There are too few clues, so it's really a bit of a bully to the audience.

It's the same as writing reasoning, giving no clues, and when the mystery is finally solved, a bunch of detailed clues and evidence that have not appeared in the reader's perspective are suddenly pulled out.

It's all cleverness.

The hard-core reasoning is written, that is, the clues known by the author and the reader are exactly the same, and it depends on whether the reader can deduce the mystery of the case before the author finishes writing.

This is equivalent to the author and the reader starting a race on the same starting line.

Judging from Su Han's own reading experience, various types of reasoning in different styles can be roughly divided into the number of clues provided by the author.

Now that there are more tricks, the author will be like a magician, deliberately confusing the line of sight, the truth of the clue is false and false, or diverting the reader's attention, and the actual clue is hidden in another corner of the detail.

It can even add a trajectory to the narrative to mislead the reader's thinking.

In short, the more clues there are, the more difficult it is to write, so there are clever people who simply don't give readers clues.

Su Han himself was also tricked, and in the end, when he saw the character solve the mystery, he had only one word in his heart.

What's that?

That's it?!!

That feeling, it's like a little kid asking you when one plus one equals three, and you meditate for a long time, but the kid came to say, of course, it's only when you miscalculate that it's equal to three!

That's when you're definitely going to want to give him a big mouth of love.

knew very well how unpleasant anger this kind of unskilled play would cause, so Su Han didn't want to be too subtle when adding foreshadowing to the script.

The final effect is probably a glowing Su Han, appearing in front of Su Han, who plays Sedum.

From their height, to their voices, to their connections, they will fall asleep, and these clues are enough to make some brain-opening viewers think of something.

The filming of this section is particularly smooth, although it is a non-physical performance, but after all, there is no need to make contact.

To put it simply, Su Han only needs to look around, showing shock, panic, and puzzlement, and that's it.

And the most troublesome non-physical performance, for example, allows you to perform a kiss scene alone, and it is the air in front of you that plays against you.

This difficulty is absolutely amazing, even if you let go of the embarrassment, but hugging, kissing, touching, these actions are difficult to perform realistically without physical objects.

Generally speaking, it is more common to lift a barbell weighing a few pounds, but to pretend that the barbell is at least 200 pounds.

If there is no physical kiss scene...... I'm afraid it will only appear in comedy, not for the sake of truth, but to create laughter.

After solving this part of General Feipeng's consciousness reminder, Su Han felt that he was in a good state and decided to continue shooting.

First, instead of standing on the high platform, he sat on the ground and lay on the ground, showing the panic of Sedum, but in fact, the physical and mental consumption was not large.

In addition, this section was originally played by Su Han alone, and everyone was resting on the sidelines, waiting for their own scenes, so Su Han didn't feel tired himself, so he naturally continued filming immediately.

This time, it was Sedum played by Su Han, who finally reacted, and subconsciously stretched out his hand to grab the Feipeng consciousness who was glowing all over his body and couldn't see his face clearly.

As a result, he grabbed the air, and the whole person fell forward suddenly, and he woke up in the next second.

And from the perspective of Mao Mao, who has been calling "boss" and "boss" on the side of the bed, it is that Sedum suddenly twitched all over his body, and the whole person jumped up as soon as he brushed it, and he was startled.

And Su Han, who woke up from the hellish dream, also showed a frightened look, the two stared at each other, at this time, the picture was like a painting, the paper was torn, and a magic sword circled and nailed to the painting.

The opening song is seamless.

Because the opening and ending credits have been made, Takashima and Su Han can know how to shoot this part of the episode.

And like the previous Edgeworth Flight and Hell Dream, these need to be special effects in the later stage to know the effect, so Su Han and Takashima themselves will have to participate in it themselves.

At Su Han's request, for the introduction of the characters, Su Han retained that game style.

Like a ring mechanism-like character avatar frame, as well as the general detailed character design, you can also mark the spirit, god, and martial arts below.

These details of the original version are naturally intended to be linked to the game, and for game fans, they naturally express the careful thinking and details of the producer.

However, Su Han kept this style just to show the characteristics.

The Xianxia drama in this world line is a popular theme, and there are many good works, Su Han doesn't think that "The Legend of Sword and Fairy III" has any dominating quality.

So in order to stand out, what Su Han can do is his vision and style, and show some details that are different from other Xianxia dramas from the perspective of jumping out of this worldline.

For example, the dialogue between the characters is sometimes quite modern and not too conventional.

Strictly speaking, of course, it is unreasonable, but it will make the audience who have watched too many ancient style Xianxia dramas have a different feeling, and their eyes are bright.

The general style of these games is also that Su Han is ready to let the special effects studio refer to the UI interface of some of the world's popular Xianxia games.

In this way, the audience will feel plausible, familiar and unfamiliar at a glance, so that they will not be incomprehensible, and at the same time, they can understand the meaning of the special effects.

Oh! It turned out to be a character introduction!

It's really rare, it's like playing a game!

This is what Su Han wants.

To coincide, to win.

Zhengqi combined, isn't that going to heaven?!

The first person to use this special effect is naturally the hero of the whole show, Sedum.

After the opening credits, the scene returns to Sedum and Maomao, who are startled by each other, and the two look at each other.

This is where the character introduction begins.

The introduction of Sedum's characters is naturally dubbed by Su Han himself in the later stage.

"Sedum, the sky and the earth are big, and the happiness is the greatest."

"Yongan is a buddy, loves antiques the most, is good at piracy, and dreams of becoming the richest man in Yuzhou."

The character introduction is also quite modern style, such as the word "piracy", which should be used more in ancient times.

But in just two sentences, a "pirated version" will not make the audience play, but will smile and feel the novelty of the crew's design because of the general character introduction style of the game's UI.

After Su Han's Sedum woke up, he was in a slight trance, recalling the hell in the second dream.

At this time, Sedum didn't know that these were real, although he thought it was just a nightmare, but a trance was inevitable.

However, seeing that the younger brother Maomao on the side was confused, and at the same time had a curious and worried look, Su Han immediately returned to his previous state, sat up with a little exaggeratedness, and knocked the bed board.

"Oops! Why are you waking me up!! ”