Kyoko Fukada's "wooing" operation didn't last long, and after reconfirming the time of the next stage of filming in the remembrance chapter, Maki Horikita left the crew.

At the same time, Kyoko Fukada, who has very few scenes in the Kyoto fire chapter and even the legend ending chapter, wants to concentrate on filming scenes.

They are all popular actresses, even if they selfishly want to follow the water Hayato, the water hayato will not want to delay them because of themselves.

After a few days of reading meetings and confirming the complete and detailed shooting schedule, the entire crew was up and running for the filming of the next two films.

Even if the crew has been filming the reminiscences with Mizumi Hayato for a period of time, it has been completely run-in, but the actors are new to the group, and they also need to be polished.

There are no action scenes in Kohee played by Kyoko Fukada, and the filming of the pure literary drama is just right for the run-in stage when the crew has just started filming, so it is reasonable to concentrate on shooting.

...

After the plot of the first part, Kenshin stayed in the dojo of Kaoru's "Kamiya Living Heart Flow", and there were a lot of protagonist teams, and after Kenshin's fame spread, Kaoru's dojo was no longer unattended, but there were a group of people learning swords.

In this quiet daily life, non-everyday events have come to the door.

Someone from the Meiji government came to the door and told Kenshin that he needed a favor.

It turned out that after Kenshin, who was the knife used for the assassination operation, retired, the gang found his successor and continued the assassination operation, which included many dark and unseen actions.

"The cunning rabbit is dead, and the lackeys are cooking." And, of course, after the victory in the war, the successor was surrounded by a group of companions who shouted "We are victorious", stabbed him several times, and finally threw him into the pile of corpses, igniting a fire.

But in the midst of this fire, an inhumanoid "Avenger" climbed up. And he is the villain of the next two movies - Zhi Zhixiong.

The only one who can deal with the executioner is the executioner, or to clean up this unsightly "black history", the only way to invite the former "Draw the Sword" Kenshin.

For the sake of his and his partner's hard-won stability, Kenshin decides to set off alone to assassinate Shishio.

has sealed the knife.,Kenshin, who vowed not to kill again.,I'm going to pick up the knife again.,Become the executioner who kills people in the dark without blinking.,For this,The most difficult to accept.,Or the most unwilling to accept.,Of course, it's the heroine-Kaoru.。

Just as the sword technique she learned was called "Kamiya Living Heart Flow", she was also a kind samurai woman, and at the same time, the feelings she had for Kenshin in her heart also made her not want to see Kenshin fall into darkness again.

Of course, Kenshin also has a different kind of emotion for Kaoru, but seeing the chaos and killing brought by Zhi Zhixiong, the responsibility and justice in his heart make him unable to ignore it, so he can only choose to say goodbye to Kaoru.

...

In the crew of "Rogue Kenshin", what is being filmed is this farewell scene.

Kenshin, played by Mizumi Hayato, tells Kaoru played by Masami Nagasawa about his going to Kyoto, and expresses his gratitude for not caring about his identity as "pulling out the sword" to take him in and taking care of him during this time.

"So you're really going to... Are you going to assassinate Zhi Zhixiong really? Masami Nagasawa's eyes were red, and her expression seemed unacceptable.

"Because Zai gave up the identity of pulling out the knife in Xia, Zhi Zhixiong took over from Zaixia and followed in the footsteps of Zaixia." Mizumi Hayato slowly said his line: "Stopping that guy is a mission." ”

Then he raised his head slightly and looked directly into Masami Nagasawa's eyes.

Masami Nagasawa's eyes were red and her eyes were moist, but she didn't cry, her eyes looked at him firmly, and she seemed to have a kind of stubbornness that didn't admit defeat, and the tenacity of a samurai woman.

[Great! 】

The water hayato almost applauded.

What's the happiest thing about being a director? It's nothing more than sufficient investment, superb acting skills of the actors, and excellent performance, and now he has everything.

Fortunately, the camera only shoots the back of his head now, otherwise his subtle emotional changes would probably ruin this classic scene.

"If you go..."Masami Nagasawa was not affected at all, but her emotions became fuller, and her voice also had a slight tremor in it: "Maybe Kenshin will turn back into an executioner..."

"Since coming here, the daily peaceful life has given me the illusion that I can really wave goodbye to the past and become an ordinary swordsman." The camera cuts over, and Mizumi Hayato's expression is filled with relief: "But abandoning the past is something that no one can do." ”

"Under the can't be... Stayed any longer. ”

After a few seconds, he took a few steps forward and hugged Masami Nagasawa into his arms.

"Thank you for all this time. And then..."The camera is on Mizukato, who hugs Masami Nagasawa and slowly says goodbye: "Goodbye." ”

"It's time for a ronin to be a ronin below... It's time to return to wandering. ”

With that, Mizumi Hayato let go of his hands and turned to leave.

One step, two steps, as if counting down, the tears in Masami Nagasawa's eyes "brushed" and fell.

Then she knelt on the ground even more weakly, calling out his name: "Sword... Heart..."

"Kenshin——!

”

...

"Good, perfect!" Mizumi Hayato shouted happily after seeing the filming of this segment.

The lines, emotions, and shots of the two in this paragraph are perfect.

This section of Mizumi Hayato integrates the lines of the original comics, which has more things than the movie version of the previous life, and the change of lens language is also showing the opposition between "family and country feelings" and "children's love".

Needless to say, the performance of Masami Nagasawa is so high that she doesn't know where to go, from the redness of her eyes at the beginning, to the emotional outburst later, the progressive performance is amazing!

"Masami Nagasawa is the best in the world!"

Mizumi Hayato shouted happily, which made Masami Nagasawa, who was wiping her tears and touching up her makeup, burst into tears and laughed.

It made Kyoko Fukada, who was brewing emotions on the other side, glared at him angrily.

When it comes to Kyoko Fukada, then again, although she has very few scenes in these two films, it doesn't mean that Mizumi Hayato is lazy and has copied the plot of the original movie in her previous life.

It was also mentioned in the first part that Mizumi Hayato added a lot of scenes to Kaoru played by Masami Nagasawa, just because the heroine of this play is not as "vase" as the movie version in her previous life, and it is more in line with the original.

Similarly, Megumi played by Kyoko Fukada also has a charm far beyond the movie version of her previous life in the original book.

It is mainly reflected in her quiet and uncontested love for Kenshin.