The weather in Kyoto is getting hotter, the sun stays on people's heads for longer and longer, and after each filming, makeup artists have to race against time to touch up the makeup of the sweaty actors, making their own sweat flow non-stop.

The actors and even the crew complained about the summer heat from time to time, but even so, no one really made any moves, let alone slowed down the progress of the crew.

The interspersed with several literary dramas in the early stage made the crew enter the rhythm and state of shooting, and the focus of the next shooting was a dizzying action scene.

Handed over to Yuichi Fukuda for the camera, Mizumi Hayato got ready and stood in front of the camera.

This is a back shot, filming the back of the head of the male protagonist Kenshin Sizmura, and in front of him is a ruffian hooligan who was sent by the villain to make trouble, yes, this is another "hero saves beauty", and it is also an important scene in the early stage of the movie.

"Indeed." Mizukato opened his mouth and slowly walked forward: "What that young lady said is a naïve fool only someone who has never soiled her hands would say. ”

"The sword is the murder weapon, and the swordsmanship is the murder technique."

"No matter how beautiful the rhetoric is used to disguise it, it is always true."

Another shot is the front of Mizuto Falato, who doesn't have much expression on his face, slowly saying one of the most classic lines from "Rogue Kenshin", looking at these people left and right.

"But compared to this fact, I still prefer Miss Xun's stupid words." He looked up, facing ahead, and smiled.

Kenshin Kazumura was once an assassin, a killer, or an executioner, with blood on his hands, both from his enemies and from those he once loved the most.

After the arrival of the new era he was looking forward to, he could finally put down his sword and become a wandering wanderer incognito.

The encounter with Xun may be the guide of fate, the "sword of the living" she inherited, and the concept she spoke, in Kenshin, a person who has gone through vicissitudes of life, seems naïve, but it also has the beauty that he expects.

It has nothing to do with the relationship between men and women, nor is it uneven, maybe it is just to protect the "innocence" of Xun, he came here and once again used the skills he had worked hard to fight.

Only this time, it's not a murder.

Perhaps in order to show respect for the gym, Kenshin took off his shoes and bowed when he entered the hall to express his respect, and even didn't draw his sword at all when he hit this group of people, and cut down a group of people with a wooden knife.

This action scene is a supplement to what Kenshin said just now, in such a "sword of the living" gym, he uses such a way of fighting that does not endanger the lives of others.

…

This is a group battle scene, from the bare hands at the beginning to the use of wooden knives in the back, the design of this scene in the original movie is very exciting, and the taste of Hong Kong films cannot be concealed at all.

Mizumi Hayato's action design also has its own style, among which Big Brother's most iconic "multi-person siege" shot is used extensively, in addition, he also designed more tossing and turning movements to reflect Kenshin's "dexterity".

One of the characteristics of the Flying Sword Stream is the "speed of God", and at that time, the instant slash based on the tall stature and the "quick and accurate" solution to each enemy when outnumbered are real battlefield killing techniques, but at the same time, they are also very body-eating.

Therefore, in the original work, the thin Kenshin was not the most suitable person for the Flying Sword Stream, and he would never be able to surpass his master.

However, as a top master, he also has his own characteristics, which Mizusato considers to be "dexterity".

In the original movie, Kenji Tanigaki was also aware of this, and in this scene, many shots of Kenshin shuttling between multiple people, looking for opportunities to solve them one by one, were added.

However, this series of shots seems to be a bit of a show-off, Kenshin shuttled through the crowd for a long time, and also came out from under the crotch of the person, and the operation was fiercer than a tiger, and when he looked back, he still had to get a wooden knife before he started to cut people.

But before this indoor scene, Kenshin had already hit a few minions with his bare hands, but that section looked clean and neat, and there was a feeling of "hard hitting".

Mizumi Hayabusa has changed a lot, for example, he started to let Kenshin show his body skills outdoors at the beginning, and then used the opponent's weapon to fight back, and entered the group play in the city, and he even cut off those actions that looked inferior, such as "drilling the crotch", and enhanced the handsome actions of "playing" the opponent.

Especially while playing handsome, he did not forget to increase the action of attacking the other party, so as not to make this scene look funny and make people play, it is the most suitable to play handsome and defeat the enemy.

…

The person on the left raised his hand high, and the knife in his hand was about to be cut down, and the water falcon retracted into the man's arms with one step on the left side, elbowed his elbow, and then moved sideways to the other person, using the inertia of his attack, he pulled it along the way, and attacked his neck with lightning speed when he fell...

There was a scuffle.

"Cards!" Yuichi Fukuda, who replaced the director, did not react, but Mizumi Hayato himself shouted to stop.

"There's a bit of a problem here, come, your things here are too weak, there's a feeling that you're not doing your best, it's not good, hit hard, I'll dodge, hit mine."

"And you, don't swing in the air over there, the audience will see you fishing on the edge, if you want to cut it, cut it down, pay attention to my movements, and when I get to this position..."

"And then it should be like this on your side, you see me fight again..."

In the crew, the director is the core person who coordinates the overall situation and controls the scene, and an excellent director should have the skills to see and listen to all directions, and firmly control the entire crew like a toy in his hands.

Yu Fukuda knew early on that Mizumi Hayato was not just a newcomer to the director, and from the beginning he promised to be his assistant director, and he didn't underestimate him at all, let alone think that he would become his "gunman" as some media speculated.

It's just that this guy, while he is acting, he can also see everyone's position, and he doesn't need to watch the replay to detect what's wrong, doesn't it seem that he, the assistant director, is too useless?

But looking at the appearance of the Mizumi Hayato actors in the supporting role, Yuichi Fukuda shook his head again, this job really can't be done by him.

While participating, he can also control the scene, and be able to make everyone's movements and demonstrate in person, this is the skill that Mizumi Hayato, who has been active in the front-line shooting scene of action scenes for a long time in his previous life, has exercised his skills, and now such skills have also become a big magic weapon when he is filming.

At the same time, the camera used by the crew to shoot the highlights is also running at all times, thank you for the footage of his words and deeds, and when it comes to the movie, it will be part of the end credits.

()

1 second to remember vertices:.