The familiar environment on campus, the gentle but domineering words of the teacher, and the makeup tables that have been used all make everyone recall the bits and pieces of their college life.

When Mr. Lu was about to finish this hairstyle, he raised his head and looked at Sugisawa Hai and said:

"If you are tired of staying outside, come back to graduate school, and you can recharge your energy and continue to set off."

Sugisawa smiled and nodded.

Teacher Lu continued:

"When I wanted to give you a research institute, you refused, saying that you wanted to experience a few years, and remember to come back if you have almost experienced it. Baoyan definitely can't be guaranteed, but it should be a very simple thing to take the postgraduate examination with your ability, and when you are admitted to the postgraduate examination, I can also give you some things to do in the college, and people are useless when they are old. ”

"Teacher, you are young, where are you old and talking nonsense."

Sugisawa actually had such thoughts before, but since he got the system, he felt that this might become a luxury, and he didn't want his dormitory to become a haunted house after that.

At this time, Sugisawa Hai also began to seriously help his junior brother modify the elderly makeup in front of him.

Teacher Lu admonished the student next to him and said:

"This is the senior brother who learned the most from your teacher and me, take a good look at how people paint, look at your dirty and not garbage, the actor is on the stage with this, you want other actors to laugh."

The student on the side nodded yes.

First of all, Sugisawa strengthened the color of the deep eye sockets of this elderly makeup, and adjusted the overall color to a relatively heavy state, which can well express the sunken characteristics of the elderly face.

Compared with film and television elderly makeup, the elderly makeup of stage makeup actually pays more attention to the fact that many depressions in stage elderly makeup are made by heavy colors to make the visual effect concave, while film and television elderly makeup is more realistic, and sometimes some simple special effects makeup will be used to deal with it, such as using vulcanized latex to deal with facial wrinkles by blowing.

The audience on stage is still far away from the actors, so you need to use a stronger contrast, otherwise the overall effect will actually be weak.

Distance is one point, followed by the lighting effect on the stage is also a very important point, the stage lighting is much stronger than the daily light. The high-intensity and multi-angle lighting on the actor's face is also very makeup-eating, which can easily lead to a situation where makeup is clearly painted but no makeup can be seen.

After dealing with the structural problems, Sugisawa began to adjust the shape of the wrinkles for the actors.

The treatment of wrinkles is also very skillful, Sugisawa can actually deal with these wrinkles by observing the structure of the actor's face, but considering that he needs to teach his junior brother to deal with the drawing of wrinkles, Sugisawa asked the actor to make some expressions according to his requirements.

The first thing to deal with is the crow's feet, Sugisawa asked the actor to open one eye and close the other, and the tail of the entire eye showed the direction of seven or eight crow's feet, Sugisawa said to his junior brother while putting on makeup:

"Human wrinkles are different for everyone, we can't summarize them too routinely, many times we can ask actors to do some specific expressions to find each person's different wrinkle trends."

The junior brother also nodded when he saw Sugisawa's operation, and there was no stupid person who could be admitted to the National Drama University, and he quickly understood the significance of Sugisawa's operation.

Sugisawa saw that his junior brother understood what he meant, so he didn't do any more explanations and directly started the actual operation.

Elderly makeup can be said to be the first makeup learned after entering the makeup class of the National Drama University, and it can effectively help students master some facial structures of the human body.

It is also an important makeup to help students understand the stage, and in many dramas need a lot of elderly makeup, it can be said that Sugisawa painted the most makeup with the group during the entire college period is the elderly makeup, so the drawing of elderly makeup is a makeup that needs to be practiced in class, homework, crew, etc.

After the crow's feet at the corners of the eyes are treated, Sugisawa chooses to deal with the wrinkles on the brow, which are also called Sichuan lines. Many times the elderly need to squeeze their eyes to be able to see something clearly, and all the inevitable Sichuan lines will also be formed, which also leads to a very important reason why many elderly people are obviously very kind but will look very serious after relaxing their faces.

Sugisawa will make the actor frown when dealing with the Sichuan character pattern, so that the Sichuan character pattern that is most suitable for him will also be presented, but many people's Sichuan character pattern is actually asymmetrical, and at this time, it is necessary to slightly adjust the arrangement of the Sichuan character pattern, otherwise it will look very strange.

The drawing of the Sichuan character pattern will also vary according to the character of the character, and serious characters tend to deepen the effect of the Sichuan character pattern when dealing with them, but they often do not do too much for the kind characters.

Sugisawa looked at the character design drawing, and the design image in the character design drawing was not too serious, so he opened his mouth and asked what the character image of the junior brother in front of him was like:

"Senior brother, do you know the overall character setting of this character? What kind of personality is he? ”

The junior brother said hesitantly:

"Senior brother, I don't know, I didn't read the script, my sister gave us the design drawings and I used them directly. I didn't pay attention to the details of the character setting. ”

Sugisawa was actually a little angry when he heard such an answer, but he still chose not to lose his temper, maybe for those students who were new to him, he didn't know the importance of the script, and said:

"The script is a key to your creation, the script is very important, if you don't understand the script, your character makeup can be said to be half of the failure, and different characters will have different ways of presentation."

At this time, the actor spoke:

"Senior brother, our play is the musical "Home", and the character played by us is a feudal and autocratic parent, so it should belong to that kind of very serious character. It's very traditional and feudal. ”

Sugisawa nodded, he knew that the musical "Home", this musical is also a musical produced and designed by the academy itself, and it has a good inheritance significance.

At this time, Sugisawa chose a heavier Sichuan character pattern to present such a character, and the image of the ancient feudal autocratic parents is very stereotyped, and the overall shape is not smiling.