Chapter 315: Strange Murals
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Changfeng nodded: "Yes, you look at the arrangement of the four pillars and the coffin. ”
We followed him to the coffin, which was placed diagonally, and from any angle, the four corners of the coffin seemed to be facing a certain pillar, and I don't know what the mystery was.
Changfeng said: "Actually, I noticed it just now, but I didn't think about the problem of feng shui. I think if this isn't really a natural Jedi, but it's artificially made, then the key might be here. A few years ago, when I was working with cultural relics, I studied the structure of ancient tombs. That's not what the real tomb looks like, so I recalled the passage built with huge stones when I came in, and those stones made a feng shui pattern of heaven and earth. The descendants buried in this pattern will be permanent emperors. ”
Chu Chu's small mouth opened into an O-shape: "Changfeng, you know so much, can you remember it?" Could it be that your head is a computer!"
I said disdainfully: "That's all miscellaneous knowledge, how can there be a permanent emperor in Chinese history, it can be seen that the pattern of heaven and earth is just." ”
Changfeng said: "What Mu Tian said makes sense, but the feng shui pattern of heaven and earth does exist, although the descendants buried in this pattern cannot be made permanent emperors, but the layout here is no different from what is said in the book, maybe the purpose is not to make future generations become emperors, but there is another mystery, it is always right to try." Move this coffin around first and see if there will be any changes. So many people should be able to move. ”
We all said yes, but the soldiers were reluctant. It was Liu Wenqi who gave the order, and they stood in front of the giant coffin.
Changfeng commanded everyone to stand on both sides and at the head and tail, shouted "push", and the two sides began to push the coffin with all their might. I felt like I had exhausted all my strength, but the coffin didn't move.
Changfeng shouted to stop, and everyone let go of their hands tiredly.
The expressions of those soldiers were not too disappointed, and it seemed that this result was what they expected. Long Wind looked up, and I clung to the coffin in boredom, not knowing what to do.
The dark night came out of nowhere, and suddenly jumped to my shoulder, put his arm around my neck, and whispered in my ear: "The things here can't be broken at all, the pattern has been formed, how can it be destroyed?"
I tilted my head to look at him, "What do you mean?"
Dark Night continued to lower his voice: "You let Changfeng look at those murals, I saw from the heart mirror that after those people evacuated, only these painters did not stop the pen in their hands, although some of them have been painted, but those people seem to be still replenishing for perfection." It wasn't until the two teams of artists were in one place that I couldn't see it anymore. So you and Changfeng take a look at the mystery in the painting. ”
I asked him, "Why don't you look at it?"
He said with some sarcasm: "I'm not as smart as you!"
It seems that he saw it but didn't understand it. I walked up to Changfeng and told him the suspicions of the night. Changfeng actually slapped his forehead in annoyance, it was the first time he had seen such a move.
Next, we split up to look at the murals on the walls.
I pulled Nozomi from the left to look at it, and the night never left me.
When I got closer to the mural, I realized that this painting was really different from the mural in the passage.
The murals in the passage are the daily life of men and women weaving, and there are also scenes of singing, dancing and entertainment. However, although the mural here is painted in the same way as that one, the content is completely different.
The murals are one by one, and each one is separated by auspicious clouds.
In the first painting, there is a large white egg, so large that it almost completely occupies the upper and lower walls. However, it is vivid, the colors are different, and the three-dimensional sense is very strong, which makes people know that it is an egg at a glance.
In the second painting, the eggshell is cracked, and a man with long hair can be vaguely seen inside. But the background is black.
In the third painting, the eggs are gone, and the background is still pitch black, with broken eggshells flying everywhere. There was only one man holding a giant axe, standing there alone, eh~~No clothes~~ Fortunately, the painter was bound by feudal etiquette, and covered the man's waist with a few broken eggshells, and even Xiyu couldn't help but cover his mouth and smile.
The man in the fourth painting is gone, and the painting is no longer a black background, but an extremely clear blue sky, white clouds, sun, moon, mountains, rivers...... Seeing this, I immediately understood, isn't this Pangu groundbreaking? It turns out that every painting from the egg to the last Pangu's body is a process.
Next, it's time for Nuwa to create people. Sure enough, in the fifth painting, there is a tall beauty, dressed in a simple but flowing dress, where she is seriously pinching the clay figurines. The clothes are fluttering and very vivid.
In the sixth painting, Nuwa is waving a tree branch, and as the muddy water on the branch is thrown out, one after another the little people jump down one after another.
The seventh painting is a large scene, much longer than each of the previous ones. In the painting, it is a peaceful and prosperous era, singing and dancing, which is comparable to the Qingming Riverside picture.
The eighth painting is that people are having fun, but there is a large disc falling from the sky at an inopportune time, flying saucer?
In the ninth painting, there is nothing but a coffin. Isn't that the giant coffin here?
The tenth painting shows the lid of the giant coffin being lifted to the side, and a man in silver armor lying inside. I couldn't see the face clearly, the armor didn't look like the clothes of the ancients. Seeing this, I couldn't help but gasp, silver helmet and silver armor?
Changfeng and Chu Chu have also seen this, and the four of us have gathered in one place. I ignored him and just wanted to move on to the next one. I pulled Xiyu and walked over to the next one, but it turned out to be surprising.
The next one turned out to be the same as the ninth one I saw, and I was stunned for a moment, and pulled Xiyu to continue running to the next one. Then I stopped in front of each painting and continued to run to the next one, until the first one on the side of the long wind, where we both stood there silently watching. Yes, you guessed it, it was the first one I saw – a big white egg.
It turns out that the tenth painting is a common one of these two groups of paintings. What does this mean at the end of the story? Changfeng saw the beginning of my side just like me, and now all four of us turned back and gathered in front of the tenth painting.
The thirty-six men, seeing that we had not succeeded in entering the passage before, were silent for a long time, and now they were running between the paintings, and seemed to be a little disappointed, and one by one they sat or lay down, and paid no attention to us.
I looked at Changfeng: "Brother, silver helmet and silver armor, do you see the resemblance in this painting and in your dream?"
Changfeng pursed his lips and nodded: "It's really like, it looks like we have to open the coffin." ”
I was puzzled: "Why do you have to open the coffin, what do you see?" (To be continued.) Mobile phone users, please browse and read, a better reading experience.