Like the Shushan communication instrument, which has experienced Xianxia dramas everywhere after a few years, as well as Xianxia animation and a booming network, Su Han can come up with a bunch of contact props that fit the background of Xianxia with a tap of his brain.

Su Han had prepared these things as early as when he handed over to the set team, so he didn't need to worry.

As for the flaws in the original version on the props and sets, Su Han had already arranged for the set team to strictly follow his design, not the best, but the most expensive [Wang Duoyu serious face].

For example, the long-range special effects are very fairy-like and mysterious and tall Shu Mountain, and the camera is all in the close-up view of the Lock Demon Tower, but there are only a few stones and chains, and the majestic feeling is suddenly gone.

Similarly, there are also the Heavenly Realm and the Celestial Capital, which are almost the same effect.

The contrast is indeed too great, and they have caught up with the seller's show and the buyer's show.

In addition, such as the scene of the bottom of the sea in the story of the stream wind, it can also reveal a little simplicity, which is more dramatic than the memory experience like a projector movie playback.

Su Han couldn't tell whether this was due to lack of funds or backward technology, after all, the filming was earlier, and there may be both.

But Su Han doesn't need to fully understand the reason, as long as he checks and fills in the gaps in a targeted manner, the good restoration is better, and the bad ones are optimized as much as possible.

Compared with these, it was the changes in the plot that made Su Han more worried, after all, the changes were not small.

It involves the emotional line between the Demon Respect Building and Zi Xuan, the strength of the Demon Respect Building, and the ensuing weakening of the enchanting wind and dust atmosphere of Zi Xuan's character and so on.

But there is pressure to be motivated, and there is challenge to be more exciting.

It's just that in the eyes of the rest of the crew, Su Han, as a boss and a screenwriter, has done too much work alone, so much that the crew can start filming now.

Of course, considering the publicity warm-up, the crew still made production and editing for the opening and ending credits and trailers step by step.

Although everyone discussed it together, the rest of the crew, including director Takashima, did not have any objections to Su Han's analysis and explanation.

Even a few keen people have realized that Su Han already has a relatively complete work in his mind, and at this time, he has just moved it directly to reality.

However, when I thought that Su Han had even drawn several episodes of the sub-scenes, everyone was not surprised.

Before I saw a genius, I couldn't imagine what it was like to be a genius.

After seeing it a few times, I became more and more calm.

Don't be six, just do your own thing.

Anyway, the boss still needs them in professional matters, such as props, such as how to shoot, and the boss also gives full trust in this regard.

It's the perfect working environment for them.

The communication between the crew ended, and all the costumes and actors were in place.

Takashima said that he would do it, and today he must take down the promotional poster and teaser video to open the door for the promotion of "Fairy Sword".

However, after actually entering the shooting state, Takashima immediately regretted it.

Sure enough, it's not for nothing that you don't pat your chest in front of your boss as a guarantee.

According to Su Hanjin's finger's memories several times, as well as the prior discussion with Takashima, it is not difficult to start and end the film, because although the scenes from the plot that have not yet been filmed are used, the overall intention is to introduce the characters.

For example, every character appears, and there are only a few shots in each clip, and the fast-paced ink-style camera switching.

In reality, however......

"Stop...... Su Han! You're flying in Edgeworth, not walking on a single-plank bridge!! Do it again! ”

"Stop! Su Han...... Edgeworth's flight is so wind-pressing, you're too stable......"

Takashima has always been very brave in filming, and the boss is right.

Su Han doesn't have any opinions, after all, as long as he can complete the shooting.

But this time, the effect was really unsatisfactory, and it did not meet the requirements and attitudes of Su Han and Takashima to strive for perfection.

Su Han didn't expect that at the beginning of the shooting, the progress would be stuck on him.

Whether it is the beginning or trailer, or the beginning of the first episode, there is a scene where Sedum Edgeworth flies.

Su Han thought very well at first, thinking that after he finished filming, he could use it for three edits.

The result is a clean NG countless times.

Originally, Su Han thought that the flight of the imperial sword was not difficult, but in fact, it was difficult to have a sense of realism when filmed.

Because when this shot was filmed, the entire crew was in a green screen studio, which required post-production of special effects to fill in the edit.

And Sedum's so-called flying sword is actually Su Han stepping on the magic sword on the ground, but he must show the feeling of being born dangling, reflecting the apprehension and excitement of a novice on the road.

As a result, after NG five or six times, Su Han realized that this was actually a non-physical performance, and his acting skills were really not good.

Even if he took advantage of the ten minutes of rest, he used Goldfinger to immerse himself in the role of the original Sedum, and tried to restore it one-to-one, but it still did not satisfy Takashima.

Su Han's heart was cold, knowing that he had finally encountered this situation.

It's not that the original version is the best, after all, Su Han himself told Takashima in advance that he would strive for perfection, so that the final result could be as perfect as possible.

The higher the goal, the higher the ceiling.

So the acting skills were not enough to meet the requirements, Su Han had been prepared for a long time, but when he really met it, he still felt a little headache.

And Su Han himself is not a director, so he really can't completely get the point of Takashima, and after discussing with Lin Ji, a student child star of the film academy, the latter can't do anything.

In this case, sometimes it is a matter of luck, and it may be a certain angle and an action, and the final effect is just enough to satisfy the director.

In the end, Su Han, who did not have any professional knowledge in directing, decided to make a ruthless move.

At this moment, Takashima couldn't help it.

"I said Su Han, don't be too anxious, even if you can't finish filming today, it's okay, we're not in a hurry to broadcast, the contract with the TV station is still long, it's a big deal, I'll brag about it myself and lose face......"

"Lao Gao, it's not this problem, but if you can't shoot well today, there is a high probability that you won't shoot well tomorrow, so you have to find a solution."

"So your solution is to just hang you up? At least Wia should be ready, right? ”

At this time, Su Hanren was in mid-air, stepping on the shelf composed of temporary welding of steel pipes, which was prepared for some flying scenes.

And Takashima hugged one of Su Han's calves at this time, and didn't let Su Han climb up the elevated road.

Because Su Han's method was so terrifying, he had no protection on his body, so he stepped directly on the magic sword.

The only parts that can be grasped by hand are the slender special steel wires fixed at the two ends of the magic sword, and the only external protection is the thick green pad below.

In order to be able to create real fear, the height of Su Han and the magic sword was kept at four meters, which was much higher than the floor height of ordinary buildings, and completely exceeded the height of normal people jumping down.

In this case, human beings will subconsciously feel nervous and dangerous.

That's what Su Han wants.

Theoretically speaking, even if Su Han jumps headfirst on the mat at this height, there will be no danger to his life, but his brain will still be subconsciously nervous.

This time, Su Han trembled and stepped on the magic sword, and finally had the feeling of a novice flying sword on the road.

If it weren't for the fact that these swords were all made of real materials, it is estimated that they would have to be broken now.

And Takashima spoke much softer this time, and he really didn't dare to yell, for fear that his boss would be excited and fall down with a bang.