The dialogue between Misaki Tachibana and Nokaze shows what the two characters are struggling with during this time period.

The thing that Tachibana Saki was entangled with was that when he was packing up his things that day, he happened to see a photo of Nanbu Ren sandwiched in a book, which was a photo of him and his fiancée Tomoaga Mirai.

At that time, Tachibana Saki already had a different kind of mind for Nanfang Ren, and when she saw Tomonaga Mirai's photo, she had mixed feelings in her heart, so when she saw Nokaze for the first time in Yoshihara, even if it was Tachibana Saki's gentle character, she couldn't help but be vigilant.

That's why when she talks to Wild Wind, she says that she envies her face.

Not only because that face is beautiful and moving, enough to make any man fall for it, but also because it is the face that Nan Nanren cares about in his heart.

On the other hand, what the wild wind is entangled with is, of course, "freedom".

Even Yoshiwara's handful of Oirans are the ones trapped in this small place. She is interested in Nanfang Ren, but she can only be interested, and she can't follow him like Tachibana Saki.

In terms of the above contradictions and the character's character building, Tachibana Saki can say that it has been more than half since the first episode appeared, and the audience has their own opinions on her image when they see it, and the audience will understand the inner world of the character without too much foreshadowing.

And the character of Wild Wind has only officially appeared in just two episodes, and according to common sense, to create this character, it may be necessary to unfold an event from her main perspective.

But the director did not spend too much ink to focus on introducing her, but through more side descriptions of people, plus some short clips, to establish her character image.

For example, in the main plot of Nanfang Ren's trip to the medical hall, there is a small clip of the wild wind interspersed.

In Oiran's exclusive room, Nokaze holds the amulet of the "Great Myojin of the South" that he ordered someone to buy from outside, and smiles and mutters the name.

Then the two little girls respectfully called "Oiran" and put the two chrysanthemums they had dug up from the outside into small pots.

The bright yellow chrysanthemums are even more beautiful when the sun shines.

Wildwind turned around and smiled as the girls put the flowers into the pots, and suddenly, her expression seemed to drop, and the two flowers reminded her of the girl she had met that day.

The same freshness and purity, the same vitality.

That's a sign of thriving in the outside world.

However, when these two flowers came here, it seemed that she had become herself, raised in a flower pot and trapped in her room.

...

If this small clip is just interspersed with it, some viewers may feel that they are unclear and cannot understand the deep meaning of the plot.

However, the imagery of these two flowers is connected to the plot of the last part of the episode.

Because Nanfang Ren's fame is increasing, it gradually affects the status of the medical hall, and their conversation with Nanfang Ren did not go as smoothly as they expected, and even because the doctor played by Jiro Sato committed a stomach perforation, he also let Nanfang Ren undergo laparotomy on the spot, allowing him to show his medical skills in front of everyone in the medical hall.

In today's words, it is: "Damn, he actually pretended to be it." ”

But at that time, their thinking was: "No, we can't let him continue to develop, we have to kill him." ”

So a few of them who were suspicious began to discuss, looking for a samurai, looking for an opportunity to kill Nan Nanren.

But I don't know if it's to match the plot, or if they're just so stupid. When they were discussing bad things, they actually chose Suzuya where Nokaze was.

I don't know who stipulated it.,If the protagonist is plotted.,There must be a character who hears the news by chance.,And try to notify the protagonist.,Let it turn evil into good fortune.。

And in "Benevolent Doctor", this character is Wild Wind.

One of the wandering girls heard the news and went to Wild Wind's room and told Wild Wind the news.

Ye Feng was in a hurry, and she stood up and was about to go out to inform Nan Nan Ren, but the words of the wandering girl made her stand on the spot: "Oiran, where are you going?" ”

Ye Feng pushed open the door, and when he heard this, he was also stunned. yes, where am I going, where can I go.

She couldn't get out of Yoshiwara at all.

In this scene, the director arranged another shot full of meaning, allowing Ye Feng to look at the two chrysanthemums.

In the end, Nokaze chose to write a letter to Tachibana Saki, and asked someone to send it out.

In the letter, she wrote: "You say you envy me. But I envy you even more. ”

"I envy your pure heart that is not contaminated with the slightest ugliness, and I envy your destiny even more, for example, to be able to walk to your sweetheart with your own feet."

"But for me, it's a distant dream."

Nokaze squatted at Yoshiwara's door, folded his hands, and prayed deeply for Nanbu Ren and Tachibana Saki.

Here, the director switches to a close-up, which are two familiar flowers, but they are not trapped in pots, but return to the earth and replanted in the wild.

Perhaps these two flowers also entrust her wish for freedom.

...

Regarding the use and editing of these "foreshadowing" and "imagery", Mizumi Hayato followed the director and asked diligently, and he was fortunate to see the director's storyboard.

When I was in the crew before, I also saw how the director drew storyboards, and each director's style was different, and the way they used the lens was also different.

Mizumi Hayato also spent time in the crew of costume dramas in his previous life, but the experience at that time and the current drama are not completely common.

"Benevolent Doctor" is a special play, with the theme of time-traveling, integrating history and modernity, and most of the actors in the play have stage performance experience, and the overall interpretation of the atmosphere is also relatively unique.

However, although the director of "Benevolent Doctor" has a strong foundation, he is not without shortcomings.

The content mentioned above is all part of "literary drama", although the director of "Benevolent Doctor" is strong in literary drama, but the martial arts drama is really crotch-pulling.

In the first episode, the content of the samurai slashing in the woods, in fact, the water Hayato saw a little sign, but after all, it was a night scene, and it also highlighted the panic that the protagonist had just crossed over, so it didn't matter if the camera was messy.

But in today's scene, the clip of the samurai raising his sword in the bamboo forest to kill Nanfang Ren has a considerable amount of time to show the tension of Nanfang Ren being chased and killed.

But how did the director arrange it?

"Well, Mizumi-kun, you have to be a little flustered, preferably with weak legs, because you've never seen this kind of scene." The director explained: "Then the actor will rush at you with a knife, and when the time comes, Xiao Yao will pull you away, and it's OK, okay?" ”

"Wait a minute, Director, you're rushing over..."Mizumi Hayato pointed fifteen meters away, "Where do you mean?" ”