Chapter 59: Symphony of Destiny (2-in-1)
Just as drinking lemonade ice water in between tastings can reset your palate.
Behind the melodious chant of the song, the ultramarines roared with the song "Symphony of Destiny", which almost stunned the audience.
Dangdangdang!
Four rapid, knocking notes suddenly grabbed the hearts of all the audience. A surging sense of fear surged across the screen like a boiling heat wave, as if there was a scorching, scorching black devil returning from hell descending on the world with a scorching firestorm.
The white-haired and white-eyed synth children were all heavy-faced and serious-looking, clutching the instruments in their hands, and playing solemn music with full attention.
It was as if an invisible force was created within them—if they didn't just grab the instruments in their hands, they would be swept away by the storm.
But as the music progressed, the imminent, heavy, majestic fear became more and more close, and the black, scorched human form had already choked his throat, and the rebels had already tensed their muscles and burst out with maximum strength, and looked at each other with wide eyes!
In the midst of this overwhelming fear, it seems that resistance can only lead to a psychedelic dream.
As the second movement sounds, the tempo becomes soothing and the dynamics become diminished. And the faces of the synthetics showed a kind of sadness.
It's as if the higher-ups of Tongshen Island have decided to "abolish all synths".
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The meaning of existence has been denied. The huge black human form is like an illusory shadow that does not exist, approaching with a devastating storm—a complete and fundamental despair that cannot be fought against by an individual.
Even if he is already an outstanding thing, a sage, and a hero, he still has no ability to resist in the face of a behemoth like the "Big Seven".
The date of death has been set. There are only a few days left that can be cherished.
If you give up resisting here, maybe you won't be so miserable.
This is not a shameful act. Because that is the enemy that cannot be fought against in the first place, it is "fate" itself. It is the root of doom at the time of coming, at the beginning of birth—
- At the end of the day, they're just "experiments".
Whether it was the small-scale experiment itself, or the origin of the synths, who possessed a vast amount of knowledge over generations of human beings, and an intellect comparable to that of the world's top intellectuals. They died in the bottomless pit of philosophy, but of course they can also understand that they can never become the forerunners and representatives of the next era.
If synth technology is determined to be the direction of the future, then there will be members associated with "elves" or "dragons" among them. This ensures that the ruling class of the present era will also be able to become the upper class in the future.
However, there is not even one. Not to mention elves and dragons, not even the children of famous scholars, top wealthy businessmen, or "heroes".
Most of the synths' "crafting materials" are children who have been tricked, robbed, or stolen. Regardless of whether there will be parents who support this kind of research and are willing to sacrifice their children...... The experiment itself requires that the synthesizers not leave the lab or the researcher's line of sight without permission, and it is unlikely that anyone will voluntarily participate in it.
They are but outcasts.
This is the "fate" that has been determined from the very beginning, before they were born.
Fate itself is a looming shadow, a great demon, an enemy that is powerless to resist and cannot defeat.
If you give up now...... There's no one to blame them, right?
That's what the synths thought at the time.
They live quietly in the laboratory, waiting for the time of fate, enjoying the tenderness of each day that may be the last. They take care of their researchers, accompanying them who are also deprived of the meaning of their existence...... Accompany these researchers, who are like fathers and mothers, teachers and friends to them.
Some go crazy, some are miserable, some are drunk, and some are lost. Someone lives as if they are dead...... There are also people who have already chosen to die, before they are "destroyed".
However, synths don't shed tears. They are gentle with them, like sensible children, young parents, and like their friends and partners.
It was a soft, sudden, sad whisper.
The spirit of the audience was fully engaged...... They feel that they are staying here, and this kind of "tranquility and joy" that can only deceive them is also a portrayal of the island of happiness.
And with the end of the second act.
In the third movement, a new, youthful power is pumped.
He is as hot as the rising sun, and scorching as fire. Like a hero waking up from a dream before he died—like Russell who understood the essence of himself and the monkey-faced eagle, and knew the end of the world.
He broke free from the gentle and feeble dream and opened his eyes. The child's hole danced with a white, blazing divine flame.
The flame flowed like tears from the child's hole, carved into his face, and fell into his hand. Immediately afterwards, the hero, who was choked by the throat of "fate", gradually ignited this flame all over his body.
And under the persecution of this flame, "fate" began to seem powerless. The hero's confrontation became powerful, and he slowly broke free from the giant hand of fate.
Immediately afterwards, "fate" was also ruthless. She used more powerful power and the strength of her hands to grasp the hero's small body.
- Outside of the screen, Russell also wears fully occlusive headphones and listens to the children's music immersively.
"Come and be a hero, Russell."
A voice sounded like an auditory hallucination.
The sentence that changed his life and even pushed the whole world in another direction is also the double yellow pipe that awakened the hero.
It wasn't a mechanical performance, but a lifetime of emotion—synths weren't cold machines, they were more intense than humans.
The "hero" of this scene is the impression of "ultramarine" in their hearts.
"Fate" is also manifesting itself.
It's not just elves. And not just the company. And it's not just dragons.
Rather, it is a brilliant, near-earth, twilight-kissing sun composed of countless human heads......
— and not even just the monkey-faced eagle itself.
It is the symbol behind it, the root of all tragedy...... fate itself that "their world is on the verge of extinction".
Those elves and companies that are high up in the sky are not in this looming storm of fate?
Even if they were pushed out of this life-saving boat, it would only delay their death.
And with the infusion of a high-spirited force - as if the hero had finally taken up his weapon.
That key point lies in the sacrifice of "Saar".
The opportunity he fought for the hero gave the hero the opportunity to completely break free from the shackles of fate and take up his own weapon.
At the end of the third movement, the fourth movement begins without warning.
It's like the picture of the hero fighting the storm......
Only then did the audience realize that behind the heroes there was a torrent of reinforcements coming.
Like a monstrous brilliance surging upwards, the turbulent power like a torrent is connected together, a pure white storm rises from the ground, and pure brilliance blooms on the earth—
The sky is full of strange light, like the power of the Holy Spirit.
Only a thousand suns can compete with it.
It was the most sacred struggle. It was a high-spirited, overwhelming victory.
Although there is no chorus in this symphony, it is as if you can hear the laughter of the people and the triumphant songs played in the crowd. Among them, the brief return of fate, the hysterical struggle, was also instantly overwhelmed and completely drowned by the overwhelming momentum—the will to survive, the strength of unity, and the brilliance of hope. It is the desire for fate to be "more than that", and the determination to ignite the soul, burst out of strength, and overcome fate.
The story of this movement is different from the previous ones.
It does not happen in the past, but in the future.
It wasn't Russell who made any promises to these children. But after they witnessed everything, this will to "believe in Russell" was naturally born.
Although he is not human, he sees the future of humanity before everyone else.
From this point of view, these synths, who were destined not to become pioneers, have finally become the pioneers of humanity in another field.
"Brilliant victory, ah......"
Russell muttered under his breath, his tense body slowly relaxing.
The symphony had been over for a while, but his ears seemed to be haunted by the brilliant and bright triumphant song.
- Lingering sounds.
I really didn't choose the wrong song.
Symphony of Destiny...... That is, Beethoven's Fifth Symphony in C minor, which has been rated as a magnificent masterpiece of "as long as there is music in this world, it will be passed on from generation to generation".
Basically, in any literary stream that conducts cultural exchanges with other worlds, it can also be called a highest-level "hole card". It can be said that it is a king bomb that will not violate the harmony even if it is taken out in the "last scene".
…… But it's a pity and irony that it's really lost in this era.
This world is undoubtedly the "future" of a certain earth.
Theoretically, it is indeed possible to find the score of the Symphony of Destiny through archaeology.
However, it was not given to Russell by Saar.
Rather, it was written by Russell himself.
Russell named him "Sal" because Sal had sacrificed himself and was powerless to refute his lies; The second is also in honor of Sal, as a final gift to this true "hero".
No one will remember that it was "Saar" who saved these millions of people.
But it is not so much that Sal has the idea of "sacrificing himself" and "giving up his life" and shines brightly......
It's better to say ...... It was a relief to finally be able to close my eyes.
It's been a long, long wait...... At first, I was afraid, and then I was looking forward to it. And in the end, it's already gone.
The fateful "final moment" has finally arrived, and it is a rare relief.
After more than a thousand years of waiting and more than a thousand years of guarding, the elves have also approached their limits.
It is only in recent years that the elves who abandon "fate" have gradually begun to appear...... Kamalse, who wants to fulfill his destiny directly and refuses to "wait for the time necessary for his own destiny in the future"; Tovatus, who is almost broken and broken, and is fearless against everyone; Amirus, whose fate is "persistent" but has begun to be flexible; Nitbas, who pursues the fate of the "stars" that he will never see in his life; After seeing the birth of the "saint", Saar, who was ready to take over the shift......
Even though they have gained a long life, more than a thousand years have passed...... Almost all of the first generation of Raider Elves have begun to age.
Names such as "Tokifate" and "Tovatus" have been passed down to the second generation.
And their spirit has reached its limit.
According to Russell's present thoughts, the plan that the ancients had determined in the first place...... Maybe it was wrong from the start.
They chose eighty-four people to be the forerunners and guardians of mankind and the hope of the rebirth of civilization; and preserved the best human beings as specimens of civilization - but they did not think that the essence of these elves, their spiritual core, was only mortal after all.
There are mortals who live and die, have joy and sorrow.
They can't even fully withstand the thousand years of living on this planet...... How can we bear the endless, endless darkness and loneliness of the spaceship?
From this point of view, the elves and dragons did not leave the planet in the first place, and I am afraid that it was not just indecisive and trying to find an answer to the problem before they had to abandon the planet.
Rather, they actually know it in their own hearts......
The "final plan" that the ancients made for them may not be of much use.
They themselves are the executors of the plan - they cannot fool their own reason.
And that's why Russell let these "synths" play a symphony of fate.
The elves are bound by the shackles of "fate" and become slaves of the "future".
Everything they do is as if it is for the "future". But every choice they make proves that they are still greedy for the possibility of "now".
Maybe it's because people live for a long time, they will become forward-looking;
Or maybe after the soul is solidified, it loses the sharpness that bursts out when it ignites the soul and gives up everything.
This song is for those people...... In order for them to have the courage to stand up against the company and the elves.
It's also for the elves, for the elves who have survived from the last era.
It is also so that they can have the courage to resist the dragon, fight against fate, and break the sky.
- Let go of the last extravagant hopes.
- Let go of this self-deceptive dream.
And......
"—break the shackles."
Russell muttered under his breath.
It is the same as a piece of music for Russell himself.
The pure white flames that burned in his child's bottom seemed to become more intense for a moment.
The ...... that bound him from the depths of his soul and kept him a mortal It is also the "Leviathan Wall" that protects them from sinking into the depths of the group's subconscious -
At this moment, it was finally fully opened.