Chapter 495: The Audience's Reluctance
After Hu Buwei, Chen Ming followed.
◤ A picture of what was once innocent
Cruelly and gently appeared
Vulnerable time has come
Let's pray together◢
It's still falsetto!
In this song, Chen Ming's voice is only his original voice when he reads Italian.
Other than that, all the lyrics are in falsetto.
The chorus of the second part is here!
Hu Buwei sighed softly, put the pistol on the ground, folded his hands, and prayed on his chest.
◤ Merciful Father, I have fallen
I can't see the kingdom of sin
Please forgive my conceit
ah ya ya check it check it ah ya
No one can say that there is no one to say
It's unbearable
Behind the glory is engraved a loneliness
ah ya ya check it check it ah ya◢
This time, even Hu Buwei began to use falsetto, and in the process of turning the pages of the Bible through Chen Ming, he seemed extremely pious and lonely.
Hu Buwei's falsetto is a bit similar to Chen Ming's, but if you listen carefully, there is still a little difference.
Chen Ming's falsetto is biased towards bel canto, while Hu Buwei's falsetto is more like a sigh after crying.
Listening to Chen Ming's falsetto voice is like listening to an opera;
But listening to Hu Buwei's falsetto, there will be a kind of sadness that is also sad.
Chen Ming really put a lot of effort into teaching Hu Buwei how to express this feeling.
Immediately afterwards, Chen Ming's bel canto chant sounded again.
It's an opera lyric in Italian!
However, Chen Ming did not remember what the meaning of this paragraph was, so when compiling this party, Chen Ming asked Hu Buwei to choose a few Italian sentences from Italian that matched the artistic conception of the lyrics, and did not follow the original song.
In the last second, the audience was still immersed in Hu Buwei's sadness.
In the next second, Chen Ming's opera brought them into high society again, which was a wonderful feeling.
A few seconds later, the chorus of the third part hits!
That's right!
There are so many chorus parts in this song that if you are attentive to the viewer will find that the intro of "In the Name of the Father" is one minute and five seconds long.
A one-minute prelude, which is a very rare thing in creation.
Of course
It's rare, but there are certainly other artists who have tried this technique.
The prelude is too long, there are good and bad!
The advantage is that the ear-grabbing of the prelude can add a lot of points to the main song part, but the premise is that the prelude must be good and ear-catching.
In this way, the disadvantages are also obvious.
That is, if the prelude melody is average, it will wear out the audience's interest, and maybe the prelude has not been listened to, and people will directly order the next one.
As a representative of the prelude kill, Jay Chou has absolute confidence in his composition.
It can be said that Jay Chou and Huang Junlang in the early days were the same kind of people.
Both of them are crazy!
But it makes sense that the two of them are crazy, and it is for this reason that Huang Junlang has cooperated with Jay Chou for so long.
After all, when you are arrogant, you must want to find someone with a similar temperament to you.
Imagine that you think it's awesome, and then you say to someone, "I'm awesome." ”
Most people will smile politely and scold you behind your back.
But Jay Chou won't!
In the early years, Jay Chou heard someone boast to him that he was very powerful, and he probably replied excitedly: "Oh, so am I, fortunately, I will be lucky!" ”
Two "arrogant" people got together to write a song like "In the Name of the Father".
Chen Ming never worries about the length of the prelude.
When he first listened to "In the Name of the Father", he didn't realize that the prelude was long, but after listening to it a lot, he slowly realized that there was actually a prelude for more than a minute before the main song began.
Chen's reaction is representative of the overwhelming majority of people's reactions.
now
When the audience heard the chorus of the third part, a subtle influence had already formed in their minds, and they even memorized a lot of the lyrics, and sang softly along with the rap.
They were completely unaware that the prelude was more than a minute long.
Even professional artists like Xiao Xuan and Xiao Fan did not react immediately.
This time, Chen Ming and Hu Buwei spoke together and rapped the chorus.
Both used falsetto!
The falsetto of two different voices is superimposed, making the audience feel that the singing is far and near, as if there is singing in all directions.
For a moment, the audience couldn't sit still.
Listening to this dark style rap song, there is always an illusion of sitting on pins and needles.
Sitting and listening to this song will make you feel uncomfortable!
But this feeling is very different from the dynamic and exciting of modern rap.
A man stood up, his eyes reverent.
Two men stood up........
Slowly, the audience stood up, they didn't shout, they just listened quietly, and they all had a reverent look in their eyes.
Chen Ming is the only priest on the stage.
At this moment, they expressed their reverence and respect to Chen Ming.
The song has come to an end.
Soon, Chen Ming's voice became smaller and quieter, until it disappeared.
Only Hu Buwei's voice seemed to be somewhat relieved echoing in the ears of the audience.
◤ A long corridor leading to the hall
The same unspeakable vicissitudes
There is no hustle and bustle, only tranquility surrounding
I slowly fell asleep
It's just dawn◢
End of the song!
And at the end of the second, all the lights on the stage were focused on Hu Buwei, and Chen Ming's figure was hidden in the dim background without lights.
All the light means that the day is dawning.
At the moment when the morning light shone down, the Supreme Lord forgave him, the noble priest forgave him, and he himself forgave himself.
The dark wind runs through the whole song, but at the end of the song, it gives everyone the light of hope.
For some reason,
The audience wanted to see the expression on Chen Ming's face now.
But against a dim background,
Chen Ming's expression was very vague, and he couldn't see the specific expression clearly.
This is also carefully arranged by Chen Ming!
After today,
Chen Minghui rarely touches rap songs, so the light of the stage should be left as much as possible for these young rappers.
Hu Buwei and Zeng Weiying are the future of the rap industry!
Chen Ming's shining point is not in rapping, and there is no need to impress the audience at the end of the stage.
In the dimness,
Chen Ming looked at Hu Buwei, who was covered in light, and showed a smile.
These young singers should bring a different life to rap!
His original intention to participate in this show has been accomplished.
After a long time,
There was silence.
subsequently
All the lights on the stage lit up, illuminating every corner of the Cloud City Gymnasium and shining on everyone's hearts.
When the lights of the audience came on, everyone knew in their hearts that this episode was about to end!
Truth be told,
The program time of this episode of "The King of Rap" is very short, much shorter than many variety shows.
But at the moment,
The hearts of the audience were full of reluctance.
I don't know if I will be able to hear such a shocking rap song after today.......
7017k