After an unknown psychological change on stage, seeing his name on the big screen, Mizumi Hayato calmed down, slightly curled the corners of his mouth, and adjusted his comfortable sitting posture.

Wow –

There was a brief agitation from the audience behind him, but it soon fell silent again.

A few lines of words slowly appeared on the screen, which was about the background introduction of "Rogue Kenshin", not everyone has read the original manga, which is an essential step in the manga movie.

At the moment, the movie theater is extremely quiet, except for a certain person who is still staring at the pair of male and female seats in the front row, the second female lead of this work, everyone is involved in the story.

Soon, the picture appeared, a burst of smoke, rubble in the ruins, broken wood, collapsed flagpoles, and bursts of shouts of killing all around it, all showing that this was on a battlefield.

This is the beginning of "Rogue Kenshin", and it is also the beginning of the war scene that Mizumi Hayabusa has in mind.

In the bamboo forest, the crowd of swords and soldiers added up, fighting each other.

Mizumi Hayato believes that, like writing essays, the beginning of a movie should be straight to the point and attract people to watch it with a stunning appearance, so he added a lot of ideas to this short war scene.

In the original version of the previous life, perhaps in order to highlight the chaos in the battlefield, the original director chose relatively scattered shots to record a few battles, plus the whole picture and explosions from time to time, obviously using good dock-style visual and sound effects to attract people.

But Mizumi Hayato uses a more freehand camera movement here, the camera starts from a corner of the ruins, pushes past the soldiers fighting the knife, walks past the sound of gunfire and swords, and finally comes to the gun-raising Shinsengumi, until the first important character, Saito, makes a wonderful appearance.

Saito's actor Yosuke Eguchi is also a battlefield player, and his narration is in the background, letting the audience know that he is looking for a certain "executioner to draw a knife".

The camera follows his gaze quickly, to the middle of the crowd fighting in the distance, and finally stops on a knife that has apparently just slashed someone, and bright red blood drips from it.

Then a shout came, The knife was pulled up, The camera cuts, the protagonist of this work quickly slashes several enemies who rushed towards him with a sharp knife technique, the picture freezes the scene where he cuts down the last person, he slowly stands up, his head is lowered, from the middle of the wet long hair, the audience can clearly see the outline of the handsome face.

Here Mizuhato added another private item to himself, which is a close-up of a scare face, he wants to use this scene to show Kenshin's character in the state of "drawing the sword", so through the long hair, the audience can still see his murderous eyes.

But as he stood up and looked at the remaining enemies in front of him, the audience clearly noticed that his eyes instantly changed to confusion and a little confusion.

...

In his seat, Mizukato listened carefully to the slight movement behind him, and the audience's subconscious exclamations relieved him that his changes had been accepted by them.

Every shot was finely polished, plus months of editing and post-production, and he knew all the details of the film, so even when he was sitting, he was more susceptible to the influence of his surroundings, and he wanted to observe the perspective of the people around him more than the movie.

He didn't have to watch it 10,000 times, but Fujiwara Nao next to him watched the full version for the first time, although she had full confidence in Mizuhayato, but in the dozens of seconds before the opening, she was still a little apprehensive.

It doesn't matter if the shooting is not good and the investment is lost, but Tamako Konoe is sitting next to her, and it will not be good if she laughs at her.

"The First Minister of the Ming Dynasty"

Until I finished watching the opening paragraph, it can be said that as long as the level of this paragraph is maintained in the follow-up, this movie will not be bad, so Fujiwara Nao will be able to fully devote himself to the story like the audience.

And then... The problem that the eldest lady is easy to enter the drama when she watches film and television dramas and comics has emerged.

On the screen, the villain of this work crawled out of the pile of corpses, and his evil appearance attracted the attention of all audiences, including the eldest lady who was easily distracted by the story.

Two red knife marks appeared in the darkness in the shape of a cross intersecting, and the fonts of "Rogue Kenshin" were displayed on it, accompanied by the high-burning BGM made by Naoki Sato, the eldest lady was also excited in her heart, and her hand grabbed the hand of the water Hayato on the armrest, and held it tightly.

“？” Mizumi Hayato turned his head to look at her, only to see a beautiful side face staring at the big screen.

After turning off the lights, the theater can only see Fujiwara Nao's face slightly through the reflection of the screen, but it is this hazy feeling in the darkness that adds a few different kinds of beauty to her already beautiful face.

In that glimmer of light, Mizumi Hayato could even see her long eyelashes.

The eldest lady's hands are still so smooth and tender, and the feel is still so beautiful, generally speaking, this kind of cheap delivery to the door, Mizumi Hayato accepts it all with an attitude of not taking advantage of nothing, but what kind of occasion is this, the eldest brother is still sitting next to him, the accident a few days ago has made him retreat, if this is witnessed by Kujou Masayuki with his own eyes, who knows what will happen.

So after touching it for a few minutes, another villain in the picture, Kagawa Teruto, appeared, and Mizumi Hayato finally reluctantly wanted to break free from that little hand.

But what he didn't expect was that after seeing the unscrupulous performance of the villain played by Teruyuki Kagawa, Fujiwara Nao was even more excited and into the play, grabbing his hand extremely hard.

Seeing the appearance of the eldest lady in the play, Mizuko Hayato thought that he insisted on breaking free, maybe the interrupted eldest lady would alarm the people around him, which was not in line with his expectations.

There is no way, and he can't blame LSP for taking advantage, in this case, he can only continue to be grabbed by her hand "painfully and happily".

...

The plot of the movie continues to develop, and after the appearance of several villains and the second female lead, Masami Nagasawa, who plays the heroine, also appeared in anticipation.

Under the sun, the retired executioner drew the sword and the kendo girl who inherited the dojo met for the first time, and the water Hayato filmed this scene beautifully, and the picture of Kaoru facing each other with a wooden knife when he first saw Kenshin under the camera also vaguely had a kind of flirting and scolding ease.

However, this does not mean that the water falcon can be filmed, anyone can see that it is the existence of the strength gap between the two that makes the "fight" like play in the camera.

Soon, the plot developed to the plot of a group of ruffians going to Kaoru's gym to make trouble, and the Kenshin hero saved the beauty.

This indoor group play is part of Mizumi Hayato's most proficient and extremely careful design.

The sharp moves and fast and orderly shots make the audience dizzy and addicted.

And the water Hayato was also pinched by the eldest lady's hand from time to time.