Mizumi Hayato pushes the swing behind him, and Masami Nagasawa cheers happily on it, looking back at him with a smile on her face from time to time.

After pushing for a while, the water Hayato stopped pushing, and took advantage of the swing to swing to the back and ran directly in front of Masami Nagasawa.

"Ahh Danger Danger! Masami Nagasawa's face was full of horror, for fear that she would bump into him when the swing came down.

"Eh~" Mizumi Hayato swooped around and dodged the swing, and then when the swing returned, he came to the front again.

"Hahahaha, you're so annoying!" Mizumi Hayato's expression amused Masami Nagasawa.

"Go away!"

"I don't! The scenery is good! ”

"What a view!"

Then Masami Nagasawa noticed that she was wearing a skirt, and the scenery was not it.

"Go away!"

Masami Nagasawa said angrily.

In fact, to be honest, Masami Nagasawa was very well protected when she sat on the swing, her skirt couldn't fly at all, and Mizumi Hayato could only see her slender white calves.

But he knew exactly how to tease her to the best effect.

Mizumi Hayato just pretending to be a thief is enough to make Masami Nagasawa panic.

Then, in the process of her panic, some spring light was revealed.

And after she reacted, the water Hayato couldn't see anything at all, and then the swing slowly stopped.

"Hey, this skirt is really in the way, why can't it float?" Mizumi Hayato sighed deliberately.

"Hayato is really, such an innocent thing as a swing, how can you defile it like this!"

Masami Nagasawa was dissatisfied both inside and outside of her words, but the smile on her face couldn't be dispersed. After all, there is such a thing as a yellow joke, it is obscene for outsiders to say it, and it is fun for those who like it.

"It's better to blame this skirt, or else it's better to tear it." Water falcon humane.

"Still tear!" Masami Nagasawa blushed when she heard this: "You don't know how long it took me to find this skirt!" ”

Of course, Mizumi Hayato knew that the predecessor of this skirt was destroyed by him.

I can't help it, I always splash it on my body when I eat hot pot, especially the delicious and juicy dipping sauce like sesame sauce.

Then that skirt was a costume that was worn home directly after filming, and in order to shoot today's scene, Masami Nagasawa wasted a lot of effort to buy an identical skirt.

...

The last scene filmed at night is the plot of Ken Iwase sending Rei Yoshida back to the drinking party.

Walking along the main road at night, the dim light of the street lamps spills through the trees on the road. Ken Iwase looked at Rei Yoshida's back all the way forward without looking back, and made up his mind one last time.

In any case, he will really express his thoughts at the wedding of Rei Yoshida and Mr. Tada.

...

This inner drama is not difficult for Mizumi Hayato, after all, this is a TV series, and secondly, it is outdoors at night, and the lighting is very poor. The combination of the two debuffs makes it impossible for the audience to see clearly even if they pursue a delicate performance.

Half an hour of filming, two hours with equipment.

This is a true portrayal of this scene.

While waiting, Mizumi Hayato and Masami Nagasawa also used the excuse of "audition" to press back and forth on this road to chat.

Then after filming, they packed their things and went back to the hotel.

It's the last episode, so we don't plan to go back to Tokyo at night this week, and everyone is staying at the same hotel.

As the hero and heroine, Mizuko Hayato and Masami Nagasawa live in the same room.

After receiving an email saying that the agent has left, Mizuto sneaks into Masami Nagasawa's room.

"Long time no see." As soon as Mizumi Hayato entered, he turned around and hugged Masami Nagasawa.

"Where has it been for a long time." Masami Nagasawa replied with a smile.

"One day less is equivalent to three autumns less." Mizumi Hayato deliberately used Chinese in the keyword.

"You mean, 'If you don't see each other, you don't see each other'?" Masami Nagasawa stood on tiptoe and nodded Mizuyato's forehead: "You, haven't you studied hard?" ”

"No, I still know that 'one day is better than three autumns'."

"It's just that I didn't mean that."

"What a day..."

Mizumi Hayato once again tasted the sesame sauce he had been longing for.

Fortunately, before Masami Nagasawa started the hot pot, it was strongly recommended to change the skirt of the costume first, otherwise they would not be able to explain it the next day.

...

Filming during the day and eating hot pot at night, the life of an actor is boundless happiness.

In this happy life, Mizumi Hayato ushered in his most important shot in "Marriage Proposal".

This is the scene where Ken Iwase speaks at the wedding as a representative of the bride's best friend.

At the end of the end, Ken Iwase finally admitted neatly that he liked Rei Yoshida for a long, long time.

"I like to be polite."

This hesitant man finally said what he had not said at the wedding of the person he loved the most.

Just say these words, but it's time to give up.

But at the same time, in this passage, Rei Yoshida's mind also recalled the bits and pieces of getting along with Ken Iwase.

Ken Iwase travels through the small influences caused by the past again and again, and finally gathers into a huge miracle, and he finally changes the relationship between him and Yoshida Rei.

Rei Yoshida burst into tears, and she found that she had been saying that Ken Iwase didn't understand anything, but why didn't she understand anything?

Ken Iwase's changes again and again, in her memories, are his sincere expressions of feelings again and again, but the person he didn't find this time was her.

...

During the filming process, Mizumi Hayato has always had high requirements for himself, and he has also had experience in trying inner drama before, so the director has also increased the difficulty of this scene

"Give me a close-up, a big close-up, and I want to see the moment when tears fall from my eyes on the water." The director directs the scene.

"And! The light here is getting stronger, and I want the bride to see that she is standing in the light. ”

"Look at me here when the time comes, and push the camera to capture Li's tears."

The crew runs in good order, and no one will disturb the heroes and heroines who are brewing emotions at this time.

Last night in Masami Nagasawa's room, Mizumi Hayato said that today's scene is not only the most profound inner drama of the male protagonist. It will also be his 11th confession to her.

"This is the last confession as Ken Iwase, and I will use my best performance to make this hesitant man make the most sincere confession."

"Then I'll wait and see~"

Masami Nagasawa also regards this scene as very important, these two characters are the characters they meet, every time his confession is always unexpected, this time, she wants to use the acting skills of "Princess Toho" to follow his confession.