Chapter 169: Entering the Set for Shooting

Actually, it's okay.

After all, Wang Shiwen is a rookie director, although he wants to prove himself and make achievements, he also attaches great importance to the safety of the crew.

After all, the whole movie is filmed and released, and it will be the New Year according to the plan, but the safety of the actors during the filming is a possibility of accidents every day.

So for the scene of the car crash, Wang Shiwen chose studio shooting, and the team who was still on the set at the fairy sword divided it by two, and made a small set, using poor vision.

Basically, you can use special effects, you don't need special effects, after all, special effects are difficult to be completely real, and special effects are really not cheap.

The more real it is, the less cheap it is.

The visual difference is much simpler, and when you poke out your head, you can find that there is a platform below, and the glass is also a commonly used saccharified glass in filming.

Su Han thought it was quite interesting at first, this kind of glass was the most common thing in his impression was the shape of a beer bottle.

After all, those Hong Kong films when Su Han was a child, if you don't throw a few beer bottles and smash the folding stool twice, you don't feel like you have any taste.

The only special effect is after jumping out of the window, when the actual shooting is done, Pan Yiming's landing shot is very short, the prop car comes, and then he lies motionless on the ground, and it ends.

This kind of doesn't need to be shot to the end, although it will definitely be cool and exciting, but then you have to jump really hard, there is no need.

Speaking of the set, Pan Yiming chatted about the Fairy Sword crew on the other side of Su Han.

said that it was the crew, but in fact, it was only Su Han's studio project, including the script, which Su Han had already prepared before, and the copyright was also registered in place.

And then there was no more.

The set is not over yet, none of the actors are in place, and Su Han was not sure whether he wanted to play a role at first.

Recently, I found that acting is very interesting, and Su Han wanted to play Sedum in person.

Hang'erlang, a little cowardly, and a little chivalrous, is a challenge for Su Han.

As for Xu Changqing's white tofu in the rival scene, Jiang Luluo already has a goal, but because Xianjian still needs to prepare, and Su Han is also filming the most complicated part, so he is not in a hurry to deal with it.

In addition, Su Han also felt that Lin Ji was quite good, although he was the same age as him, he looked a little young, maybe suitable for the five poisonous beasts?

After all, the body of the five poisonous beast jacaranda is the appearance of a cute elf, and it also takes a cute little girl actor to turn into a human form so that she will not be able to act, Lin Ji is indeed quite suitable.

Speaking of which, it seems that you can also find a few roles for Mr. Pan and Mr. Chen, such as supporting roles...... Zhao Wuyan?

Hey, hey, hey......

As soon as Su Han's brain opened, he suddenly found that he could dig into the corner of the "Tang Detective" crew, which was close anyway, and there were not many supporting roles.

And the TV series is definitely not as elaborate as the movie, otherwise after dozens of episodes, wouldn't it be filmed for a few years?

Well, it seems to be a bit similar to the British drama in the previous life.

……

……

The shooting went on in an orderly manner, and there were no surprises overall.

The rent of the film and television base is very expensive, but the people are really professional, and it is difficult for reporters to blend into the filming location of the crew.

So on Su Han's side, sometimes Wang Shiwen was not satisfied, and filmed a few more times, and in general, the progress was similar to the plan.

Soon, the plot that could be filmed on the spot was basically over.

The field here refers to the pre-existing building complexes of the film and television base, such as streets, such as houses.

But Wang Shiwen's Siam Chinatown this time was different, so he found a professional set team in advance.

After that, the plot was filmed in a set set set up by the set team.

Although there has been attention, it is only when the actual shooting does I know whether there is a problem with the scene arranged by others.

Fortunately, the set team is still dealing with the scene of Su Han's fairy sword next door, and once there is a problem, it is not time-consuming to rush over to solve it, which is very convenient.

Most of the plots of Hesitation take place in Siam Chinatown, so the subsequent episodes take the longest.

Su Han felt like he was playing a game, the first start was the prologue, and then the official start of filming was the first chapter, and now he finally entered the second chapter.

The crew has made a lot of efforts to restore Siam, and the upper limit is not more than the cost required to shoot directly in Siam.

In fact, when you really go to Siam to shoot, in addition to various expenses, you also have to deal with local relations, which is to some extent more troublesome than spending money.

So for filming with sets in China, the crew has no objections, and has made a lot of preparations.

The set team is only responsible for the set, although the style of Siam will be restored, but the specific architecture and style needed still need to be determined by the crew.

And the most troublesome thing is that after the official use of set shooting, the director and actors have to be careful.

After all, some shots have damaged the set too much, and if it is NG a few more times, it will take time for the set team to restore the set.

But there will definitely be accidents, fortunately, the previous shooting went smoothly, and Wang Shiwen also left enough time in the plan in advance, so I think there should be plenty of time.

As for why he didn't shoot it directly in China and put the plot in Siam, Su Han thought it was a matter of passing the trial at first, but Wang Shiwen didn't say so.

As the original author of the script, Wang Shiwen's description is. "At that time, I watched a Siamese horror movie, and then I was interested in a lot of information, and I didn't want to waste this information, so I wrote this script with a Siamese background."

Su Han thought about it, but too, the plot itself has Siamese religious and cultural colors, and it is closely related to the plot.

In addition, there are contradictions before there are conflicts, Huaxia is really the safest country, if these plots happen in China, they need to be overhauled to appear not to be in harmony.

In short, Wang Shiwen has his own ideas about the plot, and he is about to analyze whether it is the existing location, the development of the plot, or the existing plot, and then determine the location, in fact, there is no need.

Sometimes the original author himself may not be able to remember the original creative process.

After entering the Siamese set, everyone in the crew was amazed.

Although I have paid attention to it before, when I really enter it, I will find that the set team is strong.

Sure enough, this is professional, the money is in place, and many things can indeed be solved smoothly, otherwise Wang Shiwen still has a headache in his heart about how to restore the scene.

As soon as you walk in, you will feel a certain exotic atmosphere, and there are even a few Buddha sculpture shops located all over the place, large and small.

This area is the factory area of Songpa, with workshops, shops, and warehouses with all kinds of Buddha statues placed everywhere.

This is the belief on the Siamese side, and it is also a part of restoring the exotic atmosphere and giving the audience a stronger sense of substitution.

Although for ordinary people, it is more likely that Siamese Rome killed chickens......

Su Han inexplicably thought of a certain big guy who sold Buddhist cards.

However, the set is a set after all, and if you look at it from a distance, you can find that except for some more real ones where the spatial location is closely connected, the other sets will be a little funny.

For example, this is still a short street, and when you turn around at the end, you can enter the police scene, and the transition can be described as very abrupt.

But everyone was very satisfied, after all, it was impossible to really restore the entire map in the script, which would be almost the workload of a small town.

Even if you have money, it's not so much, because most of the scenes may only exist in the setting, and the characters won't get into it at all.