The blue ball opened a beauty egg, and Sugisawa felt it, and it really felt very good. I don't know what the effect will be after it really gets on the face, but finally a real thing has appeared.

Next is the much-anticipated golden ball, the texture of the golden ball is like it is made of real gold, and Sugisawa didn't expect to be able to pull out the golden ball today.

Sugisawa opened the golden ball, and as soon as the golden ball was opened, it became a mask, and Sugisawa didn't know what this noodle was for, so Sugisawa opened his mouth and asked the system:

"What's the use of this system, let me go to the masquerade ball, and get a mask out?"

The system answers:

"Ignorant humans, I'll be merciful to tell you, this mask is called a mask, this is a golden equipment, you can directly put the mask on your own face, and then go to complete the special effects makeup, basically you can do the same when you were in the other world, others can't find out your true identity, and the voice you make is also processed by the mask."

Sugisawa nodded thoughtfully, but at present, this thing doesn't have much effect on him, this thing is really good, but Sugisawa doesn't have such a need at the moment, so he left this mask in the system space, and only brought out the beauty egg that appeared in the green ball.

I felt the beauty egg in reality.,It's true that the feel is exactly the same as what you feel in the system space.,Although this beauty egg is just a blue item, Sugisawa still likes it.。

After a series of lotteries, Sugisawa once again opened his system panel:

"Host Panel:

Name: Umio Sugisawa is 23 years old

Profession: Yin-Yang Mask Painter

Store name: Zehai Makeup Studio

Grade: Beginner

Skills: Painting Makeup, Life Simulation Makeup, Special Effect Makeup, Hades Basic Makeup,

Special Skill: Primary Soul Reduction Technique

Credit score: 12

Combat effectiveness: 25

Stamina: 31

Stamina: 30

Perception: 11.5

Obsession Energy: 280

Special Makeup Tools: None

Items: Peel Card ×3 of your choice, Special Effect Makeup Material Pack, Judge's Pen, Seal of the Void (Residual Seal), Mask

Overall Rating: Average. ”

Seeing that the system didn't include its own beauty eggs but included masks, Sugisawa also roughly figured out the rules for the system to include in his own panel, not all items are worthy of being included, and they need to reach a certain level. Most likely, items that are red or purple or even gold will be included.

Sugisawa didn't think about it so much, he was scared from his bed, and after washing up a little, he went down to have breakfast, and after the work they did recently, there was basically nothing to do, and Sugisawa still maintained a habit of getting up early but was not as hurried as before.

He is now immersed in the construction of the scene every day to learn some things that he did not learn in school before, although they also have a general course on stage design, but he still has a lot of practical things that he has not learned, and he just took this opportunity to learn the knowledge of stage design.

There are still many differences between practice and theoretical operation, which is also an important reason why teachers in the university will encourage everyone to go to the drama more, in the process of following the drama, everyone is constantly enriching their skills and improving their theoretical knowledge, which is of great help to everyone, especially for students in film and television colleges.

Sugisawa went to the stage art group with just a learning attitude, and the stage art group also welcomed Sugisawa very much, after all, Sugisawa and Director Zhang had a good relationship, and even the casting work was directly handed over to Sugisawa Hai.

After breakfast, Sugisawa went directly to an area inside Hengdian, and the scenery workers had already started their construction work according to the design drawings, and what was currently being built was the scene where the refugees lived, and the scene of the modern city may not need to be rebuilt, but a suitable scene can be used with a little transformation.

I heard that they have already surveyed a scene and are also renovating at the same time, so it should not be long before it will be completed, and it will be much faster over there.

Everyone was not surprised to see Sugisawa Hai's arrival, and they all greeted Sugisawa warmly.

The person in charge of the stage scene also jokingly said when Zhang Liang saw Sugisawa Hai coming:

"The modeling teacher is not planning to leave us with food for stage design, when are you going to enter stage design, hahaha. How about I'll give you a hand when you're done with the stage? ”

Sugisawa Kai also replied:

"Don't joke about the stage teacher, I'm here to learn and learn, I want to grow from different dimensions, just don't dislike me and get in the way."

Zhang Liang also said with a smile:

"Okay, then you can watch first, I'm still a little busy, so I won't accompany you."

Zhang Liang is a middle-aged man in his 40s, and he is also one of the top stage designers in China, Sugisawa can indeed learn a lot from him, and this is a very funny person, he will not feel like a shelf when dealing with him, but he is very approachable, but he is a meticulous person in his professional field, Sugisawa still respects this stage predecessor very much, and he will ask Zhang Liang for some opinions on character modeling before, and Zhang Liang will also provide him with some good advice.

It can be said that Zhang Liang is the existence of Sugisawa Hai's teacher and friend, it is worth mentioning that Zhang Liang also graduated from the National Drama University, and can be regarded as Sugisawa's senior brother, Sugisawa sometimes calls him Senior Brother Zhang.

Sugisawa Hai's design on the stage is not just about the stage, sometimes he will adjust his character modeling according to the stage design, because only in this way can he ensure that his design will not wander away from the stage, and this design will also make the reader have a stronger sense of substitution.

Take the soil and sand on the ground as an example, the stains that Sugisawa chose before were all yellow mud textures. However, after inspecting the stage art, in fact, the soil on the ground is biased towards red clay, and he has made certain modifications to these contents to ensure that there will not be any sense of disobedience.

Sugisawa looked at the scene design, and from time to time took out his own small notebook to make some records, looking like a little scholar. Sugisawa believes that this is the only way to ensure that he does not miss every small detail.