There is no time in Zixiao Palace.

Separated from the hustle and bustle of the desolate world, the outer heavens are lonely in chaos, full of a different kind of peace and tranquility......

Yang Mei is writing hard, and he wants to record the experiences of all the listeners during the three lectures of Zixiao.

Although Yang Mei's "way of history" has been replaced by a "way of calligraphy" on top of it, he still likes to write history, which is one of the great joys of his life.

And Bai Ze is not only helping Yang Mei write a book, but also writing a history book:

Different from Yang Mei's "biography" history book, which focuses on the major events of historical figures, Bai Ze inherited Yang Mei, but innovated.

Bai Ze's history books do not overlap with Yang Mei, he chooses the "chronicle" history books, as we all know, the "chronicle" is a history book written in the order of writing the year, and its content can be detailed or omitted, and the general format is:

[Spring of the first year, Wang Zhengyue ......] ("Spring and Autumn")

For example, in Confucius's chronicle "Spring and Autumn Period", the year is written first, and then the events done by the monarchs and courtiers of each country are written after the year.

When the events of the various countries of the year are written, they are mentioned to write down the events of the year, and in this way, writing year by year, is called "chronicle".

Confucius may have been afraid of trouble, or he may have considered his limited lifespan, afraid that he would not be able to finish the writing, and because of some political reasons, "Spring and Autumn" was written very briefly.

Often a particularly big thing, "Spring and Autumn" only uses a few words and a sentence to summarize, so that readers may feel that it is not important after reading it, and skip it directly.

This is the typical "Spring and Autumn Brushwork", that is, the source of the term "Spring and Autumn Brushwork......

But Bai Ze is not an old master of Kong, he is not afraid of old age and death, nor is he afraid of persecution in the heavenly court, and the whole person is a rotten person who is so idle!

Bai Ze wrote the "chronicle" history book, he was afraid that the writing would not be detailed enough, and he used a lot of pen and ink, and he could write hundreds of pages in a year, and the people who kept the readers did not want to read it when they saw it......

He took the Emperor Jun Heavenly Court's sacrifice to heaven as the beginning of the history book, called "the first year of Emperor Jun"!

And a Yuan Hui is 129,600 years, and Bai Ze is not afraid to write it at all.

Anyway, being idle is idle, it's better to write history books, and the teachers and students around you are writing, so it's a waste of time......

Because Yang Mei's general history of "Ji Biography" is called "The Flood Calendar", Bai Ze also followed the teacher's name and named his history book "The New Calendar of the Flood Wilderness".

The teachers and students complement each other, and it is a "General History of the Flood and Famine"!

Compared with Bai Ze, Styx's painting style is a little wrong.

Styx also wrote books, but what he wrote was neither a "chronicle" nor a "chronicle", and even what he wrote was not a history book at all.

Styx is not very interested in history, he is interested in the future!

As an old otaku with social fear, although Styx has been in the sea of blood all the year round and does not go out, he has a lot of fantasies about the desolate world:

In his fantasy, the flood is full of mystery and unknown, and he is afraid of being killed in the flood, so he has great fear of the flood and all things, thinking that the flood is full of indescribable despair and danger!

Although after Yang Mei's psychological counseling, Styx's psychology has been much soothed, but the despair and danger of the unknown world have become a complex that he can't abandon.

This is reflected in the future vision of the River Styx, which has become a huge selling point.

What Styx writes is "futuristic science fiction...... No, it should be "future fantasy", "future fantasy", and the genre is not a history book, because it is too exaggerated and inconsistent with the facts, and there are too many fantasy elements, making it look like it.

Here is an excerpt from what he wrote:

【…… A series of kaleidoscopic visions appeared before Styx's eyes, and he remembered the ultimate chaos mentioned in ancient legends—in the center of that chaos sprung the god Pangea, who was loosely surrounded by twelve dancers of different shapes and minds. 】

[One is called Dijiang, its body is like a big red and yellow bag, the other is called Candle Jiuyin, its eyes are the sun and the moon, the eyes are day, and the eyes are night...... Among them, the dancer named Houtu looks the most terrifying. 】

[Houtu has the head and torso of a beautiful woman, but under his body there is the tail of a twisted and ugly slippery snake, and on his back grows seven twisted human hands, and on his chest there are also two human hands, each holding a vicious serpent...... Plunging everyone into fear and madness! 】

[––"The Book of Ancestral Witches"】

Houtu: ......

What nonsense?

Houtu originally wanted to theorize with Styx and ask him not to scribble, but looking at Styx's state at this time, she was silent again:

Styx's eyes widened, his face frantically distorted, and he was still screaming hoarsely and strangely.

He sat trembling on a futon in the corner, his notebook clutched tightly in his left hand, but his right hand was eerily steady, and he quickly wrote distorted words on the pages that only he could understand......

Houtu: ......

Forget it, I can't reason with a mentally ill person.

"Alas......"

Houtu sighed, first put down the horror fairy fantasy created by Styx in his hand, and picked up a book of romance made by the jade girl, thinking that the girl's words should be biased towards tenderness, so he read it with interest:

【…… Golden Boy: Yes, you are ruthless, you are cruel, you are vexatious!

Jade Girl: Then you are not ruthless!? Not cruel!? Not vexatious!?

Golden Boy: Where am I ruthless!? Where is the cruelty!? Where is the vexatiousness!?

Girl: Where are you not ruthless!? Where is not cruel!? Where is it not unreasonable......]

Houtu: ......

It must be the wrong way I opened it! Well, turn a few dozen pages and read again:

【…… Golden Boy: You can't be more than me, because I'm full!

Jade Girl: If you're full, then I'll be out! 】

Houtu: ......

Isn't there a normal reading book in this Zixiao Palace?

……

Compared with Styx Houtu and others, Hongjun's painting style is much more normal:

Hongjun sat upright on the stage and slowly explained some truths......

Hongjun, who has always taught on an equal footing, does not open a small stove for students in Xianwen, what he is explaining at this time is the precautions about the unity of the three corpses, and the direction of cultivation after achieving the mixed element.

These things did not affect the progress of the students' cultivation, they were just some Hongjun's experience in breaking through the path of mixed elements, and they were not knowledge.

However, for Zhen Yuanzi and Taiqing, the two students who were about to break through the Mixed Yuan Daluo Golden Immortal, these insignificant experiences could allow them to understand this mysterious realm before breaking through......

That's right, Zhen Yuanzi and Taiqing are about to break through the mixed yuan, not only did Zhen Yuanzi hide his clumsiness, but Taiqing also hid his skills quietly!

After all, Taiqing is one of the first creatures of the Open Heaven, and although he is similar to his two younger brothers in terms of qualifications, his understanding is relatively high.

And perennial participation in the "Qingjing Sutra", invisibly also improved part of the understanding, learning the nine thousand immortal texts, but it is not as difficult as imagined.

But the reason for Taiqing's clumsiness is different from Zhen Yuanzi, Zhen Yuanzi hates others to watch and show goodwill, but Taiqing is because he is influenced by the "Qingjing Sutra" and simply does not like to be in the limelight.

It's just that when he saw that his master had opened a small stove for others, and Zhen Yuanzi had already shown that he had also broken through the Nine Thousand Immortal Texts, it was pointless to hide it again.

So Taiqing immediately told the master that he was about to break through!

When Hongjun heard this, he didn't feel it:

Still hiding ...... I knew that you two had learned, what else did I send Hongmeng purple gas......

However, since the hair has been sent, it is not easy to catch it back now, Hongjun generously forgave the two for their deception, and also explained some common sense about the mixed yuan for the two, which led to this sermon:

Taiqing is on the left, Zhenyuan is on the right, and listens to Hongjun's teachings quietly.

Behind the two, Xihe, who was homeless and could only live in the school, was also listening to Hongjun's sermon with curiosity on his face......

But Xihe hadn't learned the Nine Thousand Immortal Texts, and he listened to them in vain, so he shifted his attention soon after:

"What are you writing about?"

Beside her, the two little Taoist boys, the golden boy and the jade girl, were excitedly creating.

"We?"

The golden boy raised his head, and saw that Xihe was very curious, so he casually handed her a jade slip, and said mysteriously:

"The good stuff I just wrote, you will know it when you read it......"

……