"Okay, you're not naïve." Kyoko Fukada slapped Mizumi Hayato angrily.

Mizumi Hayato flashed exaggeratedly, then threw a handsome face at her.

Haruka Ayase hid behind Kyoko Fukada, wrapped her arms around her waist, raised her eyebrows, and flaunted her might to Mizumi Hayato.

Kyoko Fukada looked at him amusedly.

Mizusato raised his hand: "Okay, don't say it, I feel like you're going to say 'she's still a child' in the next sentence." ”

Kyoko Fukada's eyebrows curled: "I think you look like a child." ”

When Mizumi Hayato heard this, he glanced at Haruka Ayase, who was sticking out her tongue at him, and her hand around Kyoko Fukada's waist seemed to be unruly, and it immediately reminded him of a certain little ghost surnamed Mita.

She's not like a child, she's a child.

However, while Kyoko Fukada has a handsome guy and a big beauty, she seems to have learned the mastery of the harem male protagonist Yulu Jun, and after helping Haruka Ayase, she asked her to figure out the next scene on the side, and then came over to appease Mizuhato.

What is this called, this is called the mind of the left and right huggers.

Leaning on Kyoko Fukada's soft soothing means and enjoying the massage of her slender fingers, Mizumi Hayato suddenly thought of a question.

It seems that since his debut, he has filmed so many scenes, and every time he will have childish trouble with the female lead in the crew, Masami Nagasawa, Yui Aragaki, Satomi Ishihara, and even at the beginning of "Symphonic Lover's Dream", because of the character of Ueno Shuri's jumping out, they also played well in the crew.

Of course, there are pure friends like Shuri Ueno, there are also people like Masami Nagasawa who flirts with her, and there are people like Yui Aragaki who can't get along with him.

So what kind of is Haruka Ayase?

Mizumi Hayato thought quietly, and Kyoko Fukada behind him suddenly laughed, and he turned around to ask.

I saw Kyoko Fukada take out a small note from behind his back, with the word "stupid" written on it, and handed it to him.

"Isn't Aya cute?" She asked with a smile.

Mizumi Hayato glanced at Haruka Ayase not far away in disgust, and shook his head: "Cute is quite cute, but it's a pity that he's a fool." ”

Kyoko Fukada knocked him with a smile.

...

No matter what Mizumi Hayato thinks of Haruka Ayase outside the play, Haruka Ayase in the play is really talented in acting, which is a talent that Kyoko Fukada thinks is inferior, and she believes that Haruka Ayase's popularity will soon surpass her, because she has a good relationship with Haruka Ayase, and she is even a little happy when she says this.

Mizumi Hayato wondered if it didn't matter who surpassed her "first sister" position as long as she wasn't Satomi Ishihara.

To get back to the point, after being disturbed by the water Hayato for a long time, Haruka Ayase still performed quite well when filming officially started.

Haruka Ayase, who is wearing a pink kimono, is like a gentle and lovely ancient girl, but her current appearance of pear blossoms with rain is even more distressing.

"No matter how much I wait... and will never be able to enter his heart. ”

She smiled, as if she was trying to show that she was relieved, but every time she finished speaking, she would frown for a moment, and it was a pain that she could not hide no matter how hard she tried.

Compared with many actors he has worked with in his previous life, Mizumi Hayato seems to understand more and more why the drama at that time is more and more crotch-pulling, because the young actors at that time no longer seem to be able to make such vivid expressions, their eyes are angry, their mouths are deflated, and they are angry...

The famous philosopher Zi Huashen once used his own experience as an example.

At that time, someone asked him to film, and the script was quite spicy, and he was very puzzled, until the man said the sentence: "Andy Weizai is responsible for filming those scenes, and you, you are responsible for filming these scenes." ”

Later, those young actors were probably clearly responsible for filming "these scenes", but they were forced to shoot "those scenes".

Huang Zihua's acting skills even easily crushed these young actors.

However, the biggest problem may not be in the actors, but in the drama itself, there are fewer and fewer "those plays", and there are more and more "these plays".

Let's compare "Benevolent Doctor", each character has its own personality characteristics, each plot has its own role, and every line is clear and easy to indulge in.

In episode 10, after the fiancée's photo goes wrong, Nan Nan Ren begins to wonder more and more about whether he should do nothing in this era.

For this reason, he did not hesitate to choose the condition of no vision, and did not dare to examine and treat her. When Ryoma Sakamoto wanted to save more people with penicillin, he even said something like this:

"Those who lost their lives in war probably deserve to have lost their lives in war."

This is the protagonist's emotional and ideological changes after experiencing many things, and it is also a kind of confusion on the road of growth, and the audience can clearly see the growth route of this character and remember him deeply in their minds.

Similarly, Ryoma Sakamoto, who is a supporting role, is not a hasty description, from the unruly performance at the beginning to the hero who is bent on saving the country and finding a way to save the country, every side is him, and every side is clearly displayed in front of the audience.

If Mizusato were just an actor, he probably wouldn't have thought about it so much.

It's just that at this time, he suddenly remembered his adapted script of "Love in the Sky".

The reason why the ultimate stitched pure love movie "Love in the Sky" was a box office hit was definitely because the audience hadn't seen so many new pure love routines, plus the beautiful picture of the combination of Mizumi Hayato Yui Aragaki handsome men and beautiful women.

If you think about it carefully, this new script is still problematic.

In the original "Love in the Sky", at least Hiroki's ex-girlfriend was created, and there were more outstanding roles such as supporting actors who painstakingly pursued Mika.

In Mizumi Hayato's new "Love in the Sky", the lack is that the scenes of the rest of the characters are greatly diluted, and what stands out is the sweetness and abuse of the male and female protagonists, even if there is a heroine's best friend role, it is just a tool man, and many viewers don't even remember this role after watching it.

Such a one-line narrative story is unlikely to create all kinds of brilliant characters like "Benevolent Doctor" or "CODEBLUE", but it is still strange to play it until there are only two people left.

The more Mizumi Hayato thinks about it, the clearer his thoughts about how to make a good film, and if he is asked to stitch a pure love movie now, he will definitely pay more attention to the look and feel of the whole movie and better shape different characters.

Because of the so-called youth, there is a youth of handsome men and beautiful women like the male and female protagonists, and naturally there is also a youth that is different from ordinary supporting roles.

But...

"Forget it." Mizumi Hayato suddenly remembered "Angel Love" mentioned by Nao Fujiwara, and shuddered: "I will never make pure love movies again." ”