The sailors in the live broadcast room were shocked because of Yang Yue's familiar smile.

On the show, Yang Yue took the stage.

In order to make this singing more flavorful, Yang Yue also changed his clothes, put on a moon-white tunic, and stepped on old cloth shoes.

So Junlang seems to have integrated the bookish atmosphere of the older generation of intellectuals, as if he has crossed time and walked from the previous dynasty of China.

On stage, he also smiled slightly.

"The national style song I called for you today is called - "East Wind Breaks".

Yang Yue finished speaking.

The stage lighting softens slightly.

At the same time, a grand piano solo sounds.

At the guest seat, Weng Ziyu's face was slightly happy.

I thought: Speaking of good national style, this guy actually came up with a big piano solo, is it true that he can't create a national style tune?

can become a first-line singer-songwriter, Weng Ziyu does have an extraordinary talent in music.

In an environment like a studio, he can even clearly distinguish which instrument is used to accompany the band.

Hearing the sound of harp and guitar for more than ten seconds, Weng Ziyu couldn't help but smile at the corner of his mouth.

The guitar is Western.

The harp originated from ancient Persia and is still from the West.

Compared with the national style, he thinks that he will definitely win this wave!

At fourteen or fifteen seconds, Yang Yue began to sing with only the accompaniment of the harp and guitar-

"A light of sorrow, standing alone at the window

I'm behind the door, pretending you're not gone

The old land is like revisiting, and the full moon is more lonely

The candle flame that is awake in the middle of the night can't bear to criticize me~"

When Yang Yue finished singing, the smile on Weng Ziyu's face stiffened a little, and he couldn't help but sit upright.

His expressions and movements were accurately captured by close-up shots and put in front of the eyes of countless audiences.

Immediately, the camera was given to the judges and the audience.

Everyone didn't have any special expressions, they were all listening to the songs, but most of the expressions were natural and serious.

Obviously, the song has been picked up by the live audience and even immersed in it.

Soon, the second part of the main song was sung.

Before the chorus begins, there is finally a clear traditional instrumental accompaniment in the accompaniment - the guzheng!

In fact, ordinary listeners can hear that it is a traditional musical instrument at most, and those who are more knowledgeable can hear that it is a guzheng.

Only the three judges, Weng Ziyu and other musicians can hear that something is wrong.

It doesn't seem to be a domestic zither, it seems to be a koto from the cherry blossom country? ’

Among the seven musicians outside the stage, Mao Xinran, Sheng Xia, and Zhao Sheng were directly confused.

They are limited to knowledge, and at most they don't hear it like a zither, but they don't know that it is a zither from the cherry blossom country.

Although the three judges could tell that it was a musical zheng, they couldn't help but wonder why it was a foreign instrument - but it was really good, and so far the whole song has been natural.

Only Weng Ziyu, who really has some research on national style music, has a solemn expression.

Because he knows very well that the music zither in the Sakura Country only has thirteen strings, which is actually evolved from the thirteen-string zither of the Tang Dynasty.

Zheng in the country such as dynasties have undergone changes, the number of strings has changed several times, and now there are three kinds of mainstream, namely 16 strings, 18 strings, and 21 strings.

Therefore, in terms of antiquity, the music zither of the cherry blossom country is closer to the early zither.

This does not mean that the domestic guzheng is not good.

The reason why Weng Ziyu looked solemn when he thought of this was because he had already realized it.

Since Yang Yue has used such a relatively out-of-the-way musical instrument as a domestic musician, this piece is absolutely extraordinary!

Sure enough, there was a rather amazing erhu solo in the back, but it was integrated with the whole piece.

There are also several ethereal passages of ethereal moon qin accompaniment.

There are also drums and other national percussion instruments that appear occasionally, but they are not obtrusive.

In addition, the lyrics are also very charming-

"Who's playing a song with the pipa?

The years peeled off on the wall, seen as a child

I still remember that we were all very young

And now the sound of the piano is faint, my waiting, you haven't heard it."

The lyrics of their songs are all from the outside to the inside, exuding the flavor of national style.

The specific manifestation is to use more ancient rhetoric, even the whole article.

The rhetoric is gorgeous on the surface, but in fact it is still a modern set of things inside, which is full of bad points and even bullshit in the eyes of people who understand ancient Chinese.

The words of "East Wind Breaking" are mostly vernacular on the surface, and there are few ancient texts, but they sound smoother and more natural than theirs.

Most importantly, the lyrics really contain ancient rhyme!

Don't ask Weng Ziyu how he sees it.

His own level of lyrics and composition is quite high, if he can't even taste the connotation of the lyrics, it is better to go home and sell sweet potatoes.

With the continuation of "East Wind Breaking", the audience completely sank into the artistic conception created by the song.

The same goes for the audience in front of the screen.

"East Wind Breaking" expresses a faint longing for old friends and reminiscences of the past.

Not intense.

So many people listen to it and feel like they're sinking in, but they're awake.

And the faint longing in the song, the sense of reminiscence of the past, lingers in my heart.

It's a strange feeling.

It is manifested in the barrage: it is not like the first two times Yang Yue sang, the barrage disappeared completely at the climax, but a few barrages came from time to time, as if the audience had plummeted to a few people.

"Who's playing a song with the pipa?

Maple leaves stained the story, and I saw through the ending

I'll lead you through the ancient road outside the fence

The thought of barren smoke and vines, even breaking up is very silent~"

When Yang Yue finished singing, the ending of the song also ended slowly in the perfect concert of the grand piano and erhu, and many people were withdrawn from the artistic conception of the song.

Suddenly, the barrage on the show surged like a sudden change!

"That's so good! It was just perfect! ”

"I don't understand music, but I like ancient culture, and this song makes me feel that way!"

"Listening to the song and closing my eyes, it seems that I have traveled back to that era of barren smoke and vines."

"Brother Shen, eternal God!"

"I listened attentively to the accompaniment, and I didn't feel any dissonance between the Eastern and Western instruments, but it was natural, as if it should have been!"

"The lyrics are half-literate and half-white, but not a little obscure, very natural, and the most important thing is that there is the artistic conception of ancient poetry!"

“···”

Maybe it's because "East Wind Break" is not as straightforward as Yang Yue's first two songs in terms of expression, and the emotions are not strong, and there are some barrages that don't buy it.

"It's a nice song, but it's not that exaggerated, is it? It feels a little worse than Ziyu's "Apricot Blossom Rain". ”

"The lyrics are so white, what kind of national style is it?"

"Is there a traditional instrument in the accompaniment? Why didn't I hear that? ”

"It's so natural, so natural that it's like a modern pop song."

“···”

There are not many such barrages, but there are no other barrages that praise "East Wind Breaking" that are completely drowned.

In this way, the barrage gradually quarreled.

However, the dispute over the barrage did not affect the progress of the show.

After the on-site scoring, it entered the tasting session.

Liu Yuansheng started first.

"National style songs belong to a new genre, and they originated in our country and belong to our oriental cultural circle, which is unexpected that there are no works that can be used for reference abroad.

Therefore, although this type of song has appeared for more than ten years, it has not developed very well.

So far, there has been Wu Wenjie, a king who is good at national style songs.

As for me, I don't have much research on Chinese style songs, so today I will ask some simple and specific questions. Okay, right? ”

Liu Yuansheng's words were very modest, and he completely put Yang Yue in an equal position.

Yang Yue smiled and said, "Teacher Liu, please ask." ”

"Why is the title of your song called "East Wind Breaking"? Sounds like a brand name? Is there anything special about it? ”

Liu Yuansheng asked a key point.

In fact, some of the audience at the scene and outside the venue have already come back to their senses.

They are also thinking about whether Yang Yue and the previous song titles are any particular.

Or is it just a random one? Just want to make up a name that looks ancient?

Even if I didn't expect it before, now listening to Liu Yuansheng's question, I also have curiosity.

I saw that under the camera, Yang Yue smiled but said calmly: ""East Wind Break" is not a word name. But there is something about it. ”