"You do this, you first play a set of Wing Chun, then a set of Baji, and then have a Muay Thai."

Mizumi Hayato is explaining his next move to Oguri.

Oguri looked at him speechlessly.

"Then, I'll arrange for Serizawa to drive a motorcycle over and hit you, and he can't control it." Mizumi Hayato said while laughing.

Takayuki Yamada next to him was still nodding his head, indicating that he was good at this kind of scene.

"But don't worry, you're the protagonist after all! You flew up in the air with a volley, and turned three hundred in the air..."

"Shut up!" Oguri Shun finally couldn't bear it anymore: "Can you be serious!" ”

"Oh, that's loud." Mizumi Hayato rubbed his ears in a fake way, and then sneered, "No, no, no, no one can't even do this, right?" What should I do after that, I want you to jump from the 10th floor to jump off the air conditioner. ”

"Is this reasonable?!" Oguri Shun said loudly: "Come on, come on, you tell me where what you said fits the setting of Genji Takitani!" ”

"Okay, okay." Mizumi Hayato was not annoyed: "Just kidding." ”

"Actually, the action design is very simple, it is to dodge, punch, and kick." Mizumi Hayato began to explain the movements seriously: "However, even if it is a simple punch, the way you clench your fist, the angle of your punch, and the angle of the camera are all learned. ”

"Who's that, come over here." Mizumi Hayato called out to an actor from an action team not far away: "Look, like this. ”

After saying that, the water falcon put on a fierce expression that is often seen by miscellaneous fish in movies, and then raised his right hand high, swinging it widely, and hit it wide open.

"Normally, this kind of action is the goods that are knocked down by the protagonist's punch."

After saying that, Mizukato instructed the one to hit again, and then before the slow fist was about to hit his face, he handsomely stretched out his left hand for a gear, with a resolute expression on his face, and he didn't even look at the person who hit him. Then he twisted his waist and threw an uppercut to his chin with his right hand from bottom to top.

"You look at this kind of action is very pretentious, but it is also very protagonist." Water falcon humane.

"Oh." Oguri nodded, these two examples are indeed not uncommon in movies.

"You can just wait a minute, just like this, let's practice more expressions than movements. Just wait and practice with them a few times. "After saying that, the water Hayato is leaving.

"Eh, wait." Oguri Shun grabbed the water Hayato again.

"What?"

"It's too easy, isn't it?"

"What?!" Mizumi Hayato looked "shocked" and spread his hands: "Big brother, I just asked you to play a few sets of punches, and you want me not to joke, now it's too easy to call you handsome!" ”

"It's not." This made Oguri a little embarrassed: "Didn't you say that you wanted to design a very handsome appearance for me, just these few simple actions..."

Halfway through his words, he looked at Takayuki Yamada, who was watching the excitement, and the meaning in his eyes was obvious.

You can't choose one over the other!

Genji Takiya and Yuko Serizawa are good friends from your Tatsukawa days.

Mizumi Hayato couldn't help but laugh: "Okay, no kidding. This scene actually has to be filmed well, in fact, your actions don't need to be too complicated, the focus is not on you, but on the actors who cooperate with you. ”

The real difficulty of filming a wonderful fight scene is not on the "protagonist", but on the villains who are beaten.

Although when watching the movie, you may feel that the villain just rushed up and was beaten away by the protagonist's bells and whistles. But there is still a difference between the miscellaneous fish who takes a pose and retreats before the protagonist's fist arrives, and the opponent who is defeated after the protagonist is narrowly avoided with his powerful moves.

Mizumi Hayato wants to challenge the latter, and this requires the "beaten" acting skills of the opponent actors, and they must first learn to collect their strength in the right place.

The action team of this crew is actually the team of Takashi Miike and has a lot of experience, but it doesn't actually match the style of Mizumi Hayato, and there are a lot of subconscious small movements that are fixed action habits that have been cultivated all year round. Every play is played like this, and they don't think there's a problem with it, and they don't plan to change it.

Mizumi Hayato had to change again and again, and it took a long time to find a balance.

At the same time, he also had the idea of asking the eldest lady to quickly form her own team.

...

Speaking of which, the focus and ignition point of the original "Hot Blood College" is not in its plays, as long as the shooting is handsome enough and the youth of the bad teenager is enthusiastic enough.

But Mizumi Hayato, who couldn't play the scene himself, seemed to be stunned, and had to try to see if he could design the scene.

For this reason, he found an opportunity to argue with Takashi Miike, and even demonstrated the two different effects in person, and finally made him agree to "shoot one more version for comparison".

In the original movie, Genji Takiya's fight scene and Serizawa Tamao's car chase scene had a few seconds of crossover, but the final editing focused on the car chase scene, and the fight scene was a brushstroke.

finally designed a more exciting car chase scene, how can you only shoot the beginning and the end here.

Mizumi Hayato's idea was to change the originally designed shot to cross-editing, that is, to switch back and forth between two scenes.

On one side is a tense and exciting car chase scene, and on the other side is a fist-to-flesh fight scene, through rapid switching, at the same time to show the image of the two characters of Serizawa Tamao and Takiya Genji.

First, Serizawa Tamao's shot, when he looked at the lying Tatsukawa Shisheng with a complicated expression, jumped to the imminent confrontation between Genji Takiya and several Yakuza.

Then, with Serizawa Tama as the starting gun, Genji Takiya on the other side flashed sideways with the metal bat that had been knocked down, and the crisp sound of the bat and the earth rang out for their battle.

"That's right! Here's a close-up of Genji's eyes! Mizumi Hayato sat in the director's seat and directed the scene.

Takashi Miike clasped his hands on his chest and watched quietly.

On the other side, Serizawa Tama drove his motorcycle dangerously and dangerously through obstacles, and Genji Takiya on this side flashed the combined attacks of several Yakuza with an expressionless face.

"Serizawa, do you have a driver's license?"

"You kid, look for death, right!"

Serizawa Tamao's eyes were fierce, and he twisted the accelerator and turned to drive away; Genji Takiya clenched his fists, his left hand quickly raised to block a punch from one of them, and his right hand knocked him down with a crisp hook.

"Okay, perfect." Mizumi Hayato shouted, "In the next shot, I need Genji to punch this side when you hit someone from behind." ”

"But be careful, don't actually hit the camera!"

The crew burst out laughing.

He also seems to be a bit of a director.

Takashi Miike thought so.