I'm signing!

I'm signing!

I'm signing!

As a person who often has a brainstorm but is enthusiastic about writing a pen, it will become unfortunate to read an article to people, and after reading it, people can realize that it is a desperate illiterate person who has choked back the third-level waste...... Thank you from the bottom of my heart, I think I can still save (hands folded).

To be honest, I don't know anything, even playing games and tidying up.

I really didn't think much about it. When it comes to things like pen names, I often have a flash of inspiration: Oh! This word means very good, so it's better to call it this. Accidentally turned to the original meaning of the word "Lang" from the book, as "a beautiful stone like jade or a blue coral", I felt very like, and wanted to save trouble, so I added my surname, followed by a "zhi" word, forming the pen name used now.

Don't say it, it's pretty good, and it's easy to write (this guy is boasting).

As a bastard who has been in the literary circle for nearly ten years, I really have no bright spots. I am used to hearing examples of who in the circle are young and promising, and there is no shortage of Xiao who thought about becoming famous and among them when he was young. But as I get older, I gradually passed the stage of the so-called "becoming famous at a young age", and a restless heart seemed to calm down all of a sudden. I don't agree with it when it comes to "ambition and daily dissipation", (everyone wants to be famous at a young age, and I am no exception, and I don't say that it is not good to be famous at a young age) The joy of being young and promising, but putting aside the shackles of using age to define success, I slowly realized that I was not so eager to prove something, just to write something that could make me feel "yes, that's it" in my heart and deleted and changed, and slowly pondered.

Of course, no matter what the situation is, as long as you come through it step by step, it will be meaningful.

When I was young, I liked to write songs, and I preferred to write about the joys, sorrows, and joys in the background. During this period, I also wrote a lot of novels, short and long novellas, and some little-known tabloids and school essay competitions, all of which I voted for and earned a small thousand yuan, and the income is really not worth mentioning. At that time, it was really carefree, and even the words written were wanton and arrogant, without thinking about work and income, and without having to learn how to deal with human feelings, even if you tried your best to imitate the writing of those famous masters, you can see the innocent youthfulness between the lines.

I remember that one of the earliest signed works (later I went to the editor to terminate the contract for various reasons) The background setting is ancient, it can be said that I was ready to take the road of the ancient power and officialdom type at the beginning, and the writing is also biased towards classical Chinese, and then I even felt very obscure when I read it, which does not conform to the vane of online articles, and the audience is also very narrow. The scary thing is that at that time, I even wanted to write a continuous story line and use several books to open a big world view! The final result, of course, is that I didn't squeeze out a book, because of the distance between the background time and the background time of the story, writing a chapter often requires reading a lot of historical materials, which is too laborious, and my own knowledge reserve is not enough, so it is inevitable that the more I write, the more tired I become, and finally I have to put down my pen.

When I applied for university, I rushed to major in literature with enthusiasm, abandoning all considerations of employment and survival, thinking that I might be attracted by ancient literature in one go, but I didn't expect to be hooked by modern literature halfway. Different from the courtesy, righteousness, loyalty, and honesty of ancient literature, the frenzy of personality emancipation displayed in modern literature shows its charming charm, and the "contention of a hundred schools of thought" in modern literature has deeply attracted me, which has also made my writing shift from the pursuit of classical beauty to the vivid text pouring out of modern style.

The professor said that when the text is written, unless it is just a lonely self-appreciation, it should be understood by the reader, and the reader should have a feeling of riding the smooth flow after reading it. If you're presenting the reader with something obscure and full of chapters, then I don't think you're trying to show off anything other than show off.

After listening to the lecture, I immediately turned out the thick stack of manuscripts that I had written before and read them—I had regarded them as treasures, but after a while I had not seen them, and in the strangeness of the strangeness, I could not read them at all, so I had to admit that I was indeed full of flaunting skills, and then angrily threw away all the manuscripts in my hand, and began to conceive the novel "Embers of the Sun".

To tell the truth, before completing the final 30,000 words, I repeatedly deleted and revised more than 70,000 words, and finally submitted the results of this year - the first ten chapters - to the editor-in-charge.

When I wrote this, I am very grateful to my college classmates and some friends. Thank them for taking the trouble to read the first, second and third drafts I sent them...... As well as the guidance given to me in some professional fields (such as the section on the dissection of experimental rabbits, I have tried to restore the part I understand, if the professionals see it or find the problem, I will say sorry to you first!). Then welcome to catch insects wow). When I send my contract, I often feel anxious: when will it arrive? Will you call me back when it arrives? I often pull my friends to give me advice, I don't know if my friends will be annoying, haha.

When I was writing the setting, I was always afraid that there would be inconsistencies and conflicts, and I was also entangled, at what stage did Jiang Yan start writing? The first draft was written from the part where he worked with Jiushan Ming, and he planned to look back on Jiang Yan's youth later, but the tension was not enough, and he was quickly rejected by his friends, so after a transition period of two versions, it was finally decided to start writing from the part where Jiang Yan was discovered, and the part that hid in Tibet in the front was deleted and no longer narrated.

My best friend said that you designed the role of Jiang Yan like this, which is not pleasing, and you can't let people experience the vigorous pleasure from this role. I said that's what I wanted, I don't like to be born flawless, I like to see how an imperfect (or even flawed in some way) person can be pulled by two sides of the mind, and finally "smash that airtight iron house", walk out on his own, and become an imperfect person who can stand on his own.

Of course, it's not easy to write, and it's easy to collapse, which is a huge challenge for me (wry smile).

I hope I can gradually improve, in short, I am very happy to sign a contract, a new starting point, Chong Duck!

………

…

So let's reveal some of the novel's text settings today.

Worldview

Postmodern.

- Believers in foreign gods and believers in local gods coexist.

Human beings are severely deprived of energy and have to rely on extreme means to make ends meet.

Monopoly families have more resources and have different beliefs.

- The family cultivates new humans based on the two camps of "controlling the outer gods" and "creating new gods".

New humans can use commands, which come from the gods they believe in.

- Some thermal weapons can deal a certain amount of damage to new humans and gods of faith.

In addition to the controlled new humans, there are still some new humans of unknown origin who are in opposition to the government.

- If a new human is judged to be "defective", it will be destroyed at the age of eighteen.

Background of power

*All the countries, forces, and families in this setting are all fictional! There is no element of reality.

In 1970, countries around the world set up non-public organizations to contain "extraordinary" human beings in their countries, and jointly signed relevant regulations to never put these human beings into military warfare first.

In 2006, the news of the Mayan prediction that 2012 was the end of the world spread all over the Internet, and some countries began to realize the lack of energy and means to deal with non-human disasters. In the same year, a joint review meeting was established around the world to manage the new humans, and the institutions for the reception of the new humans were officially put into operation as a private national organization. The power of all kinds of old and new clans began to expand rapidly from this time.

In 2012, the world crisis did not come, but human energy consumption increased exponentially like uncontrollably, and finally in 2050, human resources were declared endangered, natural disasters and man-made violence occurred frequently, and human beings made changes urgently. At this time, the joint review committee controlled by the monopoly family opened the [Millennium God Creation Plan] under the guise of "transforming the living environment of human beings".

There are two voices in the judging meeting, one is to create gods, and the other is to find a container for the gods of known belief to awaken. However, because the existing new human resources could not reach the level of this disagreement, the monopoly families, with the Jiushan family and the family that believed in the alien god Udeshido as the core, temporarily united with each other to jointly cultivate purer and more gifted new humans. A complete set of grading standards was implemented in the same year, dividing the level of new humans into two flowers to ten flowers, and ten flowers are [gods].

Belief in God setting

[Nine Mountains God] includes but is not limited to the Nine Mountains and Nine Ze gods, which are the gods of "all things", and have the will to believe in the entity, which is passed down by people. The supreme god of the Nine Mountains possesses all the powers that are attributed to the "gods of all things" and is considered to be the king of all gods in the world. This type of god is called "native god" because of its traceability.

[Udhido] foreign gods, who have no physical will to rely on in the homeland, have gradually grown from a certain family force that was influenced when they landed, and the text cannot be examined, only because the pronunciation of their name is suspected to be "Udeshido" and transliterated here. According to the statements of its followers, it can be roughly assumed that it is the sun god of other civilizations, but it seems to be far from this image.

The prophet is not a god, has no Godhead, and does not need the connection of man's faith and will. A "prophet" can be any native material, such as a compass, a parrot, or a flower. The higher the intelligence, the rarer it is to have a "soothsayer". The more intelligent the "prophet" is, the more accurate the prediction of things, and the more detailed the prediction of major events, but the degree of the prediction object will bring different levels of trauma to the "prophet" itself, and in severe cases, it can be killed. Because of their particularity, "prophets" have always been the object of enslavement by various forces.

These are some of the settings that can be made public. I hope you can read more of my books, ask for collections, ask for recommendations, and ask for monthly passes...... (Broken thoughts)

Ah, by the way, at the request of a very good friend of mine, every day I will share some more sunny and fragmented things in the author's words, in essence, I hope that the friends who see it can get a good mood from it, and then sincerely wish everyone a happy morning, noon, and night!

Here Zhou Langzhi, a lot of advice!