After a period of filming, Mizumi Hayato deliberately took a few simple shots to run in the actors of the drama group, and confirmed that after the adjustment of the wedding advertisement, Maki Horikita's state has really returned to its previous state, and even wins.

And perhaps only Mizumi Hayato as the director has discovered this, and at most the assistant director.

Because of Maki Horikita's current state, there is less of a "sense of surprise" that people can see at a glance at the beginning, and more of the harmony that is integrated into the characters and the plot.

If it is placed on the big screen, the audience will not be able to understand it at the time, but afterwards they may be pleasantly surprised to find that this actor allows them to completely participate in the plot.

"Explosiveness" is certainly an important factor in measuring an actor's acting skills, but if an actor is "exploding" all the time, it is a kind of poor skill, after all, "explosive" is not simple to say, but it is not difficult to say, you don't see so many actors' fans boasting about it and boasting only one "explosion" to describe.

When you can easily integrate into the role like Maki Horikita is now, and not float on the surface, maybe it's really worth praising "good acting".

"If at the beginning you were a sense of fit brought by acting in your true colors, now it can only be said that you have completely mastered this role." Mizumi Hayato said this to Maki Horikita.

"Really? Thank you. Maki Horikita smiled.

If she had been her before, she would have achieved the expression in the camera just now, and now in the face of his praise, she would definitely still look like Xuedaiba, but now she is a little more "angry" and looks much more relaxed, at least Mizumi Hayato no longer feels the feeling of worrying that she has experienced too much and will not be able to withdraw from the role.

"Of course, I can't catch this state." Mizumi Hayato smiled and shook his head.

His Kenshin is not bad, but it is not like Horikita Maki who fits himself and has several changes in mentality, even if his acting skills are exquisite, he can't compare to this open-mindedness.

Fortunately, he hasn't been thinking about bubble actresses in the past few years, and his acting skills are still enough to play against the current Horikita Maki, so that there will be no imbalance.

"Okay, without further ado, the opportunity is fleeting, let's speed up the progress!" Mizumi Hayato clapped his palms: "You have to finish the last scene while you're in good shape, maybe this movie can earn you a few best actresses back." ”

"That's a bit of an exaggeration." Maki Horikita smiled again.

"It's not an exaggeration at all."

Mizuhato is serious, the story structure of the reminiscence chapter has been perfected, and he has also shot so many beautiful shots of real scenes, which is the kind of poignant story that Sakurazhou's major film awards like, and in the main chapter of "Rogue Kenshin", he does special effects and doesn't like them, even if he doesn't like them, the reminiscence chapter is not pleasing and wasted his master class!

"I'm also going to be a director on the water!"

...

The scene returns to Kenshin's shock, and he goes up the mountain in the snowy jungle with his lost soul to find Xuedaiba.

Between the promise of "I will protect you" promised to Ba and the "betrayal" of Ba mentioned in Erwuzai and Ba's diary, he walked into an ambush circle set by the enemy.

It was a trap set by a ninja who was proficient in assassination, and although he relied on his hard power to finally complete the counter-kill, he was also scarred all over his body, and his vision was also affected, and he couldn't see anything.

With his sword as a crutch, he staggered step by step and continued up the hill, finally coming to the last enemy.

...

On this day, Kyoto got off the university as promised, and the snowflakes fell one after another, making the best annotation for the scene of slaughter in the set at this time.

The water hayato was covered in blood and was killed by the enemy and fell into a desperate situation.

I have said many times before that if you want to talk about playing, maybe it is not what Mizumi Hayato is best at, and being beaten is the highest skill he has ever pointed.

As a former stuntman, how to be beaten on his back without losing his handsomeness and beauty is one of the skills he is proficient in.

In the snow, the red of blood and the white of snow intersect, the camera shifts from panorama to close-up, under the panorama, he is injured everywhere, arousing the protective desire and distress of the person who sees this shot, and the close-up side face has the poignant handsomeness of the middle demon.

After being ambushed, Kenshin, who was completely blind, was basically cut unilaterally here, and after being slashed a few times, Kenshin had already given birth to the idea of dying together, he simply stopped dodging the enemy's attack, grabbed it while the enemy's knife was slashing on his shoulder, and then swung his sword to fight back!

This move may not be effective in the first place, after all, the enemy is an existence with full blood and intact eyesight, and the force is not low, so maybe it can be easily dodged.

The guarantee that Kenshin's robe slash would hit the enemy was to suddenly run out and hug the enemy's chin.

And the price was that the sword heart's powerful robe slashed and the two of them were slashed together.

The classic picture of "manslaughter of lover" is the tragic ending of the remembrance chapter, and this knife is also a shot that Mizumi Hayato has been studying for a long time.

Including the angle of his knife drawing, the angle of the enemy's block, and where the Ba ran out and hugged the enemy, etc., he rehearsed with the action team countless times, and finally added the storyboard shot of the camera, completing this one After the end, he watched the extremely satisfactory shot.

He only shot one version of this extremely difficult action scene, but he shot two versions of the next scene, one is that Kenshin's eyes are not good, and he smells the white plum fragrance on Ba's body before he knows that he has hit her, this version is more literary; The other is more realistic, Kenshin's eyes gradually cleared, and he saw the Ba who fell to the ground in the maze, this version can hint at Kenshin's desire to save people's hearts, otherwise you can rest for a while and wait for your eyes to heal before coming back.

Both versions are good, he wants both.

But in the last scene, he couldn't help but shoot so many versions.

Kenshin hugged Ba in his arms, and this man who "can always bring bloody wind and blood" finally made the blood stain the white plum red.

Mizumi Hayato fell to his knees in the snow and let Maki Horikita's head rest on his lap.

The camera shows Maki Horikita's face, the background of the ground is white snow, and the snow-white skin on her face reflects the blood-red lips, and she trembles and raises her hand tremblingly, and uses the dagger she holds in her hand to approach Mizukato's face.

This is an unforgettable picture for countless Kenshin fans, Ba used her sword to represent love to seal the scar on Kenshin's face that represented hatred, and Ba used her love and life to turn into a scabbard and become the seal of Kenshin's "oath not to kill" in the future.

Maki Horikita lay on his back, his eyes filled with tears, and his trembling lips said the classic line:

"I'm sorry... Husband. ”