"Okay, let's shoot the scene today, let our heroines take a break and find their state." Mizumi Hayato is very tolerant of Maki Horikita's NG, and dispatches the crew with a pleasant face to shoot other corner shots.

"I'm sorry, I wasn't in a good place today." Maki Horikita came to Mizumi Hayato and bowed his head.

Mizumi Hayato smiled: "It's okay, you used to figure out the role of Moba so deeply, I never had a chance to NG you, but now I can get it back." ”

Hearing this, Horikita Maki subconsciously looked up at him, but when he saw his face, he instantly broke his power and turned his head to look away.

Mizumi Hayato couldn't support it, he made her break her heart, not to mention filming, she couldn't hold back against him outside the scene.

However, as he said, Maki Horikita took the role of Xuedaiba too seriously, so that he basically couldn't find anything wrong with it during filming, which saved a lot of time, and it doesn't matter if he wastes it now.

And she felt that she was too deep in the substitution for a while before, and she scared him, but this time it was just to cure her stinky problem of the experiential school and withdraw from the role a little.

Of course, the absence of the heroine does not mean that the entire crew is suspended.

After temporarily switching angles to shoot corner shots on the first day, Mizumi Hayato changed his shooting plan in time, first shooting some of his own shots in the last segment, and he still had a few action scenes in the snow.

This time, it is just right for Maki Horikita to see, there is no future for the experience school!

has to be like him, even if he had an affair with the actress the night before, he can still play a bitter and hateful fight the next day!

...

"Attention of all units, the first time of the performance moment of Mizuki-kun, action!"

Mizumi Hayato took advantage of his directorial authority to change the names of all the scenes filmed today to "Mizumi-kun's performance moment" to highlight a Dese.

The staff only felt very coke, and they also accompanied the director to make trouble, anyway, he took the name randomly, and in the end it was messy, and the biggest impact was when he edited it himself.

Back in the plot, Kenshin and Ba finally have a heart-to-heart in the snowy night, and Kenshin completes his pony... No, the achievement of capturing the big sister Ba, but the next day Ba disappeared.

Here is also the identity of Ba, we all know that Ba has an "ex-husband brother" who has to be cut in every movie, and Ba also had a revenge mentality when he came to Kenshin.

She may not really love her "ex-husband's brother" so much, but because of the identity of a fiancée, and the combination of various reasons such as ruined future, she came into contact with Kenshin.

After coming into contact, she discovers that Kenshin is actually just a teenager who was forced by the times to become a killing machine, and behind it is also a soul worthy of redemption.

The distance between the two gradually shrank in their daily relationship, which is a classic plot of "mutual redemption", and finally Ba let go of his hatred, and Kenshin also found his "scabbard", and the two completed "one heart and one body".

And through the plot here in the reminiscence, we know that her actions are not only out of her own will, but also instigated by the people behind her.

The poor young Kenshin was slept with and found that the big sister was missing the next day, precisely because she was deceived by the person behind her.

At the same time, Kenshin's side, there was also a visit from Erwuzai, saying that he had found the "Erwuzai" who caused the previous stronghold to be terminated-Ba, and the evidence was her diary.

Because of the asymmetry of information, the hero and heroine misunderstand by mistake, which is also one of the classic plots.

After the heroine woke up, she went to find the person behind her, of course, to protect the male protagonist and to get out of the control of the person behind her, but of course the male protagonist didn't know this, he must have gone to the heroine with a complicated heart to ask for an explanation.

So the next plot was derived - Kenshin was in a complicated mood and went up the mountain in the wind and snow to find Ba.

If this paragraph is deconstructed, it can be easily found that it is also "new wine in old bottles" in the final analysis, or in fact, most of the works in the world are "new wine in old bottles", and whether this wine is mellow enough depends on the means of the person who holds the wine.

The reminiscence chapter already has the story of the original work, and the wine itself is already extremely good, and the next thing to see is how Mizumi Hayato shoots and interprets.

...

The first scene is shot of Kenshin reading Ba's diary.

The first thing given here is a close-up of the water Hayato picking up the diary with his hand, and the actor who plays Erwuzai next to him speaks: "Remember the man who left a scar on your face?" Ba was his wife who had not passed through the door. ”

The camera zooms in on the close-up of the water falcon, he doesn't look back, there is not much expression on his face, he reaches out and opens the diary, and sees the record on it:

“... Before his wedding, he became a person of no return in the turmoil of Kyoto. ”

The camera stops at a close-up of Mizumi Hayabusa's hand stroking the words on the diary, and after a few seconds, he takes the initiative to shout: "Okay, Ka, makeup artist!" ”

The makeup artist trotted over and put special effects on his face.

Here is the difference between the oVA version and the movie version again, and the oVA version here, once again emphasizes Kenshin's scar, making his scar ooze blood again, implying that he has withdrawn the heart in the scabbard and panicked again. But the movie version wants to pursue a fit with historical facts on the basis of manga, since it wants to be realistic, this inexplicable bleeding scar has been cut off a lot of existence, and this shot does not bleed.

Mizumi Hayato chose oVA's performance technique without too much entanglement here.,Didn't even shoot two versions.,Kenshin's cross scar is the strongest feature on his body.,He didn't plan to weaken it.,There are also some hints in the first part.,And in the second and third parts, after he started to work on special effects, he was even more self-free.。

Anyway, it's already surreal, why not go deeper, sometimes the effect of only pursuing reality may not be as good as the "combination of virtual and real", especially at the box office, just make the audience feel good.

Besides, this is also a lazy way, with the characteristic of bleeding from the wound, the audience's attention will not be completely focused on his performance, otherwise it will be really difficult to perform Kenshin's shaking and shock here.

The special effects makeup went up, the shooting restarted, the camera was fixed on the diary, one drop, two drops, a few drops of bright red blood fell, fell on the diary, on the hand, the blood-stained hand was raised, and the camera followed up, it was the water falcon gently touching the bleeding scar, the pupils dilated, and the blank expression was revealed.

...

The confusion and loss of soul are the manifestations of the next water Hayato.

He walked forward step by step in the snow, leaving a long trail of footprints, which also had drops of blood on them.