Chapter 296: On the Divine Insertion of ED

"Who said I was worried?" The water hayato was bewildered.

But this sentence touched Haruka Ayase's nerves for some reason, and she suddenly covered her mouth and snickered: "Hey~"

This kind of look is quite familiar to Mizumi Hayato, and when Masami Nagasawa was arrogant before, he looked at her with this kind of funny gaze.

"Thinking about it this way, it shouldn't be that this guy has his head off the line and thinks I'm a tsundere, right?"

Mizumi Hayato: (▼ヘ▼#)

Haruka Ayase: (•̀ω•́)✧

Kyoko Fukada:〈( ̄) ̄)〈

...

When we watch film and television dramas and even animation works, we often say that BGM and ED gods are inserted in some places, which means that when the plot develops to the right time, the soundtrack sounds at the right time, and as the plot gradually gets better, the direction of the song matches the direction of the plot, so that the audience's emotions are mobilized by 200%.

For example, in the ED of Episode 26 of Mizumi Hayato's favorite anime fullmetal alchemist FA, the protagonist Edward forcibly opened the door of truth in BGM, stretched out his finger and pointed at his brother's soul and said, "I will definitely come back to pick you up", this scene has become a classic.

In the first three episodes of "Benevolent Doctor", ED "I Want to See You Now" sung by MISIA has a fixed end screen, and it is not inserted with the plot.

But in the fourth episode, the plot of "Benevolent Doctor" gradually got better, and as the beginning of the show gradually moving towards the climax, the director chose this kind of interpolated ED editing method.

If you want to ask how Mizumi Hayato knows, it is thanks to Haruka Ayase's sudden and constant NG this time, and when she is resting and finding her state, the director is also figuring out how to get the actors into the situation.

So when filming started again, the director deliberately asked the three of them to have a rehearsal accompanied by MISIA's singing.

"Okay, let's go!" The director gave the order, and the field manager pressed the button of the music player.

"Please wait, doctor." Kyoko Fukada uttered the first line.

The water hayato also quickly got into shape and turned his head.

Of course, the most important thing in this paragraph is Haruka Ayase, the picture gives her a close-up, and after she looks back and sees the person who made the sound, her smile disappears, and her eyes gradually enlarge.

"Do you remember the plot when I first met you~"

Haruka Ayase's surprised expression seemed to be the switch of MISA's singing, and the music gradually increased.

"Actually, there's another patient who wants you to take a look at it." Kyoko Fukada watched Mizumi Hayato read the lines...

In fact, the lyrics of this ending song are not specific to this episode, but the tune is still moving.

MISIA's high-spirited vocals complement the tune of this song, and if you are an emotional person, you may be quite moved by just listening to two sentences.

At the same time, in addition to being moved, if you think of the plot of the whole show, this song also has an inexplicable sense of fate.

The two people who met at this time, one was Nan Nan Ren's confidante who met in ancient times, and the other was a woman who was exactly the same as his future fiancée.

If you only watch the fourth episode, maybe the audience will only be moved by the tune, but when the plot develops, looking back, the insertion of this song at this moment may be classified as "ED God Insertion".

After this rehearsal, the director, including the actors, is very confident in the way this ED is inserted, because there is BGM, and it is easier and deeper for the actors to substitute their emotions than usual, not to mention the audience watching the play.

Because when it comes to formal editing, it's not like just finding a player and putting it on now, the editor has professional control over the timing of music insertion, fade in and out, volume, etc., to ensure that the audience is most engaged in the music and picture pulled into the whole scene.

"So, that's about it." The director said to Mizumi Hayato, who was taking notes, "If you want to know more about it, then when I go to the editing room to see the rough cuts, you can come along?" ”

"Is that okay?!" Mizumi Hayato was pleasantly surprised: "Thank you so much, I'll definitely go." ”

In my previous life, I followed my eldest brother to make a movie, you must know that my eldest brother's movies rarely rely on BGM to set off the plot, you just need to watch that man not take the stairs in various ways.

But in this life, in order to better use it in the future, Mizumi Hayato is hungry for all kinds of useful knowledge.

"Okay, I'll contact you then." The director has a very kind attitude towards Mizumi Hayato.

Last year, Mizumi Hayato served as an assistant director of "Hot Blooded High School" was a big hit, which caused some discussion in the director circle, some people thought that his assistant director was just a name, and there were also Riddler people who vaguely mentioned the eldest lady behind him, but there were also people who were connected with Takashi Miike and knew some of the actual situation.

The director heard that the second part of "Hot Blood University" will be filmed this year, and Takashi Miike personally invited Mizumi Hayato to be the assistant director of the second part.

Seeing is believing, and the director also wants to see if there is anything else worth discovering about Mizumi Hayato besides being handsome, acting well, and always mixing with actresses.

...

The fourth episode of "Benevolent Doctor", in addition to the first meeting of the two heroines, also leads to the next important plot.

The patient that Nokaze asks Nanbu Ren to help with is the former No. 1 beauty in Edo, Oiran Yuki, and Nokaze calls her sister.

In the last scene of the fourth episode, the close-up is the shocked expressions of Nanbu Ren and Tachibana Saki, and what they see is the appearance of a patient with terminal syphilis that Nanbu Ren has never seen in modern times.

In the modern era where Nanfang Ren lives, there is penicillin, which can be called the nemesis of syphilis, and there are almost no terminal patients, and syphilis is at the end of the stage, which cannot be cured even by Nanfang Ren.

But Nan Nanren was unwilling to give up, he remembered that when he first met his fiancée, it was because she had used natural methods to extract penicillin, so could this be another revelation left by his fiancée.

In the first few episodes, the mother who Nan Nan Ren had treated was killed in an accident again, and he had wondered if history could not be changed, but after living in this era, he gradually integrated, and began to worry about this matter anymore, isn't the doctor's vocation to treat the sick.

And the attempt to extract penicillin in this era is a sign that Nanfang Ren is taking a step towards the torrent of history, and it is also the beginning of the major events of that era that intersected with him many times.

Mizumi Hayato stayed in the crew for a long time this time, until the filming of the fifth episode was completed, and he met with Nao Fujiwara on the opportunity to return to Tokyo again.