"It is generally believed that blood contains magical power, and this magic power gives them the corresponding ability, which we call talent magic."

Kassandra's voice rang out in Ricardo's office, with a hint of echo.

They sat opposite each other, with a shivering Norber-Hagrid dragon in the middle, surrounded by all sorts of magical materials.

That's right, under his persuasion, Hagrid finally decided this afternoon to hand over Noble to Ricardo.

"Each magical beast comes with a different talent for magic. The talent of the fire dragon is the breath of the flaming dragon, the talent of the beauty is charm, and the talent of the unicorn is blessing or curse. The Worray family uses the innate magic of various magical animals to research the next level of enchantment. ”

"Our theory of magic patterns may be different from all schools of thought in the world that study magic patterns, based on the characteristics of magical animal blood, combined with a little bit of empirical nature, and finally outline a suitable magic pattern."

Ricardo nodded thoughtfully. In other words, the blood outline method of the Worley family relies more on blood characteristics and self-guidance, plus a little bit of previous experience.

This is a bit out of the sense of bearing materials. Because from beginning to end, the magic is carried by blood, and the paper is just a carrier, does the goldfish care if they live in a glass tank or a plastic tank, or even just a plastic bag?

Moreover, it is also a great way to save mana on the battlefield. The reason why Ricardo wants to make card magic can be created anytime and anywhere is that he is optimistic about its delayed triggering, which can have a surprise effect in terms of burying mines at any time; However, the card needs to be outlined, which is more troublesome than the spell of the spell, and the mana consumption will naturally be larger.

But this blood ...... Are you afraid of bleeding when you fight? With just a bit of blood coming out of his finger cut, he can create at least three cards, each of which is a spell that he can cast when he is at his peak.

It's just that......

"Then why do you study the blood of so many magical beasts?" Ricardo was puzzled, "Isn't human blood enough to deal with it?" ”

"We study in many directions, not just you," the contempt in Kassandra's eyes was not concealed at all, "birds in the sky, beasts on the earth, each being has its own practical direction. And the blood of the fire dragon is exactly what the Worley family needs to make a space-type alchemy weapon. ”

Ricardo was speechless for a moment. He seems to have gotten stupid lately to ask such bizarre questions.

It's not that he specializes in combat power like this, and this kind of pushing himself and others is really ugly.

"Ah...... Ha," he said haha, "I...... I've had a bit of a brain problem lately. ”

Kassandra watched him intently for a long time before turning her gaze to the table.

"Do it yourself." She only said one word.

She picked up a card with its own trait and hooked it with the little finger of her left hand, and Ricardo understood, slicing one of Noble's skin, causing magma-like dragon blood to flow out.

She waved her wand, and the dragon's blood immediately floated out, gathering over the card.

She clicked on a bowl of eight-eyed spider's venom, which floated like dragon's blood, just beneath the card.

"Do you need me to recuse myself?" Ricardo asked, after all, it was the other party's family secret.

Kassandra looked at him with caring eyes, as if to say, write down this technique all at once? Do you deserve it too?

Ricardo stopped talking.

Kassandra looked intently at the cards in front of her, breathing slowly and with a solemn countenance. Immediately afterward, a deep voice resounded in the area, reverent and clear, as if chanting to the gods.

Words with mysterious meanings reverberate and intertwine, containing powerful magic.

Gradually, the sound began to lighten, and when the last word fell, the dragon's blood and venom moved, and they were completely one, when a small protrusion poked out of the liquid mass like the last thin thread of the woolen ball. Soon the thin wire becomes longer and forms a thin filament. The filaments gradually become longer, while the liquid mass gradually becomes smaller.

Eventually, the liquid mass was gone, leaving only two filaments. At that moment, Kassandra picked up her wand, and with the swing of her wand, the filaments moved, dancing with the tip of his wand.

Eventually, the filaments formed a strange pattern that stood still in the air. Kassandra used the levitation charm to direct the card upwards so that the pattern would attach to the card.

At the moment of closure, the card emitted a scorching light, and by the time Ricardo could see again, the pattern was already printed on the card. Blood red and darkness intertwine on the card, and when you look closely, a green snake looms in the pattern.

"This is the summoning card," Kassandra took a few deep breaths, her breath unsteady but calm, "you write the name of this dragon on the card, and then command the dragon to enter with your mind, and you can summon it at any time." ”

"You know how big it is, how powerful it is, and how big it is when you release it. Of course, it takes time to get used to it. ”

"This looks like a summoner in the eyes of Muggles," Ricardo joked, "summoning magical beasts to help in battle." ”

Kassandra didn't seem to want to laugh with him - she looked tired: "By the way, it's necessary for you to give Noble a pseudonym to prevent your opponent from summoning Noble with your recording once they get the card." Because it does sense that the commander is you, but if the name you call is the same as the name you have in mind, after a while, the magical beast will not be too lazy to perceive the name in your mind. ”

"Then I don't need to call it?"

"You'd better call it, otherwise, when you release a magical beast, it's prone to errors, such as size or something. The most important things for this summoning are the caster's voice and mind, magical beasts, and card medium, so it's best to call the name, but the voice name should not be the same as the idea name. ”

"Is that ......?"

This reminded Ricardo of talking to Flitwick that day, and the dean took out "Tattoos, Wands and Spirits", which he also looked at afterwards.

Among them, the description of "words and spirits" is as follows:

"Since ancient times, the Japanese have believed in the power of language. They believed that in ancient times, almost everyone could use language as a 'spell' to control creatures other than themselves. It is said that those who can evoke the true name of the yokai have the ability to control and use it as a servant, which is called 'word spirit'. ”

"Therefore, most of the old-fashioned or older Japanese people have two names, one is the real name that is hidden by their parents, and the other is the 'kana' that they use every day, which is out of reverence for the spirit of words. lest others lose their freedom or have their fate changed if their real name is known. When using the Spell of Words, the required requirement is the Voice of the Spellcaster. There is also the Subject, and the medium through which the voice of the spellcaster is transmitted to the Subject. ”

This...... It looks similar!!

And one of them is from the Americas and the other is from Asia, why are they similar?

Is it simply a different path?