Before the water hayato could shout slander, Fujiwara Nao corrected his statement again:

"Oh, it should be someone you fancy who wants to be a female anchor again."

After all, Mizumi Hayato is talking about the "female anchor draft", and the target is people who have not yet become female anchors.

"Don't talk nonsense." Mizumi Hayato said angrily: "I don't believe you can't see whether it's good or bad to recruit a few female anchors." ”

Fujiwara Nao seemed to be deliberately bad, pretending not to hear his words, holding her chin in her hand, and said with a smile: "By the way, you said that it is possible, you have liked the profession of female anchor recently, but you didn't like it, so just choose a few yourself..."

"Farewell." Mizumi Hayato is angry, isn't that an insult to him? When he said this, he seemed to have to rely on this method to get a woman.

Anyway, everything that should be said has been said, and when it comes to the implementation level, let the eldest lady figure it out by herself, oh no, it should be up to her to instruct her subordinates to do it.

The conference call with the eldest lady ended, and the direction of the next important matters under Stargaze was set, and it will be rolled out soon.

This may be the benefit of "family business", two people chatting on video, and then the matter is settled, and there is no need to hold a dozen meetings, large and small, just throw the meetings to the social animals below.

On the other hand, he also has to properly arrange his follow-up work.

With the end of the legend, his "Rogue Kenshin" three-part continuous shooting plan" is left with the end of the final stage of the reminiscence chapter.

The final stage is the most crucial shot, which is the climax of the whole movie, especially the last paragraph of murder in the snow and the parting of life and death, which closes a poignant ending to the whole movie.

This section of the water Hayato is eager to shoot in real action, so he needs to wait for a heavy snowfall, and at the same time, he also has to hone his aesthetic ability and camera control ability.

During this blank period, I could go back to Tokyo to cut the first two shots, and promote the post-production of the special effects shots, which was also just right for learning.

The director's aesthetic ability has a great impact on the temperament of the film, like Zhang Guoshi, who is famous for his picture control, the color matching and light and shadow coordination in his movies are enough for other directors to learn for decades, you can say that his plot is not good, but it is difficult to say that his picture is not good-looking.

On the other hand, some "directors", the non-mainstream temperament overflows the screen, coupled with the emotion of moaning without disease, it is really difficult for people to be nervous, time boils rain, the director cooks shit, and is hacked to the sky.

How to distinguish between "poignant" and "disease-free moaning" is also the focus of Mizumi Hayato's research this time.

Let him shoot some fighting scenes and explosion scenes, he can easily tell what actions are better here and what angles are better, and how many explosion points are placed there to be more shocking, but the beautiful and delicate literary style is not what he is best at.

In the first two stages of the reminiscence, there is a lot of daily content, and some other introverted shots that express emotions, he basically stitches the expression of OVA and the original work, plus some good-looking real-life shots to make it up.

Originally, this was actually enough, after all, what moved people was ultimately to return to the story itself, and the story of Xuedaiba and Kenshin is a classic among the classics.

But who is Mizukato, he likes to "make the most of everything".

Since I came back this time, I still have to discuss the filming and casting of "Sea Street Diary" with Hirokazu Kore-eda, so why not rub the "master class" by the way and let him talk about his shooting skills?

Mizumi Hayato didn't squirm either, and after finalizing the contract with Hirokazu Kore-eda with the eldest lady, he turned the topic to the movie he was making now.

With the three best films "Rogue Kenshin", "Horror Live" and "Hakodate Xing" in front of him, Hirokazu Kore-eda did not put any predecessors in front of him, but got along with his peers, and even humbly thought that Mizumi Hayato had a lot to learn from him in the commercial rhythm of the movie.

There is no such thing as a literary and artistic person looking down on business.

So Mizumi Hayato skillfully beats snakes with sticks, talks about the two films that have already been completed, and warmly invites Hirokazu Kore-eda to visit the post-production area of their Stargaze film department.

Coming to the room where the film was cut, Mizumi Hayato directly dropped out the footage of the reminiscence taken earlier, and said inquiringly, as if he was discussing:

"It's Director Kore-eda, look at my shot..."

"Oh, isn't that a nice shot?"

"yes, we squatted there for more than ten days and finally pulled out this paragraph. You see, this paragraph is in the plot, it represents Kenshin... I want to use this flower to express..."

"Mm-hmm, that's a good idea, but if it were me, maybe I would..."

...

The skill of the water Hayato to coax the girl is also quite useful in coaxing the director, although his compliments are not very ornate, but the twists and turns, the expression is sincere, and the attitude is correct.

Then some children may have to ask, is it possible that the handsome aura of our water king is also useful for old men? It's so simple to fool people and be lame?

This is not the case.

The so-called handsome aura is, in the final analysis, a buff, most women are affected by the buff when they face the water Hayato, on the contrary, his aura of "the youngest international director in history" and "talented actor", isn't it a buff?

Especially the director, his films have been recognized by the market, especially the zombie film "Hakodate Xing", which is popular in many overseas countries, and recently, there have been many more foreign tourists visiting the "holy land" where "Hakodate Xing" is live.

The compliment of such a young and promising genius junior, try to ask who can withstand it.

The two soon became "New Year's friends" and exchanged and talked to each other about a lot of movie shooting.

Since Mizumi Hayato originally came with the idea of "rubbing the master class", it was mainly Hirokazu Kore-eda who explained the shooting ideas for the shots he shot.

Mizumi Hayato has indeed learned a lot.

Every director has the shooting style of each director, and one director's thinking is not suitable for all films, in fact, Hirokazu Kore-eda's temperament and reminiscences may not match, but his ability to control the details of the lens is indeed beyond the reach of Mizumi Hayato now.

For example, in a shot of Sedaiba working in a tavern, he proposed a lot of shots with the details of the actors and even the fleeting scenery to set off the current story.

There are some shots that ordinary viewers may not notice, but this kind of "small details that no one cares about" is the key to making the whole movie background come alive.