225, I want to see a girl

Xingsheng held a Zen staff and asked Meng, would you like to accept my mantle.

Passing on the mantle and collecting disciples are two different concepts.

Accepting apprentices is "I will teach you the craft", and passing on the mantle is "I will give you the shop".

Xingsheng was born in Shaolin, one of the ancestral courts of Zen Buddhism, and was the uncle of this generation of the great monk Yongxin.

He traveled all over the country, and preached in the temples of major sects.

In 88, he went to Tangwang Mountain, Maoqi Town, Haicheng, Liaoning Province, and retreated in Dabei Temple, an abandoned ancient temple on the southern slope.

In 93, at the request of local believers, he assisted the government in rebuilding the Great Compassion Temple.

In 00, he passed the position of the host to Miao Shan, who was in retreat in Benxi Thatched Tent at that time, and continued to travel.

Nowadays, the Great Compassion Temple promotes the five sects of Zen, Purity, Esoteric, Vinaya, and Religion on an equal footing, which is the influence of self-practice.

Therefore, although Xingsheng does not have a "shop", his status in the "rivers and lakes" of Buddhism is regarded as a rent-collecting person, and he can get courtesy wherever he goes.

The fashionable point is that Xingsheng is a person with the ability to "face fruit".

He said "give the old man a face", and he can handle more than 90% of the things in the religious circles.

Therefore, Xingsheng asked Meng Shi if he was willing to accept his mantle and pass on the "face fruit" to Meng Shi.

It really shocked the jaws of the monks in a hall.

In the play, Xuanzang, played by Meng Shi, became famous in a fight.

Outside the play, Meng Shi ......

Outside the play, this thing said to the old monk, "I want to see the girl, not me." ”

In the hall, the monks and crew members ...... was knocked down by his words.

Guan Bin couldn't help but give a thumbs up, worthy of you.

Ji Hongting was glad that her camera was not turned off.

The old monk passed the mantle, and the "little monk" said that I wanted to see a girl.

It's going to be a lot of fun.

In particular, Xingsheng is still a real Zen master, and Meng Shi is also a director.

Ji Hongting held the camera and began to think in her heart that if Xingsheng could turn Meng Shidu into a person, then "the director escaped into the empty door while filming" should be regarded as a good story, haha.

See...... Watching the chick...... Bahar Guli, who had been standing in front of the Daxiong Treasure Hall, remembered his gentle and appreciative gaze before, and his cheeks burned like the sunset on the horizon.

Xingsheng straightened the Zen staff again.

His Zen staff is not a Jiuxi Zen staff, but a convenient shovel, that is, the kind used by the sand monks in Journey to the West, but there is no crescent moon, only the shovel.

The function of the Jiuxi Zen staff in the walking feet is to shake the ring above and beg for food when turning the edge.

The convenient shovel is used for self-defense, shoveling the carcasses of some small animals, burying them, and exceeding.

The monks sitting cross-legged in the hall stretched their necks, hoping to see Master Xingsheng shoveling the head of this boy who was in the Daxiong Treasure Hall and said that he wanted to see the girl.

Xingsheng smiled, "The girl is in your eyes, but like a flower shining in the water, the color is empty." ”

Meng Shi also smiled and said, "I not only want to enter the eyes, but also go to the heart and kidneys." ”

"Amitabha." Xingsheng recited a Buddha name and said, "The old monk will ask Xiaoyou again next year." ”

Meng Shi said, "I have to watch a girl until I am 80 years old, and watching a girl makes me happy." ”

Xingsheng smiled unchanged, took out an old man from the monk's robe, and said, "Leave a number for the old monk." ”

……

Xingsheng left with Meng Shi's number, didn't let anyone send it, and said, "Today's atmosphere is good, I filmed that scene, let Bu Chan rest and find his heart." ”

Bu Chan smiled bitterly, Meng Shi's three poems, Xingsheng has "Duncai" has been digested, but he needs to "retreat" to comprehend, this is the gap.

However, he did gain a lot from it, and after Xingsheng left, he asked Meng Shi what to do next.

Meng Shi was embarrassed to bow to Bu Chan, took the futon and invited him to sit down, saying, "Boy, go see the effect, if you can, you and the masters will shoot as many scenes as possible today." ”

Bu Chan didn't say much, sat down cross-legged, and chanted the scriptures in his mouth, and the rest of the monks could only start chanting when they saw this.

This situation made several special actors who played monks with lines numb.

They did not dare to stand up, and they could not recite the scriptures, so they could only sit in place with a sluggish expression.

"Spring flowers." Meng Shi beckoned and softly called Bahar Guli, who was still standing stupidly outside the Daxiong Treasure Hall, in.

This guy has a bad habit of naming people himself.

It's like calling the two nieces Xiaoyu and Xiaoqiao, Lu Jiajia is called Lu Jia, Guan Bin is called Abin, and Qin Qian is called Baozi.

The name Bahargul means in Uyghur – spring flowers in July.

Meng Shi called her Chunhua.

The beautiful Uyghur girl struggled to win Meng Shi to call herself Guli and even Qihua.

But the revolt was ineffective.

The beautiful Uygur girl, who went to school for drama, felt that her career was coming to an end after filming this drama, and she gave up on herself and said that she wanted to use Meng as her Han surname.

Meng Shi disagreed, young people nowadays like down-to-earth actors.

Meng Chunhua is better than Bahar Guli, easy to remember and kind.

Chunhua ran to Meng Shi's side, stood behind the monitor, and watched this long shot.

She felt that her acting skills were superb.

Moreover, this shot of itself is too beautiful.

The gate of the ancient temple, the white skirt is lightly raised, the cherry lips are slightly open, and the pretty face is crimson, what a little white dragon who captivates the country and the city.

Chunhua couldn't help but fork her small waist.

Meng Shi finished reading the "Treatise" and "White Dragon Human Body" in the first act, closed his eyes, went through it in his mind again, and then asked Ji Hongting, "What is Director Ji's opinion?" ”

This passage actually deviates from the original script.

In the original script, the two old monks are:

"How is Zen?"

"Yes."

"How is the Dharma Eye?"

"It's not."

"How to realize the void?"

"There are no distractions in the heart."

"Really?"

"Isn't it?"

"Really?"

Then, the host was defeated.

Xuanzang went up.

The challenged monk Tianyang asked him again, "How to realize the void." ”

Xuanzang said, "Break the stubbornness." ”

And then the two of them again, yes, no, one pass.

At last.

Tianyang: It's not that you still answer, look for a fight.

Xuanzang: It's not that you still ask, you owe a beating.

Tianyang admits defeat and leaves.

Now, the "heart" and "heart-seeking" of Xingsheng and Bu Chan cannot be said to have nothing to do with the original script, but counting the two verses of Meng Shi, the lines in the script are irrelevant.

After comparing the original work with the on-the-spot performance of the three people, as well as the reactions of a group of monks, Ji Hongting said: "I think this section is okay. ”

She spoke very directly, "Although I don't understand the heart and the heart you are talking about, after all, it really comes from the mouth of the master, it's okay if you don't understand, and there will naturally be people who understand to interpret it when the time comes, and the original script is too ethereal and not enough dry goods." ”

Meng Shi touched his bald head and said, "Okay, then we'll keep this version." ”

People from various departments got together for half a little time, held a small meeting, and finally decided to take advantage of the current group of monks and actors to be in the right state.

used the afternoon time to catch all the roles of Xuanzang and the host in the first act.

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