook his hand and said:

For us, the sects are different, and the spells have a natural rejection; the Yin Fu Formation is extremely dangerous, and to put it seriously, there is no return.

And Jiang Heng, you are different, you have the bloodline of the Yin clan, and it is entirely possible to find the mystery of controlling the army formation in the picture.

I think this is the reason why Jiang hated his predecessors and asked the old man to keep the paintings, in fact, he was just helping you take care of them. ”

"Oh......"

I can't help but remember when my great-grandfather ended his conversation and he laughed and said, "Providence, providence!"

It seems that my great-grandfather meant something at the time, and he probably meant that I would definitely see the result of the Yin Fu Formation.

Then Song Lao told me: It seems that the difficulties that plagued us yesterday have the hope of overcoming them in this painting.

Why?

The protective effect of the Yin Fu Formation is not trivial, if I can fully grasp it, then the safety guarantee of going to Huangquan is simply trivial.

So then, I should go into this space and explore and find out for myself.

"Of course, there are also risks and troubles in the space, Jiang Heng, are you willing to go again?"

"I do. ”

I replied without thinking.

So far, my psychological worries have disappeared, and I am looking forward to unlocking the secrets hidden in the paintings.

Without further ado, after a little preparation, I opened the space with the help of Song Lao and went in alone.

Probably because of the second entry, and because of the fact that the nest has been too hard in the past few days, I am moving extremely fast in the cloud space.

The time in the painting seemed to lag a little behind the real world, and I walked in the darkness for about an hour when it was dawn.

There was a bright light like a sharp sword piercing through the thick clouds and sending in some beams.

Seeing the shadows of the dark trees rising in the distance made me feel a strange feeling.

Obviously, this trip is here to find answers, both want to see, but also afraid to see!

This is probably similar to an emotion - "hometown timidity".

In fact, of course, this is not my hometown, but there are some hidden things related to blood.

I just don't know why I have such strange emotions. (To be continued.) )