In fact, there has always been a dispute between technique and charm in the calligraphy and painting world. To evaluate the level of a painting and calligraphy work, whether to pay attention to its technique or pursue its charm. As a layman, I naturally understand the truth of "having both gods and forms", but the authorities are fascinated, and it is often difficult for calligraphers or painters to get rid of this shackle in the creative process. Ignoring the technique will also go to the extreme, and it will be difficult to truly express the charm of calligraphy and painting art, and it will become a "whimsical" performance or even a show.

Therefore, there is nothing wrong with appreciating calligraphy and painting from this point of view. In particular, for paintings based on texts, such as Luo Shen Futu, the painter must have mobilized his own imagination and the characteristics of the painting itself on the basis of being faithful to the original work. The visual and auditory effects of text input may also be achieved through the arrangement of colors and spaces, but the psychological changes of Luo Shen cannot be expressed in words, and can only be expressed through the delicate portrayal of a series of actions of the goddess, showing her inner love, contradictions, melancholy and pain.

For example, when Luo Shen "leans and imitates wandering", it is "the divine light is clutched, and the yin and yang are at first glance", and he shrugs his body lightly for a while, as if he wants to fly but does not get up; After a while, it passed through the pepper coating and thin, attracting bursts of rich aroma; After a while, there was a long roar, and the voice echoed with a deep lovesick sorrow. In particular, "the body is fast and flying ghosts, and they are like gods." Ling Bo microstepped, Luo socks dust. Impermanence is the rule, if the danger is safe. In the difficult period, if you go back", it pushed this dance drama to a climax, and the psychological contradictions and emotional waves of the characters were fully expressed here. When the lament of Luo Shen summoned the gods, they were carefree "or play Qingliu, or soar to the gods, or pick pearls, or pick green feathers", although she was accompanied by the two concubines of Nanxiang and the Hanbin Wandering Girl, but still couldn't help but "sigh the incomparable abalone melon, sing the solitude of the morning glory", standing there distracted. In an instant, she was like a swift water bird, wandering and drifting on the vast water, and her whereabouts were uncertain. Only the longing, affectionate gaze, and the lip kiss that wants to stop talking, seem to be pouring out the infinite attachment and grievances in Cao Zhi's heart. Just when the author and Luo Shen were relatively speechless and attached to each other, the moment of parting finally came. In the sound of the drums of Feng Yi and Nuwa, the cloud car driven by the six dragons carried Bifei, and under the escort of the whale and the alien fish wing, it began to set off. The beautiful Luo Shen sat in the car that was gradually moving away, and kept turning her head, and her slightly opened red lips seemed to be telling Cao Zhi about her heart. "The eternal mourning of the good will be forever, and the mourning will be in a different land", a deep grievance shrouds this mythical picture. After stating the "outline of the handover" of "hating people and gods, and resenting the prime of life", Luo Shen also swore that "although he is hidden in Taiyin, he has long placed his heart on the king." In the end, the gorgeous image of Roselle finally disappeared into the vast twilight, but the author was still standing at the water's edge, looking at the direction of Roselle's passing melancholy, and the sudden loss of expression was unobstructed in the picture, which made the viewer also have a kind of lonely emotional resonance. He drove a light boat up the river, hoping to see the shadow of the goddess again. However, the smoke and waves are faint and the long night makes him feel more affectionate and thoughtful. After dawn, the author had to "return to the east road", but he still "took the rhetoric to resist, and he couldn't go".

Cao Zhi was pleasantly surprised when he first saw Luoshen, but he couldn't believe his eyes, and subconsciously gently grabbed the attendant with both hands as if he was eagerly asking, "Do you have anything to do with him?" Who is he, if this is beautiful! ”。 At this time, the "god" is not only in the eyes but also in the arm gently waved inadvertently, calmly, this is the natural expression of feelings, not at all pretentious, very vivid and very in line with the occasion and mood at the time. The attendants in the back have different expressions regardless of height, shortness, fat and thinness, and the attendants next to him are also nervous and habitually gently holding his arm at the moment when Cao Zhi stretched out his hand, which shows that Gu Kaizhi's depiction of the secondary characters in order to highlight the main and secondary characters is slightly dull compared to the facial expressions of the main characters, but it is by no means vague and sloppy, and every detail strives to achieve both form and spirit, so as to perfectly show the positioning of the different identities and different positions and divisions of labor of each character, which makes people look very cordial. It seems that they can all be integrated into the picture to feel the joys, sorrows and sorrows of different people.

However, since Xu Qian dared to use this "carving insect skill" to fool Kawashima Miri, she must have put in a lot of effort. Kawashima Miri is also a professional archaeology, even if the practical experience is still lacking, but the theoretical literacy must be in place, if you can't come up with some "real talent and real learning", no matter how much you say, it's just polite and polite on the surface.

I think this Kawashima Miri can only believe half of Xu Qian's words. At first, Xu Qian's point of view is not very unique, it can only be said that she told a universal truth very cleverly, which is not too attractive to Kawashima Miri, at least the expectations in her heart are far from reaching, but Xu Qian's strict logic, familiar routines and confident self-confidence deeply attracted Kawashima to continue to listen to her, and always maintained the desire to listen to "real talent and real learning", so that she has trusted half of it. On the surface, the two of them come and go, talk very happily, but they are playful, but they are all superficial conversations, Kawashima is extremely flattering to Xu Qian, Xu Qian also talks very hard, and they see through each other without saying anything, which triggers an "ingenious" balance - the glacier can only see one-eighth of the place, Kawashima will think that Xu Qian is deliberately reserved, and the information that Xu Qian exposed to her will be a hint left to herself: breakthrough.

I have to admit that Xu Qian's psychological warfare is very well played. In doing so, she gave Kawashima a "bait" that she couldn't refuse. Identifying the authenticity of the Roselle map is also very important for Kawashima.

I looked at Kawashima's expression when she was talking to Xu Qian, the politeness and respect on the surface could not completely hide her eager desire in her heart, and what she longed for was the "unique insight" she wanted to see, but this not-so-unique insight that Xu Qian gave her made her confused.

I secretly rejoiced: "Sister Qian really has a set, I guess this Kawashima must be muttering in his heart now, thinking about whether the key to identifying authenticity is the relationship between technique and Shen Yun, is it true that the more complicated the matter, the simpler the reason behind it?" Looks like I'm going to have to add a handful of firewood. ”

"Miss Kawashima, the purpose of our trip is mainly to solve the problem of the authenticity of the Luo Shen Futu, as for how to retrieve it is another matter, although the two things are related, they should not be confused and misplaced." My words made Kawashima Miri's thoughts even more confused, after all, this was another important knot in her heart.

We are in a hurry, and she is more anxious than us.

My remark brought the conversation back to the real point.

Immediately after, Kawashima Miri took out a yellow envelope from the drawer, took out a few photos from it, spread them on the coffee table, and said, "This is the photo that my family has taken for Luo Shen Fu over the years, please take a look at it first." ”

"Oh?" I looked at her curiously, and thought: "It seems that she can't sit still, and she took the initiative to show her hole cards, there is no real work at least a photo, this is also a test of Xu Qian, if Xu Qian still can't say a reason after reading the photo, then Kawashima will naturally not trust us anymore." ”

The six eyes of the three of us converged on the pile of photos, and the sound of breathing became rapid. Luo Shen Futu can be said to be the treasure of the country, and it involves the unsolved case of the five veins decades ago, and no one can deal with it indifferently.

So, I picked up the photos and looked at them carefully, these photos were taken in close-ups of Roselle's pictures, from various angles. The photographs are in black and white and color, and the degree of newness is also different, and it is clear that they were not taken at the same time. The first one has yellowed edges, and a line written in a pen next to it: Showa 7 in Tokyo, 1932 AD.

Judging from these photos, this Roselle Futu can be described as the best. At least compared to the few facsimiles that exist. When the painter paints, he has already finished his work, and once this painting is produced, there is no other thing in the world. Not only is the technique extremely ingenious, it can be said to be ingenious, but the seals of the past dynasties on it alone are enough to make it a priceless treasure.

You must know that the paintings of the Jin Dynasty have been handed down to the present day and are extremely rare, and each one is a treasure. If this Roselle map is true, it will be an extremely shocking thing.

But now is not the time for me to praise, not to mention what the level of the painting of the five veins is, how to deal with the current level is already a headache for me.

Just when I was anxious and didn't know what to do, Xu Qian observed for a while, but said generously, "You see, in the part of "Zijian Chasing God", Cao Zhi's anxious expression, the delicate of the two maids, and the boatman's desperate posture of supporting the boat all strengthened the tension of the picture, and even the two horsemen created at the beginning of the picture are very vivid, one was so frightened by the horse that suddenly rolled on the ground that he dodged to the side, and the movements of his hands and feet to dodge were very coherent; The other watched intently as the horses graze, oblivious to what was happening next to them. The movements of all the characters in the picture are almost repetitive, they are very subtle but extremely real and natural, almost like flesh and blood people standing on the stage and performing a wonderful play, which is exactly what I just said. From this point, it can be seen that the painter created each character after carefully observing the real demeanor and actions of the characters in real life in similar scenes, and also wrote after careful consideration and repeated speculation on the basis of careful study of the original endowment, which has high artistic value. ”

Hearing Xu Qian say this, Kawashima's face couldn't help but change greatly.

When Xu Qian was talking just now, I kept looking at Kawashima's expression, only to see that when she heard Xu Qian tell how beautiful the painting was, she still smiled politely, and nodded frequently when she heard Xu Qian's self-proclaimed opinion hit the nail on the head, but after the last sentence "has high artistic value", her expression froze for a few seconds, as if she was waiting for Xu Qian's next words, but she didn't wait for a long time, Xu Qian's evaluation seemed to have reached "high artistic value" and then came to an abrupt end.

And Kawashima Miri's last expression stayed on disappointment.