The original intention of writing this book is still in the introduction, that is, I want to write infinite flow, Demon Slayer and Hokage correspond to a wolf, Metal Alchemy corresponds to blood curse, Soul series corresponds to Sword Wind, and finally Elden Law Ring out of the game.

What I didn't expect was that a million words were written for a ghost slayer story alone. I basically let the story flow on its own like spilled water, and I didn't follow the outline at all, so this happened.

For example, the original design was to make Genichiro turn into a resentful ghost, have a terrifying battle between giant beasts with Eldridge, and then let the human memory awaken the Nest Seat sacrifice himself, use the immortal slash to open the gate of the Yellow Springs, and then let the Immortal River tearfully use the storm to restrain the two giant beasts into the Yellow Springs seal together.

In this way, the protagonist's sacrifice will be more shocking, and it also maintains the character that he doesn't care about being a person from the beginning, and at the same time contrasts with the past view that he only cares about the name of the reed and doesn't care about the world.

Only, on the one hand. I know that I can't write that kind of epic with my pen, and I will write a wonderful plot into an expository essay, and on the other hand, I can't bear to write Ichiro to death.

In short, the more you write to the end, the more tangled it becomes.

So the next book, I'd rather it be an artificial canal that flows according to the arrangement.

In this book, Genichiro is only twelve years old until the end of the story, and he embarks on the road of hunting the two princes, in order to correspond to the age of Naruto Uzumaki's shinobi exam on the Hokage's side.

But because the book has few readers, and the guarantee for signing a contract was gone two months ago, there is no incentive to write any more, especially when a new story has already taken shape.

So, end a story when it's finished.

To sum it up.

This book actually exposed a lot of problems for me, such as I didn't know what readers really wanted to read.

As an author, I just want to hold back the plot that no one else has written, or the plot that is not in the original book.

It wasn't until later that an old reader in the group (now there are only 16 people) said that the same people are actually just to see two contents, which are to make up for the regrets of the original work and the reproduction of famous scenes-because readers actually want to see those familiar characters and stories in the work.,So most of the same people will follow the group oil plot.,And the protagonist pretends to be forced at the right time.,You will write good results.。

But if you flip through the rankings, you'll know,The top ones,Write new content.,But like me.,If you don't write new content well.,It's going to fall into a situation where no one reads it.,It's better to follow the plot to death......

So the reason is still those words - the plot is not cool enough, the villain is not hateful enough, and the victim is not pitiful enough to mobilize the reader's emotions.

Therefore, it is not enough to write a book with ideas.

The reason why those tricks that others write badly attract readers is because the routines are sufficient, but I wrote two million words and don't know anything about it.

My foreshadowing is only the foreshadowing of the brain, not the foreshadowing of emotions, which is easy to fail to retain readers.

So in the next period of time, I plan to learn the routines first, and learn how to construct a writing structure that can arouse the reader's emotions. I planted the old tree first, and then filled in my unique leaves.

Regarding the new book, I have two book ideas here.

One is the Sword Wind * Old Man Ring, but considering the scope of the Sword Wind audience and the old man Ring's world view is not clear, I decided to wait for a wave of environmental experts to analyze it first.

The second book is a semi-original Western fantasy world, and the protagonist is a good person with normal three views, but there is a system that forces him to do all kinds of bad things. Once he doesn't do bad things, the system takes the place of body control and kills and even destroys the world, so he has to play a lonely villain who everyone hates, powerful, but no one can really understand. But in order for the world to function properly, he must be the most evil being, and the only evil being in the end.

In short, the current assumption is that the new book will be released as early as next month, and I hope that readers will make some suggestions.

Finally, I would like to thank all the readers who have accompanied this book to the end, without your support and encouragement, I stopped writing two months ago, and the story of Genichiro will not be finished.

I hope that each of us can start and finish and make progress every day.

Thanks again!! Go read a book