The so-called insiders look at the doorway, and laymen see the excitement, Fujiwara Nao can only watch the excitement, and keep looking for the original pictures he has seen in his mind to compare with the content he is shooting now.

However, as the first shot to find the state, Mizumi Hayato just asked Maki Horikita to pat the shot of cleaning up.

But that's it, Fujiwara Nao is still enjoying it, and I just think that her casting is perfect.

Thinking of this, she glanced at Jun Arimura again, and couldn't help but sigh.

It's not that I don't want to help my own people, it's just that the enemy is too strong.

If the first simple shot can make them see a little bit of the doorway, then the next important shot can better reflect the current state of Maki Horikita's "unity of human and corner".

That's right, Mizumi Hayato was happy and surprised when he saw Maki Horikita's state, but he was also a little worried, after all, everyone knew that today's situation was special, and everyone didn't dare to say anything because he was the director, but the state of acting would definitely be affected by the onlookers of actresses.

And now it seems that the impact on Maki Horikita is positive.

Mizumi Hayato combines her past experience, only if her explosive acting skills today are confrontational and demonstrative with the actresses outside, just like what Masami Nagasawa just did.

Masami Nagasawa is the heroine, the crew is her own territory for her, and when the cat breaks into other cats in her own territory, she will blow up her hair and show off herself to demonstrate, no wonder she will suddenly run over to join in this kind of excitement that she usually doesn't like to join.

At this moment, just like that moment, the heroine of the crew has switched to Maki Horikita.

Mizumi Hayato saw it, and he just didn't say it a lot of the time.

Just like now, he can see that Maki Horikita is still cold on the surface, but his heart has ignited a sense of confrontation and a sense of ownership for him, will he use his director's loudspeaker to talk about it everywhere?

He won't.

He would only smile comfortingly at Maki Horikita, encourage her a few words, and then change the shooting plan on the first day of filming, no, not even the first day, just a demonstration, and let her do a more important plot.

[Don't worry, I'll create a stage for you!] 】

Mizumi Hayato looked at Maki Horikita, his eyes full of encouragement.

The so-called Shura Field is called the real Shura Field only when the fire of war burns on themselves, and they themselves ignite a small sense of struggle, and for the "fisherman" of the Water Falcon, they are usually profitable, so he is a little bit of a psychology that is not too big to see the excitement.

After arranging the camera and other scheduling, Mizumi Hayato returns to the performance area, this time playing the scene of the two sitting opposite each other in the tavern.

"Look good, study hard!" As if suddenly thinking of something, Mizumi Hayato said in the direction of Riho Yoshioka and Jun Arimura.

Maybe his mentality changed too quickly, causing him to get a little carried away, and he forgot for a while, in addition to the two young actors who said that they would come to the scene to study, there were also three "big actresses" of Erika Toda.

“？？？”

The three girls who heard this sentence were all full of question marks, feeling that they were being ridiculed.

Aragaki Yui's reaction was the biggest, "Huh? There was a cross on the door of his head, and his anger was full at once.

Seeing this, Murakama Jun subconsciously wanted to explain, maybe the water Hayato was saying it to her, but the moment he opened his mouth, he felt that this sentence seemed a little shameless to say, as if the water Hayato only looked at her alone.

"This..."

"Alright, let's take a closer look."

Yoshioka Riho patted Jun Arimura on the shoulder and said, "You are so persistent in this role, don't miss this opportunity." ”

"Hmm." Jun Arimura nodded.

Whatever happens over there, it's ready to boot up.

This is actually a night scene, and it is not difficult to shoot during the day, as long as you take care of the windows and the lighting of the scene.

The plot is set on the night of a certain celebration, Xuedaiba and Kenshin sit opposite the tavern and drink, the two first met in the tavern, the two did not sit opposite each other at that time, and their mentality has changed a lot.

After turning on the machine, Mizumi Hayato sat opposite Maki Horikita, holding a sake glass, and Maki Horikita held the jug of sake, and filled it for him with etiquette, and then poured it on his own cup as well.

Mizumi Hayato picked up the wine glass, drank it all, then looked at the wine glass and exclaimed, "It's been a long time since I've tasted serious wine." ”

】

"Really? I guess that's because of the celebration. Horikita Maki said in a calm tone, and raised his hand to fill the water Hayabusa, and said, "I'm the opposite of you, and I haven't had much time to drink lately. ”

"Is it unpleasant?"

"No, unlike before, I don't feel like I need to rely on alcohol anymore."

This plot is referenced from OVA, and it's not difficult to say that it's difficult, but it's quite important.

Because he killed too many people, especially after killing his ex-husband's brother, the scar on his face kept bleeding, which led to Kenshin's psychological problems, and he always felt that the blood on his hands could not be washed away, and he could only drink the smell of blood when he drank, but after meeting Xuedaiba, he was finally able to taste the taste of wine again.

This is a hint that Kenshin is here, and he has once again changed from "executioner draws his sword" to "human", and this reason is the appearance of Ba.

On the other hand, Ba's lines are actually a hint that she used to drink because her fiancé was killed, but now she doesn't drink much.

What can better reflect her change in mentality, and what can better reflect Horikita Maki's acting skills are the next few sentences.

"Every time I see the wound on your face, I think, what is the situation in front of the person you killed?"

"You always say that killing people is for people's happiness."

"But I don't think there will be happiness in this world by killing people."

Her tone rose slightly, which meant that Ba's mood was also rising, for such a woman, such a tone and words were almost questioning.

When acting, the progression of emotions is a difficult technique, if the character asks for the final emotional outburst to be hysterical, it is good to say, as long as the emotions are vented in one breath at the right time.

The play is easy to act in this way, and maybe it will be edited by fans, and the title is called "Acting Explosion".

But Ba is different, her character design is destined not to give her too many opportunities to explode emotionally, this conversation with Kenshin is full of hints and foreshadowing dialogues, not only to show her original personality, but also to let the audience see her emotional changes.

When there is a change, the audience goes back to investigate the reasons behind it, and the dramatic conflict can be established.

And Maki Horikita has done a pretty good job of this.

It's like she's used to doing it.

When the scene was finally filmed, Mizumi Hayato returned to the actresses' gathering place, and Maki Horikita received a warm welcome from the eldest lady, while he looked at the other actresses.

"How? Learned? He asked again in what seemed to be the direction of the village and the direction of everyone.