Chapter 607: Cultural Communication System (27)
While the TV series of The Legend of the White Snake was on the air, and the Baolian Lantern collected more than one million in three days, the movie of the same name, The Legend of the White Snake, was officially released in major theaters on the first day of the Lunar New Year.
On the first day, it won a good result of more than 100 million at the box office.
Generally speaking, in this year's Chinese New Year file, the Legend of the White Snake is definitely a proper top class, and Ding Yun, the author of the Legend of the White Snake, is naturally well-deserved, the uncrowned king.
Although she can't be said to be a household name at the moment, if she has read the legend of the White Snake, at least seven or eight out of ten can know her, and the remaining two or three can't help it.
After all, not everyone after watching the TV series.
will find out who the author of the TV series is.
Some people don't even know who the protagonist is after watching the TV report, only the name in the play, this kind of thing is normal, and there is no way to force anything.
And this is only one aspect of the impact.
With the popularity of White Snake and the movie winning a billion box office in half a month, many entertainment companies and film and television production companies can't help but focus on Ding Yun's other work "Baolian Lantern", and extend an olive branch, hoping to obtain the film and television production copyright of Baolian Lantern.
Of course, those who have this idea and operation are basically some large companies, and small companies do not dare to hope for the copyright of the Baolian lantern, they mainly focus on the other serialized in the astronomical network.
Since the Legend of the White Snake, one of the works of the Astronomical Network, can be popular, why can't the others be popular?
It can be said that the hit of the White Snake directly opened the road of selling film and television copyrights on the Astronomy Network, except for a small number of works that Ding Yun wanted to keep in his hands and shoot by himself, the rest as long as someone buys it.
At the same time the price is good.
The film and television copyrights were all used by Ding Yun as a middleman, and they were divided into 37 shares with the author, and they were packaged and sold.
The author is seventy percent, and the middleman draws thirty percent.
For a while, all kinds of film and television copyrights that were constantly sold at high prices once again started the fame of the Astronomy Network, and attracted more excellent authors.
Fortunately, she has artificial intelligence assistance.
Otherwise, she wouldn't have time to write anything in class.
The company is too busy.
……
In his sophomore year, Ding Yun released two Baolian lanterns in a row, the first one tells the story of the princess Yaoji and her son Yang Jian splitting the mountain to save her mother, and the latter tells the story of the three virgins Yang Chan and her son Agarwood splitting the mountain to save his mother.
In her junior year, she published a legend of Miaoshan and Cihang Daoren, which can be regarded as explaining all the background of Guanyin's story, including how he changed from Cihangdao to Guanyin Bodhisattva, and how he appeared as a woman.
The legend of Miao Shan is the story of his reincarnation as a girl.
In the first semester of her senior year, she launched Journey to the East, completely filling in the background story of Lu Dongbin and others teaching the Eight Immortals.
In the second semester of his senior year, Journey to the West made his debut.
At this time, the mythological universe can be said to have taken shape, many mythological characters have also been flesh and blood, with a complete life, a complete story, a complete spiritual core, and the most important thing is that when Ding Yun wrote these stories, he has always promoted the corresponding film and television at the same time, so the influence of these works and mythological stories is not only limited to paper.
Instead, it's slowly starting to sink into people's hearts.
For example, there are already people in various places who worship Guanyin, saying that the Bodhisattva of great mercy and compassion is blessed, and there are even some temples where the incense is not very good, and they directly make the statue of Guanyin.
Or sell the picture of Guanyin or something.
In order to increase tourism income, some places are competing to advertise themselves as Erlang's hometown, true and false, false and true, and it is normal to be believed to be true.
There are even people who put some of the stories of folklore that are barely on the side and Ding Yun's far-fetched, but anyway, Ding Yun's purpose has been achieved anyway, she originally wanted these myths to be deeply rooted in the hearts of the people, wouldn't it be better for someone to cooperate at this time?
And with the serialization of Journey to the West, it made havoc in the Heavenly Palace.
Many people can't help but applaud, write book reviews on the spot, and even analyze the author.
[This chapter of Havoc in the Heavenly Palace is really amazing! ]
I've been watching Ding Yun since a long time ago, since the Legend of the White Snake, and I just thought her story was very interesting, and the shemale love was also very interesting, which can be regarded as a kind of breaking the conventions of the world, alternative, gray boy story.
Many later stories seem to be biased towards this kind of core, such as the love of immortals, but I didn't think much about it until I saw the havoc in the Heavenly Palace.
Sun Wukong's golden hoop stick not only broke the sky.
It woke me up too.
The core of Ding Yun's stories has never been love at all, it has always been a rebellion against the world, against authority, against all established rules, and the legend of the White Snake breaks the boundary between humans and demons, which is not a kind of breaking the boundaries of class and prejudice.
The Baolian lantern breaks the boundary of immortals.
The later changes to the rules of heaven are breaking the inherent old society, the inherent old rules and regulations.
This is obviously a cover for the invincibility of true love, writing a story that breaks the conventions of the world, accusing the world of such rules, which is not necessarily right, and shouting out that there is no eternal truth in the world.
There is no immutable way of the world.
Guanyin should be talking about the confluence of Buddhism and Taoism, but I didn't understand the deeper core, the eight immortals crossing the sea in Journey to the East are probably also a metaphor for one, no matter how difficult it is, as long as we work together, even if the difficulties are as vast as the sea, they can be overcome through hard work, and the immortal weapon is probably the reference to human wisdom and technological creation.
All of the above can only be considered metaphors and so on.
And this Journey to the West, this Monkey King, is directly and openly writing about resistance, the emperor takes turns to do it, and this year's visit to my house couldn't be more straightforward.
I just don't know if Sun Wukong has succeeded, and what will happen after success or not, so that he will become the Buddha mentioned in the Baolian Lamp, and it seems to be very good to become a Buddha.
But it shouldn't be as good as the Emperor of Heaven.
Inexplicably, there is always a feeling of being co-opted, which is similar to the feeling of rebellion in ancient times. 】
[I'm sorry, I'm too superficial, I didn't even see such an obvious sense of resistance, but what I want to say is that I am really not optimistic about some of the love mentioned in it, the identity background is not equal, the gap between family backgrounds is too big, and the marriage process is destined to be bumpy.
The reason why Bai Suzhen and Xu Xian's love and marriage process have so many ups and downs is not because the information between the two is not equal, and Bai Suzhen does not understand the situation in the world at all, and does not act according to the rules of the world.
This is actually the disagreement between the three views of the two.
There is a big gap in family background.
That is, they can have a happy ending, if there is such a big gap between the three views of real identity.
It is estimated that there will be a divorce early! 】
……