Storyboarding is a compulsory course for every director, but according to each director's different artistry, their storyboarding also has its own characteristics.

There are professional sketches that are vivid, there are minimalist stickmen, and there are even like Mr. One, who look like a draft, but the storyboard jumps on the paper as if it has been shot.

Mizumi Hayato's storyboard is quite decent, and although he has not studied drawing professionally, a little bit of learning in an elective course at Tokyo University of the Arts is enough for him to draw what he wants.

However, the style of painting and the art are one thing, and the qualified storyboard is another.

A qualified storyboard not only has the picture of the key shots, but also the composition of the entire scene, the action performance of each character, as well as the remarks and camera movements, angles, shooting time and other things.

When he was an assistant director in "Hot Blooded High School", Mizumi Hayato was an auxiliary worker most of the time, and the opportunity to get started with storyboarding was only one or two action scenes, but he was also experienced.

However, when he showed the drawn storyboard to Director Hirakawa in front of him, he shook his head and smiled: "Mizu-kun, this is not an official storyboard." ”

"Look here, you marked the angle of the camera movement, but you didn't specify which camera shot which angle." Director Hirakawa explained to Mizumi Hayato one by one: "And here, the shooting time must be specific to the frame, so that it is convenient to edit in the future..."

When learning something, there are many details that may not be able to be discovered even if you have watched it many times, and only if you have done it yourself and someone has taught you by word and deed, you can master such a thing more quickly, otherwise, you have to fall a few times to learn a few lessons.

Mizumi Hayato is very grateful to Director Hirakawa for his teachings, and he studied hard and perfected his own scene, which was only one or two minutes long.

...

Although Mizumi Hayato has full confidence in his own level of action design, he believes that he has a specialization in the art industry, and the use of the katana is still familiar to the action actors in the crew.

When he first came here, he asked them for advice, but when it came to the official shooting, he still communicated with them about the storyboard he had drawn.

"Well, the action design you said is reasonable." The action actor who once taught Haruka Ayase how to fall, said, "The movement of running through the scabbard like this is much more handsome than the previous design." ”

I don't know if it's a concern, but what he said was some good things.

The water falcon didn't get too entangled, as long as the movements didn't make too many mistakes, then a little exaggeration was okay. Because the biggest purpose of shooting action design is not to show it reasonably, but to be on camera.

"Hmm... The killer ran towards Nanfang Ren, who was stunned, and drew his knife in front of him. The cold sword light flashed, and the qi of death struck towards Nan Nanren.

"Then at the last moment, the beauty saved the hero and pulled him away, and what was wasted in the air was a few strands of Nan Nanren's hair, as well as the bamboo leaves flying in the bamboo forest."

"Tachibana Saki is also worthy of being a young lady from a samurai family, although she has not learned a martial art, and she is powerless, but her natural strength and the samurai soul flowing in her blood make her extremely sober at a critical moment."

She pulled out the flour she had taken before she left and threw it forward, and the killer fell into chaos, and the two of them ran hand in hand..."

Mizumi Hayato is explaining his next design vividly, and even uses the tone and tone of some of the book reviews he has heard before, which is really vivid.

Mizumi Hayato, who was dancing like this, shook his head amusefully when he saw Kyoko Fukada, while Haruka Ayase looked interested: "And then what?" ”

"And then..."

...

Then there is the "first intimate contact" between Nanfang Ren and Tachibana Saki in this drama.

The two fled to a small shrine in the mountains, which did not have the imposing torii gate and the magnificent shrine like the others, it had a torii gate about two meters high, and a stone road covered with fallen leaves and dust in the middle, and the road was lined with stone carvings and stone lanterns, and the so-called shrine was just a small house of two or three square meters.

Sakurasu is a place where all things are animistic, and legend has it that there are eight million gods, and God knows what kind of gods this small shrine enshrines.

However, although the shrine is poorly built, the bushes and other places next to it are quite popular.

Every day, people come and go, men and women in love, or come here to find excitement, or come here to cheat.

Nanbu Ren and Tachibana ran here and found a bush, and Nanfang Ren, who was still in a panic state, was thrown into the bushes by Tachibana and held down.

Misaki Tachibana, the "little assistant" who is usually ignorant and submissive in front of Nanfang Ren, is now showing her other side and protecting Nanfang Ren under her.

The two are clearly close to each other one by one, but the picture at this time is not so-called charming and ambiguous.

And at this time, the killer finally arrived, he felt the breath in the bushes, and shouted: "Die! ”

But it scared a man and a woman who were talking to me there.

His shout also startled the nearby samurai, attracting the attention of many people, who completely missed the opportunity to kill Nanbu Ren.

If the killer were to be given a narration here, perhaps he would say, "When I first arrived, it was an abandoned shrine in the middle of nowhere, but why did a group of them come here like a nest." ”

...

This scene is the first time that the hero and heroine live and die together, according to the development of the general plot, after this happens, the relationship between the hero and heroine will definitely heat up and begin to get closer and closer.

However, it doesn't matter if the relationship between the hero and heroine of the plot after that heats up or not, Mizumi Hayato feels that his whole person is now completely warmed up.

In the scene just now, Haruka Ayase threw him to the ground, and in order to show Tachibana's firm determination to protect Dr. Tachibana, she chose to hold Mizuyato's head in her arms.

You know, Haruka Ayase has a well-known title, and this title is tied with Kyoko Fukada's "Fat Gong".

How wonderful "Fat Gong" is, Mizumi Hayato has already experienced it firsthand, and today, he finally feels another kind of beauty.

He didn't dare to say much about the specifics.

All in all, it's amazing. Haruka Ayase's sudden gentleness makes his panicked performance in the play not even acted.

How else to say that so many men like older girls, such a warm and gentle feeling, everyone likes it.

That's right, he's talking about age.