There is no more and some words about April

Looking for a new job and changing cities, I don't know where to live, and I don't know if I can get it in ten days and a half, so I don't expect to have a change in April.

It's certainly impossible to interrupt here, but it's hard to say how long it will be at this point. According to the original idea, the main line should be the protagonist who does not have much pressure and does not have much sense of responsibility after a series of events, and his personality changes to "the greater the ability, the greater the responsibility", and the volumes should be:

Volume 1: Fledgling. Briefly set the protagonist and important supporting characters.

Volume II: Thrall's Game. Add important supporting characters to enrich the character.

Volume III: Moon Sea Scroll. Enrich the world and characters, and the protagonist's personality has initially changed. Can be transferred to the Kena El ending.

Volume IV: Santilburg Volume I. Continue to enrich the world and characters, and pave the way for the future. You can switch to the first resurrection ending or the bitter repair line or the hegemony line. There was a lot of trouble with this volume, the main problem being that the war description had not been learned too much, so it was fast-forwarded, resulting in the failure to preset the ending of the transition or the smooth transition of the line.

Volume n: Comanso Volume, formerly Volume V. Cultural contrasts facilitate a shift in the protagonist's worldview. The latest outline has been cancelled or moved to volume VIII. Can be transferred to the construction of racial equality lines or endings.

Volume 5: The Underground Volume, is already clearly about to lead to this volume. Another aspect of the protagonist's personality changes or is revealed. You can go to the Crystal Palace ending.

Volume 6: Santilburg Volume II, or perhaps Volume 7 or later, depending on whether the character of the previous protagonist has developed to the point where the character of the previous protagonist has developed. Whether the protagonist is soaring in his existing personality or whether there is a big change after contemplation has not yet been decided. It can be transferred to the Overlord, King, Strong, or Sage ending.

......

As you can see, in fact, since the third volume, each volume has preset the possibility of entering the ending and turning to the main line. One of the reasons is, of course, that it can end as quickly and without abruptness, and the second reason is that the inexperienced assumptions are not reasonable enough or may be quite different from the actual description. Cecilia and Kailin are still the same person according to the original setting, a half-elf ranger who is eager for adventure, but later finds it extremely difficult to fit this setting into the predetermined plot.

The reason why I want to write more joyful is that I feel that many books are too angry, and "the winner takes all, the loser dies and there is no place to bury" is too dark, so I want to neutralize it.